Mihail Chemiakin

In this name that follows Eastern Slavic naming customs, the patronymic is Mikhailovich and the family name is Chemiakin.

Mihail Chemiakin Михаи́л Михайлович Шемя́кин
Born	Mihail Chemiakin (1943-05-04) 4 May 1943 Moscow, Soviet Union
Nationality	Russian
Known for	Sculpture, stage design
Notable work	The Children Victims of Adult Vices (2001) Gofmaniada (Soon)
Awards	Order of Friendship Ordre des Arts et des Lettres State Prize of the Russian Federation Prize of the President of the Russian Federation

Mihail Chemiakin (left) with Russian President Vladimir Putin in 2001

Mihail Mikhailovich Chemiakin (or Shemyakin, Template:Lang-ru, born 4 May 1943) is a Russian painter, stage designer, sculptor and publisher, and a controversial representative of the nonconformist art tradition of St. Petersburg.

Early life

Chemiakin was born to a military family. His father, a Kabardian from the Caucasus Mountains Mikhail Kardanov, had lost his parents and was adopted by a friend of his father's, White Army officer Piotr Chemiakin. The artist's father eventually became a Soviet Army officer. He received one of the first Orders of the Red Banner at the age of thirteen. Chemiakin's mother was an actress and poet Yulia Nikolaevna Predtechenskaya of Russian noble heritage. She met her future husband in 1941 when he came to the Moscow circus to recruit volunteers to fight in World War II, and accompanied him to the front. She served in the cavalry under the command of Lev Dovator and took part in battles alongside her husband.

Mihail Chemiakin's Musée Imaginaire

Mihail Chemiakin's Musee Imaginaire is a research project by Chemiakin, who considers the history of art from the point of view of the transformation of images. The basis of the research methodology is the interpretation and systematization of visual images. The studies are presented in the form of sheets with images pasted on them, grouped according to the principle of visual generality — thematic, stylistic, figurative, iconographic.

Chemiakin's project was partially inspired by an essay by André Malraux, who first formulated the concept of the Imaginary Museum. He proposed juxtaposing works of art from different cultures and eras to analyse the changing image or, as Malraux wrote, metamorphosis. In addition, he suggested that everyone should compose their own personal museum, selecting works without relying on the opinions and limited choices of major institutions. This was made possible by the mass proliferation of photography.

"Musée imaginaire" appears as an alternative to the classical museum in the evaluation of contemporary art, for which no clear aesthetic requirements have been defined.

See also

• List of Russian artists

Sources

• The Grove Dictionary of Art, by Jane Shoaf Turner (Ed.), Grove's Dictionaries. ISBN 1-884446-00-0
• Kolodzei Art Foundation
• Kolodzei Art Foundation and Kolodzei Collection of Russian and Eastern European Art

Further reading

• Mihail Chemiakin; Vol. 1: Russian Period, Paris Period; Vol. 2: Transformations, New York Period, 1986 by Mihail Chemiakin, Mosaic Press, NY, 1986.. ISBN 0-88962-327-9
• M. Chemiakin: A View of the Artist Through the Media, 1962–1999, by Ilya Bass and Alan Lamb, Woollyfish Imprints, 2000. ISBN 0-9705728-0-8
• Staging the Nutcracker, by Mihail Chemiakin, Rizzoli, 2001. ISBN 0-8478-2346-6
• Heike Welzel: „Michail Šemjakin: Malerei und Graphik. Von der inoffiziellen sowjetischen Kunst zur russischen Kunst im Exil". Gebr. Mann Verlag, Berlin 2006. ISBN 978-3-7861-2531-0