White Oleander (film)
| White Oleander | |
|---|---|
 Theatrical release poster | |
| Directed by | Peter Kosminsky |
| Written by | Screenplay Mary Agnes Donoghue Novel Janet Fitch |
| Produced by | Hunt Lowry John Wells |
| Starring | Alison Lohman Michelle Pfeiffer Robin Wright Penn Renée Zellweger |
| Cinematography | Elliot Davis |
| Edited by | Chris Ridsdale |
| Music by | Thomas Newman |
| Distributed by | Warner Bros. Pictures |
Release date | October 11, 2002 |
Running time | 109 minutes |
| Countries | Template:FilmUS Template:FilmGermany |
| Language | English |
White Oleander (2002) is an American motion picture drama directed by Peter Kosminsky. The cast features Alison Lohman in the central role of Astrid Magnussen, and Michelle Pfeiffer as her temperamental mother Ingrid, alongside Robin Wright Penn, Renée Zellweger, Billy Connolly and Patrick Fugit in supporting roles.
The screenplay was adapted from the novel of the same name by Janet Fitch, which was selected for Oprah's Book Club in 1999.
Plot
The narrator, Astrid Magnussen (Alison Lohman), is the fifteen-year-old daughter of a free-spirited artist, Ingrid (Michelle Pfeiffer). Her father having left before she was old enough to remember him, Astrid depends heavily upon the maternal care of her passionate, but largely self-centered mother. Ingrid's current relationship, with a vulgar man named Barry (Billy Connolly), comes to an end when he is discovered to be a womanizer, and her emotional response leads her to murder him using poison (white oleander). Ingrid is arrested and sentenced to life in prison, leaving Astrid without parents and in need of foster care.
Astrid is sent to live with foster mother Starr Thomas (Robin Wright Penn), a former stripper and recovering addict. The unhealthy environment leads Starr to suspect that Astrid is having an affair with her live-in boyfriend, and she turns violent towards the girl. Astrid is then given into the care of former actress Claire Richards (Renée Zellweger), a sweet and affectionate woman who initially provides stability for Astrid. Upon accompanying Astrid to see her mother in prison, however, Claire's weaknesses are seized upon by the jealous Ingrid, and she ultimately commits suicide, suspecting that her husband is having an affair. Astrid then chooses to live with a Russian immigrant, Rena (Svetlana Efremova), who treats her foster children as cheap labourers.
As Ingrid's appeal for release approaches, she tries to bribe Astrid to testify that she did not murder Barry. In a newfound position of power, Astrid demands answers from her mother as to their past, leading to the revelation that Ingrid left Astrid with a babysitter for over a year when she was younger, a move that clearly gave rise to feelings of abandonment in Astrid's childhood. Eventually, having reluctantly agreed to testify, Astrid learns from her mother's lawyer that the appeal has been denied, because Ingrid refused to let Astrid's testimony be heard, a final act of love from a difficult but ultimately loving mother. Astrid forges a new adult life in New York with Paul: another young man she met while in foster care. (Patrick Fugit).
Cast
- Alison Lohman as Astrid Magnussen
- Michelle Pfeiffer as Ingrid Magnussen
- Robin Wright Penn as Starr Thomas
- Renée Zellweger as Claire Richards
- Amy Aquino as Ms. Martinez
- Billy Connolly as Barry Kolker
- Svetlana Efremova as Rena Gruschenka
- Patrick Fugit as Paul Trout
- Cole Hauser as Ray
- Liz Stauber as Carolee
- Noah Wyle as Mark Richards
- Marc Donato as Davey Thomas
Production
Barbra Streisand turned down the offer of directing the film, and playing the role of Ingrid Magnussen.[1]
Alison Lohman wore a wig throughout filming, having just finished playing a cancer patient in deleted scenes from the film Dragonfly (2002).[1]
The film clip shown by Claire (Renée Zellweger) to Astrid as an excerpt of her earlier acting career is actually taken from one of Zellweger's own early performances, in The Return of the Texas Chainsaw Massacre (1994).[1]
Differences between novel and screenplay
- Astrid is twelve years old at the beginning of the novel; in the film, she is fifteen.
