The Beloved (Rossetti)

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Frietjes (talk | contribs) at 15:10, 19 June 2020 (As per this discussion, auto-linking for this field will be turned off shortly and this edit is in preparation. Please confirm that the correct article has been targeted and if not, please change the link or unlink the name if the target article does not exist.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

The Beloved
ArtistDante Gabriel Rossetti
Year1865–1866
Mediumoil on canvas
Dimensions80 cm × 76 cm (31 in × 30 in)
LocationTate Britain, London

The Beloved (also The Bride) is an oil painting on canvas by English artist Dante Gabriel Rossetti, first painted in 1865 and now in Tate Britain.

History

This painting illustrates the Song of Solomon. Two passages from the Song of Solomon are inscribed on the picture's gilded frame:

My beloved is mine and I am his (2:16)

and

Let him kiss me with the kisses of his mouth: for thy love is better than wine (1:2)

The bride, caught in the action of moving back her veil, is attended by four virginal bridesmaids and an African page boy. All contrast strikingly with the red hair and pale skin of the bride: not just the African skin and features, but also the varying shades of brunette hair and dark caucasian skin tones of all four bridesmaids. It has been suggested that this colour contrast, carefully painted as a frame to the bride's features, was influenced by a controversial painting by Édouard Manet, entitled Olympia (first exhibited in 1865). Rossetti made a visit to Manet while working on The Beloved, and the painting also owes much to the works of Titian.[1]

Rossetti arranged the bride in a head-