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The Clock (2010 film)

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The Clock is an art installation by video artist Christian Marclay (born 1955). It is in effect a clock, but it is made of a 24-hour montage of thousands of time-related scenes from movies and some TV shows, meticulously edited to be shown in “real time”: each scene contains an indication of time (for instance, a timepiece, or a piece of dialogue) that is synchronized to show the actual time. The Clock debuted at London's White Cube gallery in 2010.

The film incorporates classic scenes such as Gary Cooper in High Noon, Woody Allen in Mighty Aphrodite at 2.59, Peter Fonda in Easy Rider at 11:40, and Patrick Macnee as John Steed looking at his elegant pocket watch at 12.05 in The Avengers.[1]

Selected Exhibitions

Reception

The Clock has been described as “addictive” and “mesmerizing”. The Guardian called it “a masterpiece of our times”.[2] In The New York Review of Books, Zadie Smith stated that The Clock “is neither bad nor good, but sublime, maybe the greatest film you have ever seen, and you will need to come back in the morning, in the evening, and late at night, abandoning everything else, packing a sleeping bag, and decamping to the Paula Cooper Gallery until sunrise”.[3] Newsweek named Marclay one of the ten most important artists of today.[4]

At the 2011 Venice Biennale, Marclay was recognized as the best artist in the official exhibition, winning the Golden Lion for The Clock. Accepting the Golden Lion, Marclay invoked Andy Warhol, thanking the jury "for giving The Clock its fifteen minutes".[5] The film also won in the "Best Editing" category at the Boston Society of Film Critics Awards 2011.

Collections

The Clock has been sold to several art museums. The work owned by the New York collectors Jill and Peter Kraus, is a promised gift to the Museum of Modern Art.[6] In 2011, Steve Tisch pledged the $467,500 needed to buy the work for the Los Angeles County Museum of Art.[7] One month later, the National Gallery of Canada and the Museum of Fine Arts, Boston, announced the acquisition of another copy. In February 2012, yet another version was acquired jointly by the Tate in London, the Centre Pompidou in Paris, and the Israel Museum in Jerusalem.[8]

Notes and references

Some text for this article was copied from article Christian Marclay.