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Georg Solti

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File:Georg Solti.jpg

Sir Georg Solti, KBE (Template:Pron-en[1]; 21 October 1912–5 September 1997) was a Hungarian-British orchestral and operatic conductor. He was a major classical recording artist, holding the record for having received the most Grammy Awards, having personally won 31 as a conductor, including the Grammy Lifetime Achievement Award.[2] In addition to his recordings he is probably best known for leading the Chicago Symphony Orchestra from 1969-91. He is widely regarded as one of the greatest conductors of the second half of the 20th century.[3][4]

Early career

Solti and Nikita Magaloff (1965)

Solti was born György Stern (Hungarian: Stern György) in Budapest, Hungary to a Jewish family; his parents were Móric(z) Stern and Teréz Rosenbaum. His cousin was László Moholy-Nagy, the Jewish-Hungarian painter and photographer, who taught at the Bauhaus in Dessau and co-founded the New Bauhaus in Chicago. His father Germanized the name György to Georg and changed his family name to Solti, to shield them from antisemitism.

He learned the piano but at age 14 heard Erich Kleiber conduct Beethoven's Symphony No. 5 and he decided immediately he wanted to be a conductor. He studied at the Franz Liszt Academy of Music, under Béla Bartók, Zoltán Kodály, Leo Weiner and Ernst von Dohnanyi.[5] By 1935 he was gaining recognition as a conductor, and made his debut at the Budapest Opera on 11 March 1938 with The Marriage of Figaro, the first time an unconverted Jew had ever conducted there. It was also Solti's last performance there. On that very day, Hitler annexed Austria, and anti-semitism became rife in Hungary under Admiral Miklós Horthy's regime. In 1939, with German invasion imminent, he fled Hungary because of his Jewish ancestry, and moved to Switzerland, where he continued a career as a pianist and won the Geneva International Piano Competition, but he had limited opportunities to develop his conducting. Unfortunately, he never saw his father again.

After the Second World War, during which his father died of natural causes, Solti was music director of the Bavarian State Orchestra in Munich (where he gave the German premiere of Paul Hindemith's opera Mathis der Maler, which had been banned under the Nazi regime) and the Frankfurt Opera (where he gave the German premiere of Alban Berg's Lulu). In 1951 he made his debut at the Salzburg Festival conducting Mozart's Idomeneo.

In 1960 Solti signed a three-year contract (effective in 1962) to be music director of the Los Angeles Philharmonic, having guest conducted the orchestra in winter concerts in downtown Los Angeles, during the summer at the Hollywood Bowl,[6] and in other Southern California concerts.[7] The orchestra had hoped that Solti would lead the orchestra when it moved into its new home at the still-to-be-completed Dorothy Chandler Pavilion, and he even began to appoint musicians to the orchestra. However, Solti abruptly resigned the position in 1961 without officially taking the post after learning that the Philharmonic board of directors failed to consult him before naming then 26-year-old Zubin Mehta to be assistant conductor of the orchestra.[8] Mehta was subsequently named as music director in Solti's place.

In 1961 Solti became music director at the Royal Opera House, Covent Garden, serving in that capacity until 1971. There, Solti's bald head and demanding rehearsal style earned him the nickname, "The Screaming Skull" (after the film of the same name).[9] He thereafter spent much of his time in Britain and the United States.

His first marriage to Hedi Oechsli, in 1946, ended in divorce.[10] His second marriage was to Valerie Pitts, a British television presenter whom he met when she was sent to interview him. They had two daughters, Gabrielle and Claudia. In 1972 he was naturalized as a British citizen[11]. He had been awarded an honorary knighthood in the Order of the British Empire (KBE) in 1971[12], and was known as Sir Georg Solti after his naturalization.

