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Kwame Kwaten

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Kwame Kwaten
Background information
Birth nameKwame Amankwa Kwaten
Born (1967-05-13) 13 May 1967 (age 57)
OriginLondon, England, United Kingdom
GenresSoul, acid jazz
Occupation(s)
InstrumentKeyboards
Years active1984-present
Labels
  • Ferocious Talent
  • Cr8ing Vision
  • Acid Jazz
  • East West America
  • Dome
WebsiteFerocious Talent

Kwame Amankwa Kwaten (born May 13, 1967) is a British manager, music consultant, musician and record producer. He owns an artist management and consultancy company called Ferocious Talent and is a co-founder of Cr8ing Vision, a non-profit company that offers young people a range of educational programmes, seminars, workshops and opportunities in both the music and sport industries. Past and present artists managed by Kwaten include Laura Mvula, The Night VI, Steve Brown, Shannon Saunders and Kerry Leatham.

In 1989, Kwaten was part of a band, D-Influence, who were opening acts for Michael Jackson, and produced tracks for a number of prominent musicians including Shola Ama, Jay-Z and Mick Jagger.

Aside from running Ferocious Talent, Kwaten is involved in A&R in Believe Records and is part of the new wave jazz movement in Europe and London.

[1]


Biography

Early years

Kwaten started his artistic career in the middle of the eighties at the Warminster Athenaeum[2] as part of the school band Outcry. He spent the next few years learning his trade in many different bands. One of these bands called Rebekkah was formed with his old school friend Andrew Ross from Outcry in 1984. Rebekkah led Kwaten and Andrew to a production deal at Courtyard Studios in Oxford where they settled for a year learning the ins and outs of the studio.

D–Influence (1989–99)

Steve Marston was a session saxophone player. Rebekkah used Steve for a session and it was then that Kwaten's friendship with Steve Marston started. Kwaten had started working at the Borderline Club in London as a compère employed by Neil Conti of Prefab Sprout and Raye Cosbert when he and Steve formed the band D-Influence with Ed Baden Powell, Sarah Anne Webb and Ned Bigham (who was to leave the band after the release of the first album). D–Influence had taken their demos to record labels without any luck and so they decided to release their own music independently. The first of these recordings was I'm the One which they sold straight to record stores themselves out of the back of a van. Kwaten gave one of these records to London DJ Tim Westwood and it was he who played D–Influence first on Capital Radio. A record deal with Acid Jazz Records followed.

D–Influence then signed to Atlantic Records and began recording their album Good 4 We. Their early support had mostly been through new London pirate station Kiss FM. There was no national radio airplay for music from the Acid Jazz scene at the time. This meant that the only way D–Influence could reach a fan base was through live music. So D–Influence toured for some time getting their break being offered the support slot on the Michael Jackson Dangerous Tour. This change in fortune led to many American acts requesting them as a support act. Michael Jackson, En Vogue, Prince, Naughty By Nature, James Brown all had D–Influence as an opening act. The band also played for Björk on her Debut album performance on Later ... With Jools Holland.[3][4]

Production (1992–2001)

With no huge hit but a large live following D–Influence own productions started to gain notoriety amongst other musicians and labels. After the release of their self-produced album Good 4 We, they started productions and remixes for artists such as Mick Jagger from The Rolling Stones, Seal, Jay-Z, Tom Jones, Beverley Knight, Lighthouse Family, Changing Faces or Daryl Hall of Hall & Oates.

