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Los Angeles County Museum of Art

Coordinates: 34°03′48″N 118°21′29″W / 34.063299°N 118.358016°W / 34.063299; -118.358016
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Surrounding the BCAM building and LACMA's courtyard is a 100 palm tree garden, designed by artist Robert Irwin and landscape architect Paul Comstock. Some of the 30 varieties of palms are in the ground, but most are in large wooden boxes above ground.[1][2] Directly in front of the new entrance to LACMA on Wilshire Boulevard is Chris Burden's Urban Light (2008), an orderly, multi-tiered installation of 202 antique cast-iron street lights from various cities in and around the Los Angeles area. The street lights are functional, turn on in the evening, and are powered by solar panels on the roof of the BP Grand Entrance.

Urban Lights sculpture by Chris Burden

Originally Jeff Koons Tulips sculpture was inside the Grand Entrance building and the Fire Truck was outside in the courtyard. Both sculptures were removed after being on display for 3 months due to unexpected damage from patrons and wear.

Modern Art

In December 2007, the Modern Art holdings were greatly expanded by the gift of the 130 item Janice and Henri Lazarof Collection. The collection features significant works from; Constantin Brancusi, Edgar Degas, Alberto Giacometti, Wassily Kandinsky, Paul Klee, Pablo Picasso and Camille Pissarro.[3]

“Back Seat Dodge ’38 (1964) by Edward Kienholz, is a sculpture portraying a couple engaged in sexual activity in the back seat of a truncated 1938 Dodge automobile chassis. The piece won Kienholz instant celebrity in 1966 when the Los Angeles County Board of Supervisors tried to ban the sculpture as pornographic and threatened to withhold financing from LACMA if it included the work in a Kienholz retrospective. A compromise was reached under which the sculpture’s car door would remain closed and guarded, to be opened only on the request of a museum patron who was over 18, and only if no children were present in the gallery. The uproar led to more than 200 people lining up to see the work the day the show opened. Ever since, Back Seat Dodge ’38 has drawn crowds.[4]

Not displayed since its' original show at Washington DC's Corcoran Gallery of Art in 1967, the Ahmanson Building's remodeled atrium now holds Tony Smith's sculpture Smoke (1967). The massive black steel artwork is made up of 43 piers, and is 45 ft. long, 33 ft. wide and 22 ft. high. The work is currently on loan from the artists' estate.

Latin American Art

LACMA's Latin American Art galleries reopened in July 2008 after several years renovation. The Latin American collection includes pre-Columbian, Spanish Colonial, Modern and contemporary works. Many recent additions to the collection were financed by sales of works from an 1,800-piece holding of 20th century Mexican art compiled by dealer-collectors Bernard and Edith Lewin and given to the museum in 1997.[5]

The pre-Columbian galleries were redesigned by Jorge Pardo, a Los Angeles artist who works in sculpture, design and architecture.[5] Pardo's display cases are built from thick, stacked sheets of medium-density fiberboard (MDF), with spacing of equal thickness in between the 70-plus layers. The laser-cut organic forms undulate and swell out from the walls, sharply contrasting to the rectangular display cases found in most art museums.[6]

The museum's pre-Columbian collection began in the 1980s with the first installment of a 570-piece gift from Southern California collector Constance McCormick Fearing and the purchase of about 200 pieces from L.A. businessman Proctor Stafford. The holdings recently jumped from about 1,800 to 2,500 objects with a gift of Colombian ceramics from Camilla Chandler Frost, a LACMA trustee and the sister of Otis Chandler, former LA Times publisher, and Stephen and Claudia Muñoz-Kramer of Atlanta, whose family built the collection.[5] A sizable portion of LACMA's pre-Columbian collection was excavated from burial chambers in Colima, Nayarit and other regions around Jalisco in modern-day Mexico.[6]

The Spanish Colonial collection includes work from 17th and 18th century Mexican artists Miguel Cabrera, José de Ibarra, José de Páez and Nicolás Rodriguez Juárez. The collection has galleries for Diego Rivera and Rufino Tamayo. The Latin American contemporary gallery highlights works Francis Alÿs.[6]

Acquisitions and Donors

A 18th century painting of Hindu goddesses Matrikas fighting demons, from LACMA.

On January 8, 2008 Eli Broad revealed plans to retain permanent control of his roughly 2,000 works of modern and contemporary art in the independent Broad Art Foundation, which loans works to museums, rather than giving the art away. Mr. Broad, as recently as a year prior, had said that he planned to give most of his holdings to one or several museums, one of which was assumed to be LACMA. However, LACMA remains the "preferred" museum to receive works from the Foundation. [7]

Broad, previously vice chairman of LACMA's board of directors, financed the $56-million Broad Contemporary Art Museum (BCAM) building at LACMA; he also provided an additional $10 million to buy two works of art to be displayed in it. BCAM displayed 220 pieces borrowed from Broad and his Broad Art Foundation when it opened in February 2008. In 2001, LACMA was criticized for hosting a major exhibition of Mr. Broad’s collection without having secured a promised gift of the works, an act that is prohibited at many prominent art institutions because it can increase the market value of the collection.[8]