Solti was a great supporter and mentor to many young musicians, including the Hungarian soprano Sylvia Sass, with whom he recorded Mozart's Don Giovanni and Bartók's Bluebeard's Castle. In addition, in 1994, Solti directed the "Solti Orchestral Project" at Carnegie Hall, a training workshop for young American musicians.[13][14]

Chicago Symphony

Solti was music director of the Chicago Symphony Orchestra (CSO) from 1969 until 1991, when he was made the only Music Director Laureate in that orchestra's history. Before Solti took over as the CSO's music director, CSO violinist Victor Aitay described Solti's work style as follows:

Usually conductors are relaxed at rehearsals and tense at the concerts. Solti is the reverse. He is very tense at rehearsals, which makes us concentrate, but relaxed during the performance, which is a great asset to the orchestra.[15]

In total, Solti conducted 999 performances with the CSO. His 1,000th performance was scheduled to be in October 1997, around the time of his 85th birthday.[16] The City of Chicago renamed the block of East Adams Street adjacent to Symphony Center as "Sir Georg Solti Place" in his memory.

Solti consolidated the reputation of the CSO as one of the great orchestras of the world, while reiteratively reminding everyone how much he owed to the pioneering work of Fritz Reiner, who never toured the orchestra abroad. Solti took the CSO on its first tour to Europe in 1971.[17] Solti's recordings with the CSO included the complete symphonies of Beethoven, Johannes Brahms, Anton Bruckner, and Gustav Mahler. Solti recorded complete operas with the CSO as well, including:

Later career

Portrait by Allan Warren

In addition to his tenure in Chicago, Solti was music director of the Orchestre de Paris from 1972 until 1975. From 1979 until 1983 he was principal conductor of the London Philharmonic Orchestra. During this time with the London Philharmonic he performed and recorded many works by Elgar including the two symphonies, the Violin Concerto with Kyung Wha Chung and the Cello Concerto with Julian Lloyd Webber. In 1983 he conducted Wagner's Ring Cycle at Bayreuth for the only time. For the 50th anniversary of the United Nations, Solti formed the World Orchestra for Peace, which consisted of musicians from 47 orchestras around the world.

Solti continued to add new works to his repertoire in the latter days of his career, voicing particular enthusiasm for the music of Dmitri Shostakovich, whom he admitted he failed to appreciate fully during the composer's lifetime. His commercial recordings of Shostakovich symphonies included Nos. 1 (Concertgebouw Orchestra), 5 (VPO), 8, 9 (twice : VPO & Carnegie Hall Project),10, 13 and 15 (all CSO).

Solti never truly retired, and his sudden death of a heart attack on 5 September 1997 in Antibes, France, meant that several years of planned performances and recording projects would never be realized. According to his last wish, Solti rests in Hungarian soil. After a state funeral, he was placed beside the remains of Bartók: his one-time tutor and mentor. After Solti's death, his widow and daughters began the Solti Foundation to assist young musicians. In 2002 a website dedicated to Solti was launched, under the instigation of Lady Solti.[21]

Solti co-wrote his memoirs with Harvey Sachs, published in the UK under the title Solti on Solti,[22], Memoirs[23] in the USA, and Emlékeim in Hungary, and the book appeared in the month after his death. His life has also been documented in a film by Peter Maniura entitled Sir Georg Solti: The Making of a Maestro.

In September 2007, as a tribute on the 10th anniversary of Solti's death, a recording of his last concert was released on Decca, a performance with the Tonhalle Orchester Zurich of Mahler's Symphony No. 5.[24]

Recordings

Solti was as enthusiastic making music in the recording studio as in the opera house or concert hall. He developed a long and productive partnership with the legendary producer John Culshaw at Decca. Products of this partnership included the first ever complete studio recording of Wagner's Der Ring des Nibelungen with the Vienna Philharmonic (VPO). No less distinguished and equally groundbreaking were his studio recordings of the operas of Richard Strauss, which, like his Wagner recordings, have been remastered and released on CD where they are still praised for their musicianship and expert production values.[25] His performances and recordings of works by Giuseppe Verdi, Gustav Mahler and Béla Bartók were also widely admired. In addition to his recordings with the CSO, Solti recorded other repertoire with orchestras such as the London Philharmonic Orchestra and the Vienna Philharmonic, such as the two symphonies of Edward Elgar, selected symphonies of Tchaikovsky, William Walton's Belshazzar's Feast, Michael Tippett's Symphony No. 4 and Byzantium, and the Da Ponte/Mozart operas.

