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The Executed Renaissance

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The Executed Renaissance, An Anthology, 1917–1933
EditorYurii Lavrinenko
Original titleРозстріляне відродження: Антологія 1917—1933
LanguageUkrainian
Genreanthology
PublisherKultura, Smoloskyp
Publication date
1959
Publication placeFrance

The Executed Renaissance, An Anthology, 1917–1933: Poetry, prose, drama and essay (Template:Lang-uk) is an anthology of works by Ukrainian poets and prosaists of the 1920s and 1930s. The term's origin is attributed to the Ukrainian émigré and literary critic Yuriy Lavrinenko, who published the anthology in 1959 in Paris with the support of Jerzy Giedroyc, a Polish writer and activist.

The anthology itself is based on the idea of the "Executed Renaissance," which Giedroyc coined to describe the hundreds of writers—both Ukrainian literati and intellectuals—who were arrested and executed under Joseph Stalin.[1] This cultural elite became a target during the Great Terror (August 1937 to November 1938) because they were in a position to expose oppression and betrayal and could quickly become the targets of treason themselves.[2] During the 1917 Revolution, the works of the poets were popular features and rallying chants. The body of literature was also recognized for its contribution to the emergence of the modern Ukrainian national idea.[3]

The history of publication

Lavrinenko was recommended to Giedroyc by Yurii Shevelov as a suitable compiler of an anthology of Ukrainian literature of the 1920s and 1930s.

The book appeared in the library of the Parisian magazine Kultura in 1959. The term "Executed Renaissance" is attributed to Giedroyc. It was first suggested as a title for the collection in a letter from Giedroyc to Shevelov dated 13 August 1958:

"And what about the name. It would be better to give as a common name The Executed Renaissance, An Anthology (1917–1933) etc. Such a name would have an effective sound. On the other hand, the humble title Anthology could only take the sting out of its promotion through the Iron Curtain. What do you think?"

After publication, Giedroyc sent copies, at the publisher's expense, to the Ukrainian Writers' Union in Kyiv and to magazines in the Ukrainian SSR. He used the ability of Kultura (legal or not) to send books through the Iron Curtain. After the anthology appeared, the term "Executed Renaissance" gained widespread notoriety in Ukrainian public language.

Materials for the anthology were taken from contemporary periodicals, libraries and archives, such as the Archive-Museum of the Ukrainian Free Academy of Sciences, the New York Public Library's Department of Slavic Studies, and from private collections (Sviatoslav Hordynsky, Hryhorii Kostiuk, Volodymyr Miakovsky, Yosyp Hirniak, Oksana Burevii and others), and from handwritten copies. In addition, Shevelov, Leonid Lyman, Ivan Koshelivets, Vasyl Barka, Vasyl Hryshko, Yar Slavutych and others helped to track down materials and offered advice.

Structure of anthology

Ina preface to the edition, Lavrinenko, its editor, wrote about principium and the technique of choosing:

In this collected edition appeared only material, which had been publishing (rarely — only wrote) in Ukraine — mainly in USSR — for period 1917—1933 and which had banned and destroyed after 1933 due to new Moscow's course and turning Ukraine into colonial province.

Lavrinenko noted that part of the banned works had been printed during the occupation of Eastern Ukraine—between 1939-1946 and between 1956 and 1958—but it contained some corrections. The main principum was "to give only works, which had withdrawn after Moscow's terroristic and famine crack-downs on Ukraine." Works that were written in emigration were not represented because "this is anthology of works, which was in UkrSSR before 1933."

The anthology consists of four chapters: poetry, prose, drama and essay. Poetry was represented most fully: Firstly, because it "was in vanguard of contemporary literature;" and secondly, because "it is unpossible to cover even the most important examples of prose, drama and essay." Authors were placed «"n order of appearance of their first book after 1917."

Poetry

Prose

Drama

Essay

See also

References

  1. ^ Onyshkevych, Larissa; Rewakowicz, Maria (2015). Contemporary Ukraine on the Cultural Map of Europe. London: Routledge. p. 186. ISBN 9780765624000.
  2. ^ Grinchenko, Gelinada; Narvselius, Eleonora (2017). Traitors, Collaborators and Deserters in Contemporary European Politics of Memory: Formulas of Betrayal. Cham, Switzerland: Palgrave Macmillan. p. 145. ISBN 9783319664958.
  3. ^ Zaharchenko, Tanya (2016). Where Currents Meet: Frontiers in Post-Soviet Fiction of Kharkiv, Ukraine. Budapest: Central European University Press. p. 22. ISBN 9789633861196.
  4. ^ For remembrance about a battle of Kruty
  5. ^ A posthumous book, which consists of 85 original and 28 translated sonets.
  6. ^ С. Гординський. Справжній народний Малахій. — Філадельфія: Київ, 1953. — ч.4, с. 191—195.
  7. ^ Кость Буревій. Павло Полуботок: Історична драма на 5 дій. — Мюнхен: вид-во «Орлик», 1948. — с. 31-33, с.88-97.

Literature

  • О.С. Рубльов. Енциклопедія історії України : у 10 т. / редкол.: В. А. Смолій (голова) та ін. ; Інститут історії України НАН України. — К. : Наук. думка, 2012. — Т. 9 : Прил — С. — С. 265. — ISBN 978-966-00-1290-5.

Bibliography

  • Лавріненко Ю. А. Розстріляне відродження: Антологія 1917—1933: Поезія — проза — драма — есей / Підгот. тексту, фахове редагування і передм. проф. Наєнка М. К. — К.: Вид. центр «Просвіта», 2001. — 794 с.
  • Розстріляне відродження: Антологія 1917 — 1933: Поезія — проза — драма — есей / Упорядкув., передм., післям.  — Ю. Лавріненка.; Післямова Є. Сверстюка. — К.: Смолоскип, 2008. — 976 с.: портр.
  • Простір свободи. Україна на шпальтах паризької «Культури». Підготувала Богуміла Бердиховська. К.: Критика — 2005 р., 528 с.
  • Єжи Ґедройць — українська еміґрація. Листування 1952—1982 років. Упорядкування, переднє слово і коментарі Боґуміли Бердиховської. — Київ: Критика, 2008 (див. листування з Юрієм Лавріненком у справі підготовки антології «Розстріляне відродження»)
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