- Ingrid is a poet in the novel, but an artist in the film.
- In the novel, Astrid undoubtedly enters into a sexual relationship with Starr's boyfriend, whereas in the film it is only suspected by a drunken Starr, without actual proof.
- Ingrid is released from jail after winning her appeal in the novel; in the film, Ingrid eventually chooses to spare her daughter from testifying, thereby condemning herself to imprisonment.
- In between living with Starr and Claire, Astrid experiences two more foster homes in the novel, staying with the Turlocks and Olivia Johnstone, and then with Amelia Ramos; in the film, these characters are eliminated.
Release
Reception
White Oleander currently holds a rating of 69% on Rotten Tomatoes,[2] and a score of 61 on Metacritic,[3] indicating generally favorable reviews.
Stephen Holden in the New York Times called it a "rich, turbulent adaptation," and described the performances as "superbly acted from top to bottom." Comparing it to other films on the same theme - Anywhere but Here, Tumbleweeds and The Divine Secrets of the Ya-Ya Sisterhood - Holden found White Oleander to be the only one to show "how children instinctively absorb their parents' attitudes and personalities."[4] Roger Ebert in the Chicago Sun-Times wrote: "White Oleander tells a sad story of crime and foster homes, and makes it look like the movie version. The film takes the materials of human tragedy and dresses them in lovely costumes, Southern California locations and star power."[5] Andrew Sarris named it as a runner-up on his list of the ten best English-language films of 2002.[6]
The performances were widely acclaimed, particularly those of Michelle Pfeiffer and Alison Lohman. The New York Times called Pfeiffer's role the "most complex screen performance of her career... at once irresistible and diabolical,"[4] while the Los Angeles Times singled out her "riveting, impeccable performance in what is literally and figuratively a killer role."[7] Variety described it as a "daring, unsympathetic performance."[8] Lohman's work was variously described as "the year's most auspicious screen acting début,"[4] a "tremendously weighty and extended role... [taken on] with great confidence,"[8] and an "awesome performance."[5]
Awards and nominations
Michelle Pfeiffer won the Kansas City Film Critics Circle Award for Best Supporting Actress and the San Diego Film Critics Society Award for Best Supporting Actress, and received a nomination for the Screen Actors Guild Award for Outstanding Supporting Actress.[9]
Renée Zellweger was nominated for the Satellite Award for Best Supporting Actress - Motion Picture.[9]
Alison Lohman was nominated for the Phoenix Film Critics Society Award for Best Newcomer.[9]
Marc Donato won a Young Artist Award in the category of Best Performance in a Feature Film - Supporting Young Actor.[9]
References
- ^ a b c "White Oleander (2002) - Trivia". imdb.com. Retrieved 2010-04-05.
- ^ "White Oleander Movie Reviews, Pictures". rottentomatoes.com. Retrieved 2010-04-05.
- ^ "White Oleander reviews at Metacritic.com". metacritic.com. Retrieved 2010-04-05.
- ^ a b c Holden, Stephen (October 11, 2002). "Movie Review - 'White Oleander' - Slowly, a Princess Turns Into an Urchin". nytimes.com.
- ^ a b Ebert, Roger (October 11, 2002). "White Oleander :: rogerebert.com :: Reviews". rogerebert.suntimes.com.
- ^ Sarris, Andrew. "The Best Films of 2002, and a few Honorable Mentions". observer.com. Retrieved 2010-04-05.
- ^ Turan, Kenneth (October 11, 2002). "'White Oleander' - MOVIE REVIEW - Los Angeles Times".
- ^ a b Koehler, Robert (September 7, 2002). "White Oleander Movie Review". variety.com.
- ^ a b c d "White Oleander (2002) - Awards". imdb.com. Retrieved 2010-04-05.