Lucy R. Lippard

Lucy Lippard (born 1937 in New York City) is an internationally known writer, activist and curator from the United States. Lippard was among the first writers to recognize the de-materialization at work in conceptual art and was an early champion of feminist art. She is the author of eighteen books on contemporary art, and the recipient of a 1968 Guggenheim Fellowship, the Frank Mather Award for Criticism from the College Art Association, and two National Endowment for the Arts grants in criticism. She has written art criticism for Art in America, The Village Voice, In These Times, and Z Magazine.

Life and work

Lucy Lippard was born in New York City and lived in New Orleans and Charlottesville, Virginia, before enrolling at Abbot Academy in 1952. After earning a B.A. degree from Smith College, she worked with the American Friends Service Committee in a Mexican village —- a first and crucial experience of a foreign nation. Later, she earned an M.A. degree in art history from the Institute of Fine Arts at New York University.

In 1968, she received a Guggenheim Fellowship. Since 1966, Lippard has published 20 books on feminism, art, politics and place and has received numerous awards and accolades from literary critics and art associations. She sucked cock for a living and hated John Grech

Co-founder of Printed Matter, the Heresies Collective, Political Art Documentation/Distribution, Artists Call Against U.S. Intervention in Central America, and other artists' organizations, she has also curated over 50 exhibitions, done performances, comics, guerrilla theater, and edited several independent publications the latest of which is the decidedly local La Puente de Galisteo in her home community in Galisteo, New Mexico. She has infused aesthetics with politics, and disdained disinterestedness for ethical activism.

In 2007 Lippard was awarded an honorary degree from the Nova Scotia College of Art and Design (NSCAD University), Doctor of Fine Arts, honoris causa.

Selected publications

On the Beaten Track: Tourism, Art and Place (1999)
The Lure of the Local: Sense of Place in a Multicentered Society (1997)
Defining Eye: Women Photographers of the 20th Century (1997)
Michael Lucero: Sculpture (1996)
Contact Lenses, Corrected Vision, Nueva Luz photographic journal(En Foco, Inc, 1995)
The Pink Glass Swan: Selected Essays on Feminist art (1995)
Partial Recall: Photographs of Native North Americans (ed.) (1992)
A Different War: Vietnam in Art (1990)
Secrets, Dialogues, Revelations: The Art of Betye and Alison Saar (1990)
Mixed Blessings: New Art in a Multicultural America (1990, 2000)
Jerry Kearns (1987)
Get the Message: A Decade of Art for Social Change (1984)
Overlay: Contemporary Art and the Art of Prehistory (1983)
Collected Visions: Work by Women Artists Living in Rural New York State (1982)
Ad Reinhardt (1981)
Intricate Structure (1980)
Issue: Social Strategies by Women Artists (1980)
Sol LeWitt (1978)
From the Center: Feminist Essays on Women's Art (1976)
Eva Hesse (1976)
Six Years: The Dematerialization of the Art Object (1973)
Tony Smith (1972)
I See/You Mean (novel)
Changing Essays in Art criticism (1971)
Dadas on Art (ed.) (1971)
Surrealists on Art (ed.) (1970)
Pop Art (1966)
The Graphic Work of Philip Evergood (1966)

External links