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'''Jack Douglas''' is an influential American [[record producer]]. He was born in [[Bronx, New York|New York City]]. Starting out as folk musician and performer, he worked on [[Robert Kennedy]]'s senatorial campaign as a song-writer. Douglas then moved to [[England]] and joined a succession of bands before returning to New York to attend the Institute of Audio Research as a member of its first graduating class. His first professional job was at a new recording studio [[Record Plant Studios]], not as [[record producer|producer]] or [[recording engineer|engineer]], but as the [[janitor]]. Soon he was working at the recording desk contributing to projects by [[Miles Davis]], [[James Gang|The James Gang]], [[Alice Cooper]], [[Cheap Trick]], [[Montrose (band)| Montrose]], [[Rough Cutt]], [[Artful Dodger (US band)|Artful Dodger]], [[Moxy (band)|Moxy]], [[Flipp]], and [[Mountain (band)|Mountain]].
'''Jack Douglas''' is an influential American [[record producer]]. He was born in [[Bronx, New York|New York City]]. Starting out as folk musician and performer, he worked on [[Robert Kennedy]]'s senatorial campaign as a song-writer. Douglas then moved to [[England]] and joined a succession of bands before returning to New York to attend the Institute of Audio Research as a member of its first graduating class. His first professional job was at a new recording studio [[Record Plant Studios]], not as [[record producer|producer]] or [[recording engineer|engineer]], but as the [[janitor]]. Soon he was working at the recording desk contributing to projects by [[Miles Davis]], [[James Gang|The James Gang]], [[Alice Cooper]], [[Cheap Trick]], [[Montrose (band)| Montrose]], [[Rough Cutt]], [[Artful Dodger (US band)|Artful Dodger]], [[Moxy (band)|Moxy]], [[Flipp]], and [[Mountain (band)|Mountain]].


A chance encounter with a group member led Douglas to help engineer [[The Who]]'s early (aborted) sessions for [[Who's Next]] at The Record Plant.<ref>[http://www.thewho.net/linernotes/WhosNext.htm Who's Next Liner Notes]</ref> After this landmark recording he was given a chance to engineer [[John Lennon]]'s classic ''[[Imagine (album)|Imagine]]'' album. Douglas and Lennon formed close bond and worked together for the remainder of Lennon's tragically short life.
A chance encounter with a group member led Douglas to help engineer [[The Who]]'s early (aborted) sessions for [[Who's Next]] at The Record Plant.<ref>[http://www.thewho.net/linernotes/WhosNext.htm Who's Next Liner Notes]</ref> After this landmark recording he was given a chance to engineer [[John Lennon]]'s classic ''[[Imagine (album)|Imagine]]'' album. Douglas and Lennon formed a close bond and worked together for the remainder of Lennon's tragically short life.


As a Record Plant staff engineer Douglas also forged working relationships with [[Patti Smith]], [[Blue Öyster Cult]], the [[New York Dolls]], [[Cheap Trick]], [[Starz (band)|Starz]] and most notably [[Aerosmith]]. Douglas engineered and produced Aerosmith's albums from 1974's ''[[Get Your Wings]]'', 1975's ''[[Toys in the Attic (album)|Toys in the Attic]]'', 1976's ''[[Rocks (album)|Rocks]]'' and 1977's ''[[Draw the Line (Aerosmith album)|Draw the Line]]''. His close relationship with Aerosmith extended beyond producing and engineering as Douglas was also a musical contributor to the group when they came up short of material on their projects. He was often given the nickname of "the sixth member" of Aerosmith, due to his close relationship with the band. Douglas was replaced as producer by the band for the 1979 release ''[[Night in the Ruts]]'', but Douglas was to again work with the group on some of their more recent material, including 2004's ''[[Honkin' on Bobo]]'', as well as several of Aerosmith guitarist [[Joe Perry (musician)|Joe Perry]]'s solo albums. The band continues to maintain a cordial friendship with Douglas.
As a Record Plant staff engineer Douglas also forged working relationships with [[Patti Smith]], [[Blue Öyster Cult]], the [[New York Dolls]], [[Cheap Trick]], [[Starz (band)|Starz]] and most notably [[Aerosmith]]. Douglas engineered and produced Aerosmith's albums from 1974's ''[[Get Your Wings]]'', 1975's ''[[Toys in the Attic (album)|Toys in the Attic]]'', 1976's ''[[Rocks (album)|Rocks]]'' and 1977's ''[[Draw the Line (Aerosmith album)|Draw the Line]]''. His close relationship with Aerosmith extended beyond producing and engineering as Douglas was also a musical contributor to the group when they came up short of material on their projects. He was often given the nickname of "the sixth member" of Aerosmith, due to his close relationship with the band. Douglas was replaced as producer by the band for the 1979 release ''[[Night in the Ruts]]'', but Douglas was to again work with the group on some of their more recent material, including 2004's ''[[Honkin' on Bobo]]'', as well as several of Aerosmith guitarist [[Joe Perry (musician)|Joe Perry]]'s solo albums. The band continues to maintain a cordial friendship with Douglas.

