Jump to content

Ong Keng Sen

Add links
From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by InternetArchiveBot (talk | contribs) at 17:45, 12 June 2020 (Rescuing 2 sources and tagging 0 as dead.) #IABot (v2.0.1) (Robertsky - 6016). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Ong Keng Sen
Born (1963-11-20) November 20, 1963 (age 60)
NationalitySingaporean
EducationNational University of Singapore
Tisch School of the Arts
Occupationdirector
AgentTheatreWorks
AwardsYoung Artist Award (1992)
Cultural Medallion (2003)
Fukuoka Prize for Art and Culture (2010)
Chinese name
Simplified Chinesewáng jǐng shēng
Transcriptions

Ong Keng Sen (born 20 November 1963; Chinese: 王景生; pinyin: Wáng Jǐng Shēng; Pe̍h-ōe-jī: Ông Kíng-senn) is a Singaporean director of the theatre group TheatreWorks, which was founded in 1985.

Early life

Ong Keng Sen was youngest of six children born to immigrants from Putian, China. Ong joined the drama club at Anglo-Chinese Primary School and went on to serve as president of the Varsity Playhouse of the National University of Singapore as he was studying law. A trained lawyer, he completed his pupillage at Singapore law firm Lee & Lee.[1] Ong is also Fulbright scholar who studied intercultural performance with the Performance Studies Department at Tisch School of the Arts, New York University.

Theatre career

Theatre

Ong took on the post of artistic director of theatre group TheatreWorks in 1988.[2] He was involved with the production of comedies such as Beauty World and Army Daze.[3][4] His local productions include Destinies of Flowers in the Mirror and Descendants of the Admiral Eunuch.[5]

Ong was the director of Singapore International Festival of Arts (SIFA) from 2014 to 2017.[6] The SIFA was a revamped, independent version of its predecessor, the Singapore Arts Festival. Ong was invited to recreate this national performing arts festival after an industry review. He was the first artist to helm the festival since the festival's inception in 1977, which had previously been headed by civil servants.[7]

Ong restructured the festival and renamed it SIFA to highlight the Singapore and international perspectives in it. Beginning with 20,000 audiences in SIFA 2014,[8] this has increased to 62,000 and in 2016, the festival peaked with 155,000 attendances, 96% capacity houses and 75% of its performances sold out.[citation needed] Further in 2016, he was responsible for raising 20% of the S$9 mil festival through sponsorship. During his tenure, he has brought international artists to work with Singapore art schools. He has capacity-built cultural development through his scaffold of an alternating international and local focus for SIFA from year to year.[citation needed] As festival director, he has been vocal about the government restrictions and non-transparent OB markers for performance arts staged in Singapore.[9][10]

In addition to serving as festival director, Ong has directed one performance every year at the festival. Ong directed Facing Goya, a Michael Nyman-composed opera, for the opening of Singapore International Festival of Arts 2014.[11]

In 2015, Ong directed a six-hour site-specific performance, The Incredible Adventures Of Border Crossers, for the opening of the inaugural Singapore Festival in France at the Palais de Tokyo. The production involved 30 foreigners and explored what it meant to be a "border crosser".[12] The festival also re-staged at Theater de la Ville Paris, TheatreWorks' Lear Dreaming, directed by Ong.[13] In the same year, Lear, directed by Ong and written by Rio Kishida, was selected by The Business Times as one of the "finest plays in 50 years" alongside productions by Goh Poh Seng, Michael Chiang and Alfian Sa'at and others.[14]

In 2016, Ong created Sandaime Richard based on Hideki Noda's script of the same title with kabuki onnagata Kazutaro Nakamura as Richard III.[15] This gender bending production at Tokyo Metropolitan Theater was followed by a new production of Trojan Women at the National Theater of Korea, showcasing a blend of pansori, K-pop and Greek tragedy.[16] In particular, the show gained much attention by casting a male pansori singer as Helen of Troy.[citation needed]

Film

Ong directed the Singaporean film Army Daze, based on a play written by Michael Chiang. The movie was released in 1996.

