Nick Roth (composer)
Nick Roth | |
---|---|
![]() | |
Born | London, England | 27 April 1982
Occupation(s) | saxophonist, composer |
Website | www |
Nick Roth (born 27 April 1982) is a saxophonist, composer, producer and educator.
Work
Roth's work explores the liberation of improvisation from composition, the poetic syntax of philosophical enquiry, and the function of music as translative epistemology (MaTE).[1][2]
He has developed projects in collaboration with scientists Thomas E. Lovejoy, Margaret D. Lowman, Iain Couzin and Henry S. Horn and his work has been commissioned and performed by the European Saxophone Ensemble, T. S. Eliot Foundation, RTÉ ConTempo Quartet, Happy Days International Beckett Festival, Trio InVento, The Ark Cultural Centre for Children, Dublin Dance Festival, Hong Kong New Music Ensemble, Yurodny Ensemble, Emma Martin Dance, National Concert Hall Dublin, Temenos and Rough Magic Theatre Company, with performances at international festivals including the Irish representation at the ISCM World Music Days 2016 in Tongyeong, South Korea.[3]
As a performer, his collaborations include work with Jennifer Walshe,[4][5] Savina Yannatou,[6] John Taylor, Iarla Ó Lionáird,[7] M.C. Schmidt,[8] Gavin Bryars, Bobby McFerrin,[9] Tom Arthurs, Lucas Niggli, Kate Ellis, Mihály Borbély, Matthew Jacobson,[10] Miklós Lukács, Francesco Turrisi, Cora Venus Lunny, Crash Ensemble, Alex Bonney, Petar Ralchev, Zohar Fresco, Alkinoos Ioannidis, Theodosii Spassov, and world premières of new works by composers Mamoru Fujieda, Alla Zagaykevych, Dan Trueman, Ian Wilson, Benjamin Dwyer, Panos Ghikas, Kamran Ince, Roger Doyle, Dan Trueman, Judith Ring, Mel Mercier, Linda Buckley, Ed Bennett, Onur Türkmen,[11] Christian Mason, Francis Heery, Piaras Hoban and Elaine Agnew.
As an educator, he has lectured and given workshops at the California Academy of Sciences, Trinity College Dublin (TCD), European Space Research and Technology Centre (ESTEC), University College Cork (UCC), Sonic Arts Research Centre (SARC), University College Dublin (UCD), Institute for Biodiversity, Science and Sustainability, San Francisco (IBSS), Cork School of Music (CSM), University of Limerick (UL), University of Aalborg, Copenhagen, National University of Ireland (NUI), Royal Irish Academy of Music (RIAM) and the Norwegian Center for Technology in Music and the Arts (NOTAM).
He is the artistic director of the Yurodny Ensemble,[12][13] a founding member of The Water Project, and a partner at Diatribe Records.[14]
In 2015 he was composer-in-residence at the California Academy of Sciences and the Irish Museum of Modern Art (IMMA) and in 2017 was artist-in-residence at the European Space Agency (ESTEC).
Biography
Roth was born into a musical family in London;[15] brothers Alex Roth and Simon Roth are also musicians, and mother Joy Mendelsohn is a music teacher (whose past students included Alastair King, George Michael and Andrew Ridgeley). He is married to Ukrainian vocalist Olesya Zdorovetska and since 2001 has been based in Dublin, Ireland.
He studied saxophone in London with Gilad Atzmon and composition in Dublin under Ronan Guilfoyle and Elaine Agnew, undertaking further studies of improvisation in New York City under Steve Coleman, Ravi Coltrane, and Vijay Iyer, of pedagogy in Kecskemét at the Zoltán Kodály Institute under Katalin Kiss, and of Makam theory and composition in Crete under Sokratis Sinopoulos and Ross Daly.
