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Gary Indiana

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For the city, see Gary, Indiana.
Gary Indiana
Gary Indiana on the cover of his book White Trash Boulevard published in 1988 by Hanuman Books
Gary Indiana on the cover of his book White Trash Boulevard published in 1988 by Hanuman Books
BornGary Hoisington
1950 (age 73–74)
Derry, New Hampshire, U.S.[1]
Occupation
  • Writer
  • filmmaker
  • artist
  • actor
  • critic

Gary Indiana (born Gary Hoisington; 1950) is an American writer, actor, artist, and cultural critic.[2] He served as the art critic for the Village Voice weekly newspaper from 1985 to 1988.[3] Indiana is best known for his classic American true-crime trilogy, Resentment, Three Month Fever: The Andrew Cunanan Story, and Depraved Indifference, chronicling the less permanent state of “depraved indifference” that characterized American life at the millennium's end.[4] In the introduction to the recently re-published edition of Three Month Fever, critic Christopher Glazek has coined the phrase deflationary realism to describe Indiana's writing, in contrast to the magical realism or hysterical realism of other contemporary writing.

Plays

Indiana has written, directed and acted in a dozen plays, mostly during the early 1980s. Performed in small New York City venues like Mudd Club, Club 57, the Performing Garage and the backyard of Bill Rice's East 3rd Street studio. Earlier plays included Alligator Girls Go to College (1979);[5] Curse of the Dog People (1980); A Coupla White Faggots Sitting Around Talking (1980), which was filmed by Michel Auder in 1981; The Roman Polanski Story (1981); Phantoms of Louisiana (1981) and Roy Cohn/Jack Smith (1992), written with Jack Smith for performance artist Ron Vawter.[6][7][8] The latter was filmed in 1994 by Jill Godmilow.[9]

A more recent play, Mrs. Watson's Missing Parts, was staged in May 2013 at Participant Inc. It drastically alters a 1922 Grand Guignol theatrical adaptation of Octave Mirbeau's novel The Torture Garden by replacing all dialogue with an "almost incomprehensible" obscenity-laden libidinal glossolalia.[10][11]

Film

Indiana has acted in several mostly experimental films by, among others, Michel Auder (Seduction of Patrick, 1979, which he co-wrote with the director), Scott B and Beth B (The Trap Door, 1980), Melvie Arslanian (Stiletto, 1981, where he plays a bellhop at the bellhopless Chelsea Hotel), Jackie Raynal (Hotel New York, 1984), Ulrike Ottinger (Dorian Gray in the Mirror of the Yellow Press [de], 1984, with Veruschka as Dorian Gray and Delphine Seyrig as Doctor Mabuse), Lothar Lambert (Fräulein Berlin, 1984), Dieter Schidor (Cold in Columbia, 1985), Valie Export (The Practice of Love, 1985) and Christoph Schlingensief (Terror 2000: Intensivstation Deutschland, 1994, in which Udo Kier kills his character with a machine gun).[12][13] John Boskovich’s 2001 film North features Indiana reading from the Céline novel of the same name.[14]

Indiana's novel Gone Tomorrow reflects his experiences on set, particularly his time working on Cold in Columbia.[15]

Speaking of his acting style generally, Indiana told an interviewer, "I wasn't trained, and certainly didn't have the technique of a professional. Directors would cast me because of the way I was, not what I could pretend to be."[16]

Art

Indiana's video Stanley Park (2013) was included in the 2014 Whitney Biennial. Combining footage of a former Cuban prison, the Panopticon-like Presidio Modelo, jellyfish and cuts from the films Touch of Evil and The Shanghai Gesture, the work connects the consequences of global environmental degradation with increasingly repressive governmental practices. Used as a metaphor for state surveillance, the jellyfish was described by Indiana as “an organism with no brain and a thousand poisonous tentacles collecting what you could call data.” Photographs of young Cuban men appeared next to the video.[17][18]

Semiotext(e) published 22 pamphlets for the biennial, including Indiana's A Significant Loss of Human Life, which extends the video's themes by juxtaposing the artist's experiences of Cuba as it is slowly being drawn into the global economy with commentary on the ideas of Karl Marx.[19]

In addition to Stanley Park, publicly screened video art by Indiana includes Soap (2004–2012), inspired by the Francis Ponge poem; Plutot la vie (2005), concerning the Society of the Spectacle and mass hypnosis; Unfinished Story (2004–2005), which records readings by and conversations between Indiana and photographer Lynn Davis; and Young Ginger (2014)