In addition, Solti collaborated with Dudley Moore to create a 1991 television series, Orchestra!, which was designed to introduce audiences to the symphony orchestra. He also conducted the performance of Beethoven by London Symphony Orchestra for the 1994 film "Immortal beloved" about the composer.

Recordings with the Chicago Symphony

  • Bach, Mass in B Minor
  • Bach, St Matthew Passion
  • Bartók, Concerto for Orchestra (1981)
  • Bartók, Dance Suite (1981)
  • Bartók, Piano Concertos #1 - 3 /w Ashkenazy
  • Bartók, Music for Strings, Percussion and Celeste
  • Bartók, Miraculous Mandarin Suite
  • Berlioz, La Damnation de Faust
  • Berlioz, Symphonie Fantastique, Liszt "Les Preludes"
  • Beethoven, Fidelio
  • Beethoven, "Missa Solemnis"
  • Beethoven, complete Symphonies #1 - 9 (twice, 1972-74 and 1986-90)
  • Beethoven, Piano Concertos #1 - 5 /w Ashkenazy
  • Brahms, Symphonies #1-4
  • Brahms, Ein Deutsches Requiem
  • Brahms, Variations on a Theme by Haydn
  • Bruckner, Symphonies #0-9[26]
  • Debussy, La mer / Nocturnes / Prelude à l'après-midi d'un faune
  • Del Tredeci, "The Final Alice"
  • Dvořák, Symphony #9
  • Elgar, "Enigma Variations"
  • Handel, Messiah
  • Haydn, "The Seasons"
  • Liszt, "A Faust Symphony"
  • Mephisto Magic (works by Liszt, Bartok, Weiner & Kodaly)
  • Mahler, complete Symphonies #1 - 9
  • Mendelssohn, Symphony No. 3
  • Mendelssohn, Symphony No. 4
  • Mussorgsky, Khovanshchina Prelude (1998)
  • Mussorgsky (orchestrated by Ravel), Pictures at an Exhibition
  • Mussorgsky (orchestrated by Shostakovich), Songs and Dances of Death with Sergei Aleksashkin (1998)
  • Prokofiev, Symphony No. 1 (1982)
  • Ravel, "Le Tombeau de Couperin"
  • Schoenberg, Moses und Aron (1984)
  • Schoenberg, Variations
  • Shostakovich, Symphony No. 8 (1989)
  • Shostakovich, Symphony No. 10
  • Shostakovich, Symphony No. 15 (1998)
  • Strauss, Also Sprach Zarathustra and other tone poems
  • Stravinsky, Symphony Nos. 1 - 3
  • Stravinsky, Petrushka/Jeu de Cartes
  • Stravinsky, Rite of Spring
  • Tchaikovsky, 1812 Overture, Romeo & Juliet Overture & The Nutcracker Suite
  • Tchaikovsky, Piano Concerto No. 1 / Dohnanyi, "Variations on a Nursery Song" with pianist Andras Schiff (1986)
  • Tchaikovsky, Symphony No. 4 (1984)
  • Tchaikovsky, Swan Lake, excerpts (1987)
  • Tchaikovsky, Symphony No. 5 (1987)
  • Tchaikovsky, Symphony No. 6 "Pathetique"
  • Tippett, Byzantium with Faye Robinson (1991)
  • Tippett, Symphony No. 4 (1979)
  • Tippett, Suite in D for the Birthday of Prince Charles (1981)
  • Verdi, Otello
  • Verdi, "Requiem"
  • Wagner, Der fliegende Hollander (1976)
  • Wagner, Die Meistersinger von Nuernberg (1995)
  • Wagner, Tannhäuser Overture (1977)
  • Wagner, Tristan und Isolde, Prelude and Liebestod (1977)
  • Walton, "Belshazzar's Feast"

Awards and recognition

Portraits of Solti

The National Portrait Gallery has 6 photographic portraits of Solti[28] including those by Anne-Katrin Purkiss and Patrick Lichfield.

