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This is an old revision of this page, as edited by 85.100.42.44 (talk) at 07:34, 25 May 2013 (Sirmpa from Leros). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

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в операх "Майская ночь" Римского-Корсакова, "Сорочинская ярмарка" Мусоргского, "Мазепа" Чайковского, "Запорожец за Дунаем" Гулак-Артемовского, "Энеида" Лысенко, в балетах "Конёк-Горбунок" Пуньи, "Тарас Бульба" Соловьева-Седого, "Гаянэ" Хачатуряна, "Маруся Богуславка" Свечникова и др. Название Г. носит одна из частей симфонической картины "Памяти Леси Украинки" Штогаренко.

More To Come

Needed (or I will get to eventually):

  • The Development of the 3-part hopak
  • More about the shift towards male-focused dancing. This is unique, and the hopak is the dance that led the way.
  • Why is it performed differently by many companies?
  • Aspects of competitive dance.

Please comment

I've upped the info to move this from start class. Please let me know what else you'd like to see.--tufkaa 00:06, 17 April 2007 (UTC)[reply]

Photo

Repositioned picture as banner - has a more dramatic look Bobanni (talk) 21:06, 1 March 2008 (UTC)[reply]

The picture isn't really good, and the repositioning messes up the layout of the header paragraph.--tufkaa (talk) 19:46, 5 March 2008 (UTC)[reply]

Sirmpa from Leros

External videos
video icon [1]
video icon [2]