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Lightsaber combat is the fictional style of lightsaber fighting used by Jedi and Sith in the Star Wars franchise. The details of the saber styles are never mentioned directly in the released Star Wars films, but they are explored in novelizations as well as expanded universe sources such as the novels, magazines, comic books, the Star Wars Role-playing Game and "Visual Dictionaries."

The stage combat used in the films are a combination of Kendo, Iaido, and occidental sword work such as fencing. Template:Spoiler

"Form Zero"

Form Zero was the basis for instruction of lightsaber combat that was originally defined by Jedi Master Yoda in describing the lightsaber technique of Felanil Baaks. The art of Form Zero lies in a lightsaber that has not been ignited. A Jedi cannot protect and serve the galaxy in the Jedi way if he/she does not know when to draw his/her sword and when to resort to different means of solving a problem. The knowledge, understanding, and wisdom behind the idea of right and wrong encompassed the idea that a Jedi who feels the necessity to use Form Zero, the absence of violence, is truly gifted in the ways of the Force.

Dun möch

The Sith aimed to completely dominate an opponent's spirit through whatever means possible by employing their own lightsaber combat doctrine. Dun möch commonly involved spoken taunts, jeers, and jests that exposed the opponent's hidden, inner weaknesses and/or doubts. Other variations on dun möch involved usage of the Force to throw large, weighty objects at the Sith's opponent during combat, which both distracts the opponent from the battle and could potentially cause damage.

Saber throw

The Jedi or Sith employ an attack in rare instances to use the cutting power of their lightsabers for an object at an unreachable location called the saber throw, or a throwing of his or her lightsaber. The lightsaber is thrown; usually the blade tip spins in a circular motion about the hilt; and the saber hits its target, usually to cut it. Skilled practitioners will use the Force to manipulate the trajectory of the lightsaber and then redirect it back to their hand.

  • When Yoda fought his way into the Jedi Temple in Revenge of the Sith, he used this technique to kill an attacking clone trooper.
  • When Luke Skywalker jumped atop a suspended catwalk in Return of the Jedi, Darth Vader threw his lightsaber to bring the catwalk crashing to the ground; some say that Darth Vader lacked the physique, speed, and Force power to jump atop the catwalk himself to continue the duel, while others count this as an example of his mastery of many techniques of the Force, confusing and intimidating his younger, less knowledgeable opponent; a third opinion states that Vader tried to avoid fighting an opponent on higher ground, given the outcome of his first battle with Obi-Wan Kenobi.
  • In video and computer games featuring lightsabers such as the Jedi Knight and Knights of the Old Republic series, this is a common technique as seen mastered by Kyle Katarn.

Tràkata

File:Yoda1.jpg
Jedi Master Yoda.

This is a form of lightsaber combat unique to only one or two of the most powerful Jedi. The Jedi will keep the lightsaber in their grasp, but will keep it turned off. The Jedi will then dodge or defend any attacks using the Force. Some of the more skilled Jedi may launch attacks using the Force in-between sweeps of the opponent's lightsaber. They will then wait until the right moment and swiftly turn the lightsaber on and off, sending the blade through the enemy's body. This will instantly wound or kill the enemy. This technique is difficult to master and to use it the Jedi must be very powerful with the Force. It is considered to be a dark form of combat as it takes the enemy by surprise and can be also used outside a lightsaber duel to dispose of somebody in close quarters. It is best used in lightsaber dueling but can also be used to avoid blaster fire.

Jedi Master Yoda mastered this style to perfection and used it often when in battle with many foes.

Tràkata was also used to great effect against the Yuuzhan Vong. When a lightsaber locked against an amphistaff the Jedi would shut down the blade, shift position and reignite it, sending the deadly energy beam through a less-protected joint or seam in the Vong's vonduun crab armor, as shown by Corran Horn on Ithor.

This style is likely based on Iaijutsu.

Other

Several techniques fall outside the traditional and practiced forms of the Jedi. Characters, such as General Grievous in Star Wars Episode III: Revenge of the Sith, can employ more varied movements. His attacks are intended to misdirect and confuse traditionally trained sword fighters. Grievous is exceptionally capable at this due to the flexibility of his joints, robotic reflexes, and his many limbs. Only the most experienced and talented of Jedi can withstand his attacks. For example, Grievous can hold one lightsaber in each of his four hands, spinning two of them very rapidly in front of him, acting as a shield. Grievous uses this against Obi-Wan on Utapau, but Obi-Wan manages to overcome this, biding his attack, and finally timing his strike through the whirling lightsaber shield.

Another unique lightsaber style is that of Adi Gallia (a victim of Grievous), who holds her saber with a one-handed reverse grip (backhand style). This is a personal variation of Form V, much as Vaapad is Mace Windu's personal variation of Form VII.