Selected works
Orchestra
- Woodland Heights (2014) for string orchestra [16][17]
- Flocking III (2013) for saxophone orchestra
- Stille Nacht (2012) for jazz orchestra
- Flocking I–II (2012) for string orchestra
Solo / Ensemble
- Seed I–II (2016) for percussion and tape
- Peregrinus (2016) for cathedral bells and electronics
- Little Woodland Heights (2015) for children's ensemble [18][19]
- A Way A Lone A Last (2015) for recorder trio
- Temenos (2015) for bass clarinet and tenor recorder
- LakeCycle (2013) for piano and percussion
- StopStart (2012) for variable ensemble
- Water Project I–II (2011) for open ensemble and water
- Quintet (2010) for bass clarinet and string quartet [20]
- Maoz Tsur (2010) for choir SSAA
- Jamilia (2009) for piano
- Griffmadár (2009) for large ensemble
- I am the Sea (2009) for voice and piano
- pliARS (2009) for large ensemble
- Evenset (2008) for large ensemble
- Parah (2008) for clarinet quartet
- Innehølder (2006) for large ensemble
Theatre
- The Waste Land (2015) for four voices, jazz quintet and film [21][22]
- CAOS (2015) for dancer and improvising ensemble
- Tundra (2014) for ensemble and tape [23]
- Vartn af Godot (2014) for ensemble
- Peer Gynt (2013) for ensemble
- Don Giovanni (2011) for voices, ensemble and electronics
Discography
Artist | Album title | Year of release |
---|---|---|
Yurodny | Haivka | 2016 |
Jennifer Walshe | Historical Documents of the Irish Avant-Garde | 2016 |
Cork Gamelan Ensemble | The Three Forges | 2015 |
Eine Jüdische Zeitreise | Sefarad Hören | 2014 |
Caoimhín Ó Raghallaigh | Music for an Elliptical Orbit | 2014 |
Kate Ellis | Jump | 2014 |
Adrian Hart | Cuisle | 2014 |
Cora Venus Lunny | Terminus | 2014 |
Matthew Schellhorn | Ian Wilson: Stations | 2014 |
OKO | I Love You Computer Mountain | 2014 |
Benjamin Dwyer | Scenes from Crow | 2014 |
European Saxophone Ensemble | Intimate in Public | 2013 |
Roger Doyle | The Thousand-Year Old Boy | 2013 |
Francesco Turrisi | Grigio | 2013 |
ReDiviDeR | meets I Dig Monk, Tuned | 2013 |
Paul Roe and Contempo Quartet | Dreams and Prayers | 2013 |
Thought-Fox | My Guess | 2013 |
Various | Tronix One | 2012 |
Hidden Orchestra | Archipelago | 2012 |
Paul Dunlea Group | Bi-polar | 2012 |
Sefiroth Ensemble | Arboles Lloran por Lluvia | 2012 |
ReDiviDeR | Never odd or eveN | 2011 |
Elena Leonova | That Crazed Girl | 2011 |
Francesco Turrisi | Fotografia | 2011 |
Yurodny | Evenset | 2010 |
Tarab | Tarab | 2010 |
Hidden Orchestra | Night Walks | 2010 |
Simon Jermyn | Hymni | 2010 |
Izumi Kimura | Asymmetry | 2010 |
Paul Roe | Between | 2010 |
Isabelle O'Connell | Reservoir | 2010 |
Ian Wilson | Double Trio | 2009 |
Fuzzy Logic Ensemble | Mouthpiece | 2009 |
Francesco Turrisi | Si Dolce è il Tormento | 2009 |
Yurodny | Odd Set | 2008 |
The Blizzards | Domino Effect | 2008 |
Republic of Loose | Vol.IV Johnny Pyro and the Dance of Evil | 2008 |
Kai Big Band | Projections | 2006 |
Fuzzy Logic Ensemble | New Hat | 2005 |
CFour | Cementex | 2003 |
References
- ^ Different Voices: Irish Music and Music in Ireland, Benjamin Dwyer, Chapter Twelve, Wolke Verlag, October 2014
- ^ There is No Such Thing as Genre, Colony Literary Magazine, November 2014
- ^ The Wizards of New Music, New Music USA, May 2016
- ^ The Avant-Garde Archive of Ireland, Aisteach Institute Press, January 2015
- ^ Experimental Music Since 1970, Jennie Gottschalk, Bloomsbury Publishing USA, August 2016
- ^ RTE Lyric FM, Blue of the Night, July 2014
- ^ GoldenPlec, September 2015
- ^ Diatribe Live: M.C. Schmidt/Jennifer Walshe/Nick Roth, Journal of Music, September 2015
- ^ The Irish Times Culture, September 2015
- ^ The Guardian, October 2013
- ^ On the Premiere of Onur Türkmen's Sailing to Byzantium, Jane Harrison, Musicology at Istanbul Teknik Universitesi–MIAM, April 2016
- ^ Yurodny Haivka, The Irish Times, April 2016
- ^ Yurodny Haivka, fRoots Magazine, April 2016
- ^ Diatribe Records: Heart and Soul of the Music, All About Jazz 2013
- ^ Tomorrow is the Question: Who to look out for in 2014, Jazzwise Magazine UK, November 2013
- ^ The Wood from the Trees, The Journal of Music, May 2014.
- ^ Tales from the Woodland, Groove Korea, May 2016.
- ^ The Role of the Arts in Environmental Education, National Youth Arts Council of Ireland, January 2015
- ^ New Music Digest, October 2015
- ^ Contemporary Quintets, Gramophone Magazine, July 2013
- ^ T.S. Eliot's The Waste Land With Nick Roth Quintet At Happy Days Enniskillen International Beckett Festival 2015, All About Jazz, August 2015
- ^ T. S. Eliot Society, April 2015
- ^ The Irish Times, May 2014