Felicia Hemans

Felicia Hemans
Born	25 September 1793 Liverpool, England
Died	16 May 1835 Dublin, Ireland
Occupation	Poet
Nationality	British

Felicia Hemans (25 September 1793 – 16 May 1835) was an English poet.

Early life and works

She was born Felicia Dorothea Browne in Liverpool, a granddaughter of the Venetian consul in that city. Her father's business soon brought the family to Denbighshire in North Wales, where she spent her youth. They made their home near Abergele and St. Asaph (Flintshire), and it is clear that she came to regard herself as Welsh by adoption, later referring to Wales as "Land of my childhood, my home and my dead". Her first poems, dedicated to the Prince of Wales, were published in Liverpool in 1808, when she was only fourteen, arousing the interest of no less a person than Percy Bysshe Shelley, who briefly corresponded with her. She quickly followed them up with "England and Spain" [1808] and "The domestic affections", published in 1812, the year of her marriage to Captain Alfred Hemans, an Irish army officer some years older than herself. The marriage took her away from Wales, to Daventry in Northamptonshire until 1814.

During their first six years of marriage, Felicia gave birth to five sons, including Charles Isidore Hemans, and then the couple separated. Marriage had not, however, prevented her from continuing her literary career, with several volumes of poetry being published by the respected firm of John Murray in the period after 1816, beginning with "The Restoration of the works of art to Italy" (1816) and "Modern Greece" (1817). "Tales and historic scenes" was the collection which came out in 1819, the year of their separation.

Later life

From 1831 onwards, she lived in Dublin, where her younger brother had settled, and her poetic output continued. Her major collections, including The Forest Sanctuary (1825), Records of Woman and Songs of the Affections (1830) were immensely popular, especially with female readers. Her last books, sacred and profane, are the substantive Scenes and Hymns of Life and National Lyrics, and Songs for Music. She was by now a well-known literary figure, highly regarded by contemporaries such as Wordsworth, and with a popular following in the United States and the United Kingdom of Great Britain and Ireland. When she died of dropsy, Wordsworth and Walter Savage Landor composed memorial verses in her honour.

Legacy

Felicia Hemans' works appeared in nineteen individual books during her lifetime. After her death in 1835 they were republished widely, usually as collections of individual lyrics and not the longer, annotated works and integrated series that made up her books. For surviving women poets, like Britons Caroline Norton and Letitia Elizabeth Landon, Americans Lydia Sigourney and Frances Harper, the French Amable Tastu and German Annette von Droste-Hülshoff, and others, she was a valued model, or (for Elizabeth Barrett Browning) a troubling predecessor; and for male poets including Tennyson and Longfellow, an influence less acknowledged. To many readers she offered a woman's voice confiding a woman's trials; to others a lyricism apparently consonant with Victorian chauvinism and sentimentality. Among the works she valued most were the unfinished "Superstition and Revelation" and the pamphlet "The Sceptic," which sought an Anglicanism more attuned to world religions and women's experiences. In her most successful book, "Records of Woman" (1828), she chronicles the lives of women, both famous and anonymous.

Hemans' poem The Homes of England (1827) is the origin of the phrase stately home in English. The first line of the poem runs, "The stately Homes of England".

Despite her illustrious admirers, her stature as a serious poet gradually declined, partly due to her success in the literary marketplace. Her poetry was considered morally exemplary, and was often assigned to schoolchildren; as a result, Hemans came to be seen a poet for children rather than taken seriously on the basis of her entire body of work. A jocular reference by Saki in The Toys of Peace suggests simultaneously that she was a household word and that Saki did not take her seriously. Schoolchildren in the U. S. were still being taught The Landing of the Pilgrim Fathers in New England ("The breaking waves dashed high/On a stern and rock-bound coast...") in the middle of the 20th century. But by the 21st century, The Stately Homes of England refers to Noel Coward's parody, not to the once-famous poem it parodied, and Felicia Hemans was remembered popularly for her poem, "Casabianca".

However, Hemans' critical reputation has been re-examined in recent years. Her work has resumed a role in standard anthologies and in classrooms and seminars and literary studies, especially in the U. S. It is likely that further poems will be familiar to new readers, such as "The Image in Lava," "Evening Prayer at a Girls' School," "I Dream of All Things Free," "Night-Blowing Flowers," "Properzia Rossi," "A Spirit's Return," "The Bride of the Greek Isle," "The Wife of Asdrubal," "The Widow of Crescentius," "The Last Song of Sappho," and "Corinne at the Capitol."

Casabianca

First published in August 1826 the, poem Casabianca by Felicia Hemans depicts Louis de Casabianca who perished in the Battle of the Nile. The poem was very popular from the 1850’s on and was memorized in elementary schools for literary practice. The poem depicts what happened on the ship the Orient as Commander Louis de Casabianca died due to refusing to flee his post. Other poetic figures such as Elizabeth Bishop and Samuel Butler allude to the poem in their own works.

The poem is sung in ballad form (abab) and consists of a boy asking his father whether he had fulfilled his duties, as the ship continues to burn after the magazine catches fire. Martin Gardner and Michael R. Turner made modern day parodies that were much more upbeat and consisted of boys stuffing their faces with peanuts and breads. This contrasted sharply with the solemn image created in Casabianca as Hemens wrote it.

Further reading

• "Cambridge Bibliography of English Literature," 3rd ed., 4: 351-60 (2000)
• "Oxford Dictionary of National Biography," 26: 274-77 (2004)
• "Felicia Hemans: Selected Poems, Letters, Reception Materials," ed. Susan J. Wolfson (2000)
• "Felicia Hemans: Selected Poems, Prose, and Letters," ed. Gary Kelly (2002)
• Emma Mason, "Women Poets of the Nineteenth Century" (2006)
• "Felicia Hemans: Reimagining Poetry in the Nineteenth Century," ed. Nanora Sweet & Julie Melnyk (2001)
• Paula Feldman, "The Poet and the Profits: Felicia Hemans and the Literary Marketplace," "Keats-Shelley Journal" 46 (1996): 148-76
• Peter W. Trinder, "Mrs Hemans," U Wales Press (1984)

Selected Works

• On the Restoration of the Works of Art to Italy
• Hymns on the Works of Nature, for the Use of Children
• Records of Woman: With Other Poems
• The Better Land
• Casabianca
• Corinne at the Capitol
• Evening Prayer at a Girl's School
• A Farewell to Abbotsford
• The Funeral Day of Sir Walter Scott
• Hymn by the Sick-bed of a Mother
• Kindred Hearts
• The Last Song of Sappho
• Lines Written in the Memoirs of Elizabeth Smith
• The Rock of Cader Idris
• Stanzas on the Late National Calamity, The Death of the Princess Charlotte
• Stanzas To the Memory of George III
• Thoughts During Sickness: Intellectual Powers
• To the Eye
• To the New-Born
• Woman on the Field of Battle

External links

• Felicia Hemans at The Victorian Web
• Felicia Hemans at A Celebration of Women Writers
• A Celebration of Women Writers
• [1] Her life in Liverpool and how she is forgotten in her home city.
• "Archival material relating to Felicia Hemans". UK National Archives.