Bibliography

Fiction

  • (1987) Scar Tissue and Other Stories ISBN 978-0930762094
  • (1988) White Trash Boulevard ISBN 978-0937815205
  • (1989) Horse Crazy ISBN 978-0802111104
  • (1991) Disorderly Conduct: The VLS Fiction Reader (contributor) ISBN 978-1852422455
  • (1993) Gone Tomorrow ISBN 978-1852423360
  • (1994) Rent Boy ISBN 978-1852423247
  • (1994) Living With the Animals (editor, contributor) ISBN 978-0571198504
  • (1997) Resentment: A Comedy ISBN 978-1584351726
  • (1999) Three Month Fever: The Andrew Cunanan Story ISBN 978-1584351986
  • (2002) Depraved Indifference ISBN 978-0060197261
  • (2003) Do Everything in the Dark ISBN 978-0312312053
  • (2009) The Shanghai Gesture ISBN 978-0982015100
  • (2010) Last Seen Entering the Biltmore: Plays, Short Fiction, Poems 1975–2010 ISBN 978-1584350903
  • (2011) To Whom It May Concern (limited edition artist's book with Louise Bourgeois) ISBN 978-1900828369
  • (2016) Tiny Fish that Only Want to Kiss ISBN 978-0991219667

Nonfiction

Critical studies and essays on Indiana's work

References

  1. ^ Kaczorowski, Craig. "Indiana, Gary (b. 1950)". glbtq.com. Archived from the original on October 15, 2012. Retrieved December 29, 2012.
  2. ^ Gary Indiana Semiotext(e) Biography
  3. ^ [1] Gary Indiana’s Helter-Skelter Prose Experiments by Joseph Nechvatal published at Hyperallergic
  4. ^ Resentment. Semiotext(e) / Native Agents. Semiotext(e). 25 September 2015. ISBN 9781584351726. Retrieved 2020-12-23.
  5. ^ Boch, Richard (2017). The Mudd Club. Port Townsend, WA: Feral House. p. 204. ISBN 978-1-62731-051-2. OCLC 972429558.
  6. ^ Maxwell, Justin (Fall 2011). "Review: Last Seen Entering the Biltmore: Plays, Short Fiction, Poems 1975–2010". Rain Taxi. Retrieved 2018-05-14.
  7. ^ Holden, Stephen (May 3, 1992). "Two Strangers Meet Through an Actor". The New York Times. Retrieved 2018-05-14.
  8. ^ Jeppesen, Travis (April 25, 2011). "New York Dolls". 3:AM Magazine. Retrieved 2018-05-14.
  9. ^ Holden, Stephen (August 4, 1995). "2 Extremes of Gay Life". The New York Times. Retrieved 2018-05-14.
  10. ^ Barron, Michael (April 2016). "Interview with Gary Indiana". The White Review. Retrieved 2018-05-17.
  11. ^ "Reading: Mrs. Watson's Missing Parts". ART HAPS. May 12, 2013. Retrieved 2018-05-17.
  12. ^ "Irma Vep Interviews Gary Indiana". Uncanca. 8 February 2009. Retrieved 2018-05-17.
  13. ^ "Stiletto (1981)". Turner Classic Movies. Retrieved 2018-05-17.
  14. ^ "North (2001), Dir. John Boskovich, Starring Gary Indiana". The Renaissance Society. Retrieved 2018-05-14.
  15. ^ Kaczorowski, Craig. "Indiana, Gary (b. 1950)". glbtq.com. Archived from the original on October 15, 2012. Retrieved 2018-05-14.
  16. ^ Indiana, Gary (Winter 2021). "The Interview - Art of Fiction (250) Gary Indiana". The Paris Review. 63 (238): 30–60. Retrieved 14 December 2021.
  17. ^ "Gary Indiana: Stanley Park". Whitney Museum of American Art. Retrieved 2018-05-15.
  18. ^ Miller, M.H. (April 22, 2014). "Sleep When I'm Dead: Gary Indiana Might Be Out of Print, But He's Still Going Strong". The New York Observer. Retrieved 2018-05-15.
  19. ^ Indiana, Gary (April 2014). "The Terrace". Harper's Magazine. Retrieved 2018-05-15.
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