Ronald Ossory Dunlop: Difference between revisions
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At some stage he settled in Barnham, and exhibited at Bognor Regis, |
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Thus the young Ronald Ossory grew up surrounded by the seminal figures of the [[Irish Literary Renaissance]], in an atmosphere smacking of [[mysticism]] and [[spiritualism]]. The Dunlop family moved to [[New York]] in 1899, then [[London]] three years later. From here, they made the annual pilgrimage back to Dublin during [[Horse Show week]], with Dunlop’s father returning to London clutching two or three more ‘Æ’ canvasses each time. Dunlop trained in art in London, associating with a group of young artists who exhibited at the [[Hurricane Lamp Gallery]] in [[Chelsea, London|Chelsea]]. In [[1928]] the group published a journal called ''[[Emotionism]]'': Dunlop supplied a rather vague manifesto ("Art is the expression of the essence of life"), a poem, and an illustration of one of his paintings, "The Fish Market". Dunlop soon expanded his exhibiting circle, showing with the [[NEAC]] and later with the [[RA]] and the [[RBA]]. He maintained his Irish connections, returning periodically to paint in Dublin and submitting a number of works to the [[RHA]] in the 1940s and 1950s. |
Thus the young Ronald Ossory grew up surrounded by the seminal figures of the [[Irish Literary Renaissance]], in an atmosphere smacking of [[mysticism]] and [[spiritualism]]. The Dunlop family moved to [[New York]] in 1899, then [[London]] three years later. From here, they made the annual pilgrimage back to Dublin during [[Horse Show week]], with Dunlop’s father returning to London clutching two or three more ‘Æ’ canvasses each time. Dunlop trained in art in London, associating with a group of young artists who exhibited at the [[Hurricane Lamp Gallery]] in [[Chelsea, London|Chelsea]]. In [[1928]] the group published a journal called ''[[Emotionism]]'': Dunlop supplied a rather vague manifesto ("Art is the expression of the essence of life"), a poem, and an illustration of one of his paintings, "The Fish Market". Dunlop soon expanded his exhibiting circle, showing with the [[NEAC]] and later with the [[RA]] and the [[RBA]]. He maintained his Irish connections, returning periodically to paint in Dublin and submitting a number of works to the [[RHA]] in the 1940s and 1950s. |
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Dunlop studied at Manchester and Wimbledon as well as Paris. [[Frances Spalding]] described him as an 'alla prima' painter of traditional subjects. At some stage he settled in [[Barnham]], and in 1947 or 1948 exhibited at [[Bognor Regis]], which is what led to the [[Cyril Bibby|Bibby]] connection mentioned below. |
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In addition to painting, he was a prolific author; his books include: |
In addition to painting, he was a prolific author; his books include: |
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Revision as of 10:10, 15 January 2008
Ronald Ossory Dunlop (b. 1894 in Dublin, Ireland – 1973) was an Irish painter and author. His mother, Eleanor Dunlop (née Fitzpatrick) was a watercolour artist and his father, Daniel Nicol Dunlop (1868-1935), was a great friend of W. B. Yeats, James Stephens and George Russell, or ‘Æ’. Together Yeats, ‘Æ’ and Daniel Nicol Dunlop published The Irish Theosophist from the home of Eleanor’s father, the Shakespearean scholar R.H. Fitzpatrick.
Thus the young Ronald Ossory grew up surrounded by the seminal figures of the Irish Literary Renaissance, in an atmosphere smacking of mysticism and spiritualism. The Dunlop family moved to New York in 1899, then London three years later. From here, they made the annual pilgrimage back to Dublin during Horse Show week, with Dunlop’s father returning to London clutching two or three more ‘Æ’ canvasses each time. Dunlop trained in art in London, associating with a group of young artists who exhibited at the Hurricane Lamp Gallery in Chelsea. In 1928 the group published a journal called Emotionism: Dunlop supplied a rather vague manifesto ("Art is the expression of the essence of life"), a poem, and an illustration of one of his paintings, "The Fish Market". Dunlop soon expanded his exhibiting circle, showing with the NEAC and later with the RA and the RBA. He maintained his Irish connections, returning periodically to paint in Dublin and submitting a number of works to the RHA in the 1940s and 1950s.
Dunlop studied at Manchester and Wimbledon as well as Paris. Frances Spalding described him as an 'alla prima' painter of traditional subjects. At some stage he settled in Barnham, and in 1947 or 1948 exhibited at Bognor Regis, which is what led to the Bibby connection mentioned below.
In addition to painting, he was a prolific author; his books include:
- Modern Still Life Painting in Oil (London 1938)
- Understanding Pictures (London 1948)
- Painting for Pleasure (London 1951)
- Sketching for Pleasure (London 1952)
- How to Paint for Pleasure (New York 1953)
- Ancient Arundel (London 1953)
- Landscape Painting: Ma Yuan to Picasso (London 1954)
- his autobiography: Struggling with Paint: Some Reminiscences' (London, 1956).
Dunlop's paintings can be seen in the Crawford Gallery, Cork, the Tate Gallery, and the National Portrait Gallery, London.
Paintings
- Dunlop painted portraits of each of the four children of Cyril Bibby
- See [1]