Revision as of 08:32, 24 September 2010

Jack Douglas is an influential American record producer. He was born in New York City. Starting out as folk musician and performer, he worked on Robert Kennedy's senatorial campaign as a song-writer. Douglas then moved to England and joined a succession of bands before returning to New York to attend the Institute of Audio Research as a member of its first graduating class. His first professional job was at a new recording studio Record Plant Studios, not as producer or engineer, but as the janitor. Soon he was working at the recording desk contributing to projects by Miles Davis, The James Gang, Alice Cooper, Cheap Trick, Montrose, Rough Cutt, Artful Dodger, Moxy, Flipp, and Mountain.

A chance encounter with a group member led Douglas to help engineer The Who's early (aborted) sessions for Who's Next at The Record Plant.[1] After this landmark recording he was given a chance to engineer John Lennon's classic Imagine album. Douglas and Lennon formed a close bond and worked together for the remainder of Lennon's tragically short life.

As a Record Plant staff engineer Douglas also forged working relationships with Patti Smith, Blue Öyster Cult, the New York Dolls, Cheap Trick, Starz and most notably Aerosmith. Douglas engineered and produced Aerosmith's albums from 1974's Get Your Wings, 1975's Toys in the Attic, 1976's Rocks and 1977's Draw the Line. His close relationship with Aerosmith extended beyond producing and engineering as Douglas was also a musical contributor to the group when they came up short of material on their projects. He was often given the nickname of "the sixth member" of Aerosmith, due to his close relationship with the band. Douglas was replaced as producer by the band for the 1979 release Night in the Ruts, but Douglas was to again work with the group on some of their more recent material, including 2004's Honkin' on Bobo, as well as several of Aerosmith guitarist Joe Perry's solo albums. The band continues to maintain a cordial friendship with Douglas.

1978 saw Douglas work with the Australian group Skyhooks as executive producer on their Guilty Until Proven Insane album (which included the track "Women In Uniform" which was later covered by Iron Maiden).

In 1980 Douglas was working as producer with Lennon and Yoko Ono on their penultimate Double Fantasy album (for which he won a Grammy Award for Album of the Year). During the same sessions he worked on another Lennon/Ono album Milk and Honey that was to be released later but Lennon's murder cut that project short (an unfinished version of the album was released in 1984). Douglas was later involved in litigation with Ono over unpaid royalties from Double Fantasy.

Since then he has kept working as an engineer and producer, reuniting with Aerosmith for three more albums and producing CDs for artists such as Supertramp, Clutch, Local H, Slash's Snakepit (solo-project of ex-Guns N' Roses guitarist Slash) and in 2006 the return of the New York Dolls. He is currently working with the Michael Monroe band on their forthcoming album.[2]

Douglas also teaches a studio etiquette class at Ex'pression College for Digital Arts in Emeryville, California.

Notes

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