Themes and style

Ong is a member of the Asia-Europe Network, which promotes the artistic exchange between Asia and Europe. He has been applauded around the world[by whom?] for this kind of transcultural theatre which mixes Western and Eastern performance traditions, especially dance with spoken word drama. Ong is largely contributed to cultivating young, educated, imaginative audiences for new works.[17] Ong's unique "process-oriented" projects involves placing wide ranges of master practitioners of different traditions on the same stage, but remaining independent in their own aesthetics.[18] He is particularly well known for his performance at the Bunkamura Cocoon Tokyo production of Lear in 1997, his Desdemona at the Adelaide Festival, Australia in 2000, and his Search:Hamlet at the Kronbourg Castle in Elsinore and Copenhagen.

Accolades

Ong is the first artist to have received the two most acclaimed Singaporean cultural awards, the Young Artist Award (1992) and the Cultural Medallion (2003).[19] In 2010, he received the prestigious Fukuoka Prize for Art and Culture for his contemporary performance directions.

Personal life

Ong Keng Sen is the younger brother of Ong Keng Yong.[citation needed]

See also

References

  1. ^ Zhuang, Zara. "Ong Keng Sen: From papers to plays - Prestige Online - Society's Luxury Authority". Prestige Online.
  2. ^ "WE'RE 25!". Today. 1 December 2009.
  3. ^ "TRUE OR FALSE?". Today. 3 June 2008.
  4. ^ "A facelift for Beauty World". The Straits Times. 20 August 1988.
  5. ^ "Shakespeare In Asia". sia.stanford.edu. Archived from the original on 3 March 2016. Retrieved 21 January 2018.
  6. ^ Yusof, Helmi. "A more modest fest before Ong exits". The Business Times.
  7. ^ Yee, Chen May (12 August 2014). "Ong Keng Sen on his vision for the Singapore International Festival of Arts". The New York Times.
  8. ^ "Ong Keng Sen disappointed after 4 years as Arts Fest director". The Straits Times. 12 September 2017.
  9. ^ Harmon, Steph (8 September 2017). "Art v government at Singapore festival: 'I fear once I leave, they will punish me'". the Guardian.
  10. ^ Jagdish, Bharati (24 October 2015). "Ong Keng Sen 'embarrassed' talking about Singapore in front of international artists". Channel NewsAsia.
  11. ^ Nanda, Akshita (12 August 2014). "Facing Goya not for the fossilised, says director Ong Keng Sen". Singapore Press Holdings. The Straits Times. Retrieved 2 September 2014.
  12. ^ Ng, Kelly (10 September 2014). "Local arts groups take French stages next year in three-month festival". MediaCorp. TODAY. Retrieved 10 September 2014.
  13. ^ Tan, Corrie (10 September 2014). "France to host three-month festival of Singapore arts and culture". Singapore Press Holdings. The Straits Times. Retrieved 10 September 2014.
  14. ^ Yusof, Helmi. "The finest plays in 50 years". The Business Times. Singapore Press Holdings. Retrieved 5 January 2015.
  15. ^ Eglinton, Mika (22 November 2016). "Ong's spellbinding take on 'Richard III' | The Japan Times". The Japan Times.
  16. ^ Kwon, Mee-yoo (23 November 2017). "Ong Keng Sen bridges tradition with contemporary". The Korea Times.
  17. ^ Leiter, Samuel (2007). Encyclopedia of Asian Theatre. Vol. Volume II. {{cite book}}: |volume= has extra text (help)
  18. ^ Leiter, Samuel (2007). Encyclopedia of Asian Theatre. Vol. Volume II. {{cite book}}: |volume= has extra text (help)
  19. ^ "He's a radical role model". Today. 27 September 2003.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Ong_Keng_Sen&oldid=962202180"