The Mill (Burne-Jones)
| The Mill | |
|---|---|
 | |
| Artist | Sir Edward Burne-Jones |
| Completion date | 1882 |
| Medium | Oil on canvas |
| Dimensions | 91 cm × 197 cm (36 in × 78 in)[1] |
| Location | Victoria and Albert Museum, London |
The Mill is an Aesthetic Movement, Renaissance-inspired oil on canvas painting completed by Edward Burne-Jones in 1882. It is a mysterious painting with no particular meaning. The painting's main feature is three women dancing in front of a mill pond on a summer evening, with a vague wooded landscape spanning the background. The Mill is currently in the Victoria and Albert Museum.
Background
Edward Burne-Jones took twelve years to complete The Mill, starting work in 1870[1] and completing it in 1882.[2] Shortly after its completion, the painting was displayed at an exhibition at the Grosvenor Gallery.[3] The Mill was inspired by The Allegory of Good and Bad Government, a mural painted by Italian Renaissance artist Ambrogio Lorenzetti between 1338 and 1340.[4]
Painting
The Mill is an oil on canvas painting. It is 91 centimetres (36 in) in height, and 197 centimetres (78 in) in width.[1]
The Mill is a vague and mysterious painting with no particular meaning.[3] It incorporates styles from the Aesthetic Movement and the Renaissance.[5] In the painting, three women wearing simple, Renaissance-style aesthetic dresses[3] are dancing in a garden on a summer evening. On the right of the dancing women, a musician of an indiscernible gender is standing under a loggia.[1][5] A mill pond can be seen behind the women.[5] On the other side of the pond, there are several nude men, who are presumably swimming. In the background is an unspecific landscape consisting of various designs and types of architecture.[1]
The dancing women in the painting were modelled upon women known to Burne-Jones personally: from left to right, Aglaia Coronio, Marie Stillman, and Maria Zambaco.[6] Aglaia was the daughter of Constantine Ionides, who, like Burne-Jones, was interested in art. Marie was a painter,[3] and Maria was Ionides' granddaughter.[5] At the time, Maria was Burne-Jones' mistress.[3]
Ownership
Constantine Ionides bought the painting on 21 April 1882 for £905.[5] It is currently housed in the Victoria and Albert Museum, in London.[2]
See also
References
- ^ a b c d e Patrick Bade (22 December 2011). Burne-Jones. Parkstone International. pp. 33, 36. ISBN 978-1-78042-414-9.
- ^ a b "Study of a Dancing Woman for 'The Mill' c.1870–82". tate.org.uk. Retrieved 22 February 2015.
- ^ a b c d e Kimberly Wahl (2013). Dressed As in a Painting: Women and British Aestheticism in an Age of Reform. UPNE. p. 84. ISBN 978-1-61168-415-5.
- ^ "Portrait of Marie Spartali, Mrs W. J. Stillman (England, c.1880)". leicestergalleries.com. Retrieved 22 February 2015.
- ^ a b c d e "The Mill: Girls Dancing to Music by a River". collections.vam.ac.uk. Retrieved 25 February 2015.
- ^ The Last Pre-Raphaelite: Edward Burne-Jones and the Victorian Imagination. Harvard University Press. Mar 5, 2012. pp. 203–204. ISBN 9780674065796.
Further reading
- Wildman, S (1998). Edward Burne-Jones, Victorian artist-dreamer. New York: The Metropolitan Museum of Art.