Basics of Lightsaber Combat

Unlike most martial arts involving a weapon, lightsaber combat is an art that is utilized before the weapon is ever drawn and ignited. This is due to the philosophy that a Jedi must only draw his weapon as a final recourse. A Jedi must decide on what situations require the application of deadly force, since the lightsaber is one of the deadliest weapons ever constructed.

Training

Lightsaber training begins very young, generally before a padawan has been taken by a knight or master as an apprentice. The master swordsmen at the Jedi Temple teach classes of padawans the most basics of lightsabers, such as basic moves and safety.

Training continues after a padawan becomes an apprentice. All Jedi Knights are required to be practioners of lightsaber combat, and they pass on this knowledge and experience to their apprentices. When the master feels his apprentice is ready, he teaches his apprentice how to construct his first lightsaber as well as oversees the construction process. Once the apprentice has finished constructing his lightsaber, the master teaches the padawan about velocities, a staple of Jedi lightsaber training.

Velocities

Jedi run endless drills called velocities to practice lightning reflexes and tight control. Velocities are similar in form to fencing, almost always performed with a partner, albeit much faster and trying to create an opening, rather than attack it. During velocities, Jedi learn how to give control over to the Force, as well as use it to extend their perceptions to other degrees of the encounter not allowed by their sensorium.

Advanced Lightsaber Combat

Advanced lightsaber combat revolves around the application of the Force during battle. While Jedi use the Force to extend their perceptions and give speed and purpose to their movements, this training allows them to utilize the Force in other, often unexpected, ways.

Master Yoda is a natural practitioner of advanced lightsaber combat. He uses the Force to propel him into blindingly fast jumps and spins during combat. He does this to effectively remove the disadvantage of his small stature when facing taller species in combat.

Stances

All strength and propulsion in the martial arts starts in the feet. The stance is important in fighting, as it not only provides balance but also the energy to be placed into an attack. It is the basis upon which all lightsaber combat is placed. It involves footwork, the alignment of the legs and torso, the straightening of the back, and the loosening of the arms so that they can snap into the desired position. Keys to good stances include: allowing the dominant foot to be the main source of propulsion, keeping the knees bent, keeping the back straight, and constant, calm breathing.

The Stance Grid:

Rear Center Forward
Aggressive Aggressive Back Aggressive Neutral Aggressive Forward
Neutral Neutral Back Jedi Ready Neutral Forward
Defensive Defensive Back Defensive Neutral Defensive Forward

Stances in italics are extrapolations based upon the foundations of sword stances. Only those stances seen in the movies and television series are described here.

Jedi Ready

The most basic of all Jedi stances - also called "basic neutral" - this one employs stepping back with the dominant foot and drawing the lightsaber so that it is parrying on the dominant side. Weight is distrubed evenly between the feet. It is natural that the dominant shoulder be rolled slightly back. The hilt of the lightsaber is held down level with the waist with the tip of the lightsaber pointed at or slightly over the head of the target. This stance is similar to the chūdan-no-kamae in kendo, except in the kendo form you step forward with the dominant foot as you draw the blade. This is evidence of the Jedi only using lightsabers as a matter of defense of themselves and others, whereas in kendo the purpose is for attack.

In Episode I, Obi-Wan Kenobi always used this stance when drawing his lightsaber, and hastily moved into it as well. This shows how undisciplined he was as a padawan. His feet shifted oddly so that his rear foot was not in a straight line pointing forward, his back was hunched forward (this reduces both balance as well as the flow of energy to-and-from the internal organs), and he held the point of his lightsaber so high that it partially obscured his vision. It is possible he is attempting an aggressive forward stance. By Episode II, he has changed moreso into his former master's style.

Neutral Forward

Very similar to Jedi ready, except that the dominant foot is forward - identical to chūdan-no-kamae - with the lightsaber hilt close to the waist, the blade pointed to the enemy. Slightly more weight is on the front foot than the rear, which means that the dominant leg is still the one that propels the attack.

Anakin uses this stance in Episode II. He centers himself by setting his stance and swinging his blade slowly from behind his back, over his head, down centerline of his body, and settling the lightsaber in place.

Defensive Neutral

A good defensive posture, defensive neutral is ready for any occurence but is also non-threatening. The dominant foot is drawn back and pointed approximately forty-five degrees out to the side. Approximately sixty-percent of the weight is on the back foot. The dominant shoulder is rolled back as the blade is drawn. The lightsaber is held vertically next to that side of the head, in the pocket created by the shoulder. This form is almost identical to the hassō-no-kamae stance found in kendo.

In Episode I, Qui-Gon Jinn uses this stance when drawing his lightsaber. His form is almost flawless, showing the years of training and discipline spent acquiring his skill. He holds his lightsaber back in such a fashion that his eyes are able to scan a wide forward arc, looking for targets and watching attacks. With his long legs, he is able to hold his feet wide, ready to spring forward at a moment's notice. In Episode II, Obi-wan has followed in his master's footsteps and picked up this stance.

Defensive Back

The best defensive posture in sword combat, defensive back is nigh-impossible to penetrate and nigh-impossible to launch an attack from. The hilt of the blade is rasied high towards the face, the point of the blade pointed diagonally down at the ground. From this position slashing strikes aimed at the torso can be easily blocked, and stabbing strikes can be quickly parried with wide, sweeping moves from which the defender can quickly move forward into a better stance. Another advantage of this stance is that the blade can be quickly swung all the way around the torso to block attacks from all directions.

File:Revanconfronted.jpg
Darth Revan in a aggressive back stance and the Jedi in basic neutral

In Star Wars: Clone Wars, Anakin Skywalker assumes a very flashy form of this stance after he and Obi-Wan Kenobi dispatch an entire squad of droids in Episode 22.

Aggressive Neutral

A very threatening stance similar to the Jedi ready stance. This involves standing with more of the weight on the front foot rather than the rear. The arms are held so that the hilt of the lightsaber is in line with the solar plexus, and the point of the lightsaber is directed at the target's head. The distance from the body to the lightsaber is greater than most stances. This form is not very useful in conventional combat, but is very deadly in lightsaber-on-lightsaber combat.

Combined with the elegant, flowing, and swift motions of Form II, this stance allows Count Dooku to keep his guard up while pressing the attack. Even when facing an Anakin Skywalker armed with two lightsabers, he is able to gain an advantage by keeping his enemy at arm's length.

Aggressive Back

A more radical stance than most, aggressive back is a low posture from which a swift attack can be launched. The back foot is pointed out almost ninety-degrees from the body and is holding over eighty-percent of the weight. The front foot is extended forward, almost straight. The lightsaber is held on the dominant side, right beside the head, its blade facing directly forward. Like aggressive neutral, this stance is only useful for taking on a single enemy armed with a lightsaber, especially since it obstructs view of the right side of the body.

This is Obi-wan's stance from Episode III. He uses it mainly in facing General Greivous, alternating at times with aggressive neutral. This leaves him open to attack from surrounding droids, but he realizes that danger is minute in scope to giving Grievous one inch of advantage.

Body Zones

The body is sectioned off into "zones", areas to describe a location of an offensive or defensive move, called an attack or a parry, respectively. For example, the move Attack 3 can only be defended against by Parry 3: as the opponent attempts to strike the left side, the defender blocks to the left, parrying his blow.

The Body Zones:

  • Zone 1: Head - Strikes made to the right and left sides of the neck are said to be in zones 2 and 3, respectively.
  • Zone 2: Right arm and side
  • Zone 3: Left arm and side
  • Zone 4: Back
  • Zone 5: Right leg
  • Zone 6: Left leg

Examples of Attacks and Parries:

Attack 1: A simple, over-the-head strike at an opponent's head. Though not practiced much in combat training, it is a general move performed over and over to practice form and stance.

Parry 1: A block where the defender shifts his stance back slightly, and then holds his lightsaber up horizontal above his head. Whether the hilt is to the right or the left determines how the defender wishes to press his following attack.

Attack 2/3 Combo: This is a rushing attack where the lightsaber is swung from one shoulder to the opposite hip, brought back up behind the back, and swung down from the opposite shoulder to hip. This X-shaped attack is useful for keeping an enemy busy blocking and unable to counterattack.

Parry 2/3 Combo: A natural defense to the Attack 2/3 combo. The blade is lowered to the hip and brought up diagonally to intercept the opponent's blow. As soon as the lightsabers are no longer making contact, the blade is lowered to the opposite hip and the move is repeated. Jedi can get locked in this combo during a velocity, and it is common to see the attack-parry combo continue to get faster and faster, until either attacker or defender gets the upper hand in speed and can press the attack or counterattack.

Maneuvers and marks of contact

All ten forms of lightsaber combat utilize these ancient terms used by the Jedi for describing the objectives, maneuvers to use, and the various outcomes that could arise out of a fight involving lightsabers as weapons.

Marks of contact

Cho mai

The term cho mai is used to describe the action of cutting off an opponent's weapon hand. This move shows that the Jedi using it has the honor to cause the opponent minimal physical damage; it also shows the skill and mastery of the Jedi performing the move to the opponent. This is exemplified in such cases as when Anakin Skywalker cut off both Count Dooku's hands (before decapitating him) in Star Wars Episode III: Revenge of the Sith; Anakin also cut off Mace Windu's hand to prevent him from killing Emperor Palpatine/Darth Sidious in Revenge of the Sith; Darth Vader cut off Luke Skywalker's hand in Star Wars Episode V: The Empire Strikes Back; and Luke returned the favor in Star Wars Episode VI: Return of the Jedi.

Cho mak

A cho mak is the act of cutting off an opponent's limb, such as a humanoid's leg. This can be seen when Obi-Wan slashes Anakin's remaining biological arm and both of his legs during their epic duel in Revenge of the Sith.

Cho sun

The term cho sun is used to describe the move used to cut off an opponent's weapon arm, such as when Count Dooku defeated Anakin Skywalker in Star Wars Episode II: Attack of the Clones. Most combatants prefer the more efficient and precise cho mai, but cho sun is sometimes used when the opponent is too strong or fast to allow such a precise cut.

Sai cha

The term sai cha is used to describe the rare instance when a Jedi beheads his or her opponent. This is often reserved for the most dangerous of enemies—ones who a Jedi cannot afford to let live. This is an example of what Anakin Skywalker did to Count Dooku in Star Wars Episode III: Revenge of the Sith (although Dooku was sufficently incapacitated), what Mace Windu did to Jango Fett in Star Wars Episode II: Attack of the Clones, and what Mace Windu again tried to do to Chancellor Palpatine in Star Wars Episode III: Revenge of the Sith.

Sai tok

A sai tok, frowned upon by the Jedi because of its Sith-like nature, is the act of cutting an opponent in half, usually separating his or her legs from their torso at the waist. It is performed by Jedi Padawan Obi-Wan Kenobi against Darth Maul in The Phantom Menace. This move is used only in the most extreme of circumstances.

Shiak

The term shiak is used to describe the usually dishonorable action of stabbing an opponent. This technique is often used by Sith, such as when Darth Maul stabbed Qui-Gon Jinn in Star Wars Episode I: The Phantom Menace, and Palpatine's stabbing of Agen Kolar in Revenge of the Sith. Yoda can also be seen using a variation of this technique in Revenge of the Sith, when he throws his lightsaber at a Clone Trooper, impaling him, then clambers up the still-standing body to retrieve his weapon. Jedi also used this when they were fighting droids.

Shiim

A shiim is a more minute, considered inferior, wound to an opponent by the edge of a lightsaber's blade. It is also considered a sign of desperation or struggle against a potent enemy, such as when Luke grazed Darth Vader's shoulder during their duel at Bespin in The Empire Strikes Back. It is also seen in Star Wars Episode II: Attack of the Clones in the instance where Count Dooku grazes Obi-Wan's right arm and leg.

Sun djem

A sun djem is an attack used by Jedi that disarms the weapon of an opponent, the objective usually being not to physically harm the opponent, such as when Master Mace Windu kicked Darth Sidious' lightsaber away during their duel in Revenge of the Sith and when Count Dooku disarmed one of Anakin's lightsabers in Attack of the Clones (although the lightsaber was destroyed in the process).


Maneuvers

Jung

A jung in lightsaber combat is a 180-degree turn.

Jung ma

The term jung ma is used to describe a maneuver used by Jedi to perform a 360-degree spin in which power is gained for an imminent attack on the opponent.

Sai

A sai is the term used to describe the move used by Jedi to evade an attack directed at their legs. The Jedi jumps up with the Force as the main backbone of the strength, height, and speed at which the jump is executed. The Jedi can then strike downwards, using their fall as a fulcrum for more power.

Shun

The term shun is used for when a 360-degree turn is performed with just a one-handed grip, thus gaining speed for an attack.

Kai-kan

Great lightsaber duels - those of Ulic Qel-Droma, Exar Kun, etc. - have been studied throughout the ages by Jedi masters. The kai-kan is a re-enactment of a famous, usually ancient, very dangerous, lightsaber or even sword battle, which only very well trained Jedi attempt to perform.

Lightsaber Combat in the Star Wars Movies

In writing the prequel trilogy, George Lucas said that he wanted the lightsaber combat in the prequels to be a more "energized" form of that in the original trilogy. In the original movies, the only people who fought with lightsabers were an old man, a "half-droid / half-man", and a young boy who learned from them. However, this form of fighting was smooth and graceful, and that was exactly what George Lucas wanted to carry forward.

The movies' stunt coordinator, Nick Gillard, said that: "they chose a short-range weapon, and so they would have to be very good at it... They would have to study every great sword fighting style: kendo, samurai, including stuff like tennis and even some tree-chopping, everything you could swing at."

Sources

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