Shola Ama (1995–2002)

Shola Ama was the discovery that broke D–Influence as mainstream producers. The story of her discovery has also become folklore. Kwaten was refused a cab at Hammersmith Station so he turned and walked in to catch a train. There he heard Shola Ama humming as she walked. He auditioned her on the platform and gave her his business card. She soon became a regular at D–Influence Studios where her first album Much Love was recorded. Shola was signed to D–Influence Productions own label Freakstreet and licensed to Warner Bros in 1995 – 1996. Her first album Much Love went on to sell over a million copies worldwide. Although not as popular in the UK, her second album In Return, also produced by D–Influence, went on to break airplay records in France.[5][6]

Urban music seminar (1997–2004)

Kwaten was the founder of the biggest European Urban Music Seminar. The seminar was set up to pass on much of what he and many others had learnt about the music business as they saw it. It was, as Kwaten describes it, a "harsh no frills edutainment spectacle" whose numbers swelled from 500 people in 1998 to 15 000 over two days at the Royal Festival Hall in 2004. Many stars from the music world spoke and gave free advice at these events such as Kanye West, Jazzie B, Tim Westwood, Kanya King, Trevor Nelson, Damon Dash, Mathew Knowles, Norman Jay.[7]

Mentoring and lecturing (2002-present)

Kwaten was a carer for The Adolescent and Children's Trust and also does charity workshops for YESS, a London charity that dispenses educational advice for inner city children. He also uses his music industry experience to teach music students as a lecturer at various institutions around London including the University of Westminster.

Artist management (2006-present)

In 2006, Kwaten joined ATC Management as a manager where he looked after Laura Mvula, The Night VI, Steve Brown, Shannon Saunders and Kerry Leatham.

In 2010, Kwaten established Cr8ing Vision together with Andrea Euell and Nicola Charles. Since its conception, Kwaten and his team has been running an annual music business seminar, The Ultimate Seminar, that calls on both rising and established musicians and influential industry professionals to talk about the local music business and their individual journeys and struggles. It enables students to network with like-minded people and has called upon acts like Kanye West, Stormzy and Darcus Beese from Island Records among others.

In 2014, Kwaten started his own management company called Ferocious Talent, where he works with new acts like Sarah Walk, Blue Lab Beats and Caitlyn Scarlett. He also acts as an international consultant and manages and advises international acts, brands, actors and actresses on the music business in Europe. Kwaten has helped steer the careers of Rob Chiarelli and Preeya Kalidas (Bend It Like Beckham, Bombay Dreams, EastEnders).

Discography

Contributions

Albums

Tracks

References

  1. ^ In July 2018, Kwaten took over from Diane Wagg as Vice-Chair of MMF UK (Music Managers Forum).[1]
  2. ^ [2] Warminster Athenaeum Website
  3. ^ [3] Official Björk Website
  4. ^ [4] Björk and D – Influence on Jools Holland in July 1993
  5. ^ [5] Shola Ama Biography on Last FM
  6. ^ [6] Shola Ama Biography on My Space
  7. ^ [7] Urban Music Seminar Details
  8. ^ [8] Good 4 We on Discogs
  9. ^ [9] Prayer 4 Unity on Discogs
  10. ^ [10] London on Discogs
  11. ^ [11] D – Vas on Discogs
  12. ^ [12] Much Love on Discogs
  13. ^ [13] In Return on Discogs
  14. ^ [14] Supersonic on Discogs
  15. ^ [15] Still Waters on Discogs
  16. ^ [16] Out of Focus on Discogs
  17. ^ [17] Official Björk Website
  18. ^ [18] Björk and D – Influence on Jools Holland in July 1993
  19. ^ [19] Bring It On on Discogs
  20. ^ [20] Prayer for the Dying on Discogs
  21. ^ [21] Let's Get Down on Discogs
  22. ^ [22] Horny on Discogs
  23. ^ [23] Return of the Mack on Discogs
  24. ^ [24] I Got Somebody Else on Discogs
  25. ^ [25] Crazy on Discogs
  26. ^ [26] Rain Cloud on Discogs
  27. ^ [27] Tell Me on Discogs
  28. ^ [28] Wishing on a Star on Discogs
  29. ^ [29] Testify on Discogs
  30. ^ [30] Situation : Critical on Discogs
  31. ^ [31] Not Over You Yet on Discogs
  32. ^ [32] Why You Follow Me on Discogs
  33. ^ [33] Looking Out My Window on Discogs
  34. ^ [34] Stranger Than Fiction on Discogs
  35. ^ [35] Shape of You on Discogs