References

  1. ^ According to the BBC Pronouncing Dictionary of British Names, the name Georg Solti is pronounced in English as George Shollti, the Sholl- part rhyming with the word doll.
  2. ^ MUSIC: THE GRAMMYS/CLASSICAL; Fewer Records, More Attention
  3. ^ http://www.montblanc.com/products/84.php
  4. ^ http://estore.websitepros.com/1652646/-strse-1489/Sir-Georg-Solti-Making/Detail.bok
  5. ^ "Books / Livres". La Scena Musicale. 3 (8). 1998. Retrieved 2007-08-04. {{cite journal}}: Unknown parameter |month= ignored (help)
  6. ^ Pulcinella Suite
  7. ^ Santa Barbara Community Arts Music Association (CAMA) concert archives 1950-60
  8. ^ "Buffie & the Baton". Time. 14 April 1961. Retrieved 2007-11-08.
  9. ^ "Sir Georg Solti, Conductor, Dies". BBC Politics 97. September 1997. Retrieved 2007-09-30.
  10. ^ Steven Rubin (25 April 1971). "Solti? That's How You Spell Chicago". New York Times. Retrieved 2007-08-04.
  11. ^ "No. 45628". The London Gazette (invalid |supp= (help)). 23 March 1972. List of Aliens by whom certificates of naturalisation have been granted - Solti, Georg (formerly Georg Stern); Germany; 3 February 1972
  12. ^ "Birthday Honours". Official Appointments and Notices. The Times. No. 58197. London. 12 June 1971. col A, p. 10. template uses deprecated parameter(s) (help)
  13. ^ Bernard Holland (15 June 1994). "Georg Solti, Teacher, Leads Carnegie's Orchestral Workshop". New York Times. Retrieved 2007-08-04.
  14. ^ James R. Oestreich (24 June 1994). "Master and Pupils Mesh As Solti Project Concludes". New York Times. Retrieved 2007-08-04.
  15. ^ "Into the Fray". Time. 11 April 1969. Retrieved 2007-09-07.
  16. ^ Anthony Tommasini (21 September 1997). "Living an Adventure to the End". New York Times. Retrieved 2009-04-04.
  17. ^ John von Rhein, "10 years after Solti's death, impact still felt at CSO". Chicago Tribune, 2 September 2007.
  18. ^ Donal Henehan (18 April 1991). "Pavarotti, Struggling With a Cold And a Handkerchief, as Otello". New York Times. Retrieved 2007-08-04.
  19. ^ James R. Oestreich (26 September 1995). "2-Day 'Meistersinger' By Chicago Symphony". New York Times. Retrieved 2007-08-04.
  20. ^ Anthony Tommasini (13 January 1997). "Two Proven Wagnerians Who Are Still Evolving". New York Times. Retrieved 2007-08-04.
  21. ^ Martin Cullingford (18 October 2002). "New Solti website explores conductor's craft". Gramophone. Archived from the original on 2007-09-27. Retrieved 2007-08-04.
  22. ^ Solti, Georg (1997). Solti on Solti. London: Chatto & Windus. ISBN 0701166304. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
  23. ^ Solti, Georg (1997). Memoirs. New York: Alfred Knopf. ISBN 067944596X. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
  24. ^ Andrew Clements (31 August 2007). "Mahler: Symphony No 5, Zurich Tonhalle Orch/ Solti". The Guardian. Retrieved 2007-09-04.
  25. ^ Andrew Clements (15 January 1999). "By Georg..." The Guardian. Retrieved 2007-08-04.
  26. ^ Listing at Amazon.co.uk
  27. ^ "Sir George Solti Bust (in Grant Park)". Explore Chicago. City of Chicago. 2008. Retrieved 2009-09-22.
  28. ^ http://www.npg.org.uk/collections/search/person.php?search=ss&firstRun=true&sText=georg+solti&LinkID=mp05766
Preceded by Music Director, Dallas Symphony Orchestra
1961-1962 		Succeeded by
Preceded by Music Director, Royal Opera House, Covent Garden
1961-1971 		Succeeded by

Template:1993 Kennedy Center Honorees

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