In December 2007, Janice and Henri Lazarof gave LACMA 130 mostly modernist works estimated to be worth more than $100 million.[8] The collection includes 20 works by Picasso, watercolors and paintings by Paul Klee and Wassily Kandinsky and a considerable number of sculptures by Alberto Giacometti, Constantin Brancusi, Henry Moore. Willem de Kooning, Joan Miró, Louise Nevelson, Archipenko and Arp.[9][10]

In 2001, the museum lost out on the collection of Nathan Smooke, a former museum trustee and industrial real-estate developer whose heirs sold much of his collection rather than donating it.

LACMA boasts one of the largest collections of Latin American art due to the generous donation of more than 2,000 works of art by Bernard Lewin and his wife Edith Lewin in 1996.

In the early 1970s Norton Simon, the Hunt's food magnate, donated his collection the Pasadena Art Museum, forming the Norton Simon Museum, after making some indication of donating the work to LACMA.[7][8]

Armand Hammer was a LACMA board member for nearly seventeen years, beginning in 1968, and during this time continued to announce the museum would inherit his whole collection. Hammer's collection included works from Van Gogh, Sargent, Eakins, Gustave Moreau and Chardin. When LACMA was offered a collection of works by Honore Daumier, Hammer bought the works on the promise that he would give them to the museum. To LACMA's surprise, Hammer instead founded the Hammer Museum, built adjacent to Occidental's headquarters in Los Angeles.[11]

In 1996 the museum suffered yet another serious blow when the Gilbert Collection of Italian mosaics and other decorative objects, promised as an eventual bequest, and parts of which had been on display for decades, was withdrawn. The would-be donor claimed that the Museum had reneged on a written agreement to provide more exhibit space for it.[12][13]. The collection is considered one of the finest in the world of its kind. Moreover, unlike the Hammer and Simon collections, it did not remain in the Los Angeles area but was removed to the United Kingdom.

From 1946 to his death in 1951, William Randolph Hearst was LACMA's largest benefactor. He remains the largest donor to the museum in number of objects. His donations formed the museum's collection of Greek and Roman antiquities, medieval and early Renaissance sculptures, and much of the collection of European decorative arts.[14]

References

  1. ^ Hames, James (March 17, 2008), "LACMA Palm Garden more than landscape", San Fernando Valley Business Journal{{citation}}: CS1 maint: date and year (link)
  2. ^ Heeger, Susan (January 06, 2008), "Palm Pilots" ([dead link‍] – Scholar search), Los Angeles Times {{citation}}: Check date values in: |date= (help); External link in |format= (help)CS1 maint: date and year (link)
  3. ^ "LACMA Acquires Major Collection of Modern Art" (PDF) (Press release). Los Angeles County Museum of Art. 2007-12-27. Retrieved 05-02-2007. {{cite press release}}: Check date values in: |accessdate= (help)
  4. ^ Wyatt, Edward (10-02-2007), "In Sunny Southern California, a Sculpture Finds Its Place in the Shadows", New York Times {{citation}}: Check date values in: |date= (help)CS1 maint: date and year (link)
  5. ^ a b c Muchnic, Suzanne (July 26, 2008), "LACMA remaps Latin America", Los Angeles Times, retrieved August 1, 2008{{citation}}: CS1 maint: date and year (link)
  6. ^ a b c Knight, Christopher (August 1, 2008), "Jorge Pardo's Pre-Columbian art installation at LACMA", Los Angeles Times, retrieved August 1, 2008{{citation}}: CS1 maint: date and year (link)
  7. ^ a b Reynolds, Christopher (January 15, 2008), "Finding the silver lining Moving on to Plan B", Los Angeles Times{{citation}}: CS1 maint: date and year (link)
  8. ^ a b c Wyatt, Edward (January 8, 2008), "An Art Donor Opts to Hold On to His Collection", New York Times{{citation}}: CS1 maint: date and year (link)
  9. ^ Wyatt, Edward (December 13, 2007), "For Los Angeles Museum, a 'Transformative' Gift of Modernists", New York Times{{citation}}: CS1 maint: date and year (link)
  10. ^ Muchnic, Suzanne (December 12, 2007), "Huge gift helps LACMA enter the modern age", Los Angeles Times{{citation}}: CS1 maint: date and year (link)
  11. ^ Hughes, Robert (January 28, 1991), "America's Vainest Museum", Time Magazine{{citation}}: CS1 maint: date and year (link)
  12. ^ Los Angeles Times. Los Angeles, Calif.: Sep 4, 2001. pg. B.11
  13. ^ DIANE HAITHMAN. Los Angeles Times (pre-1997 Fulltext). Los Angeles, Calif.: Jun 13, 1996. pg. 2
  14. ^ Cite error: The named reference LACMAartspaces was invoked but never defined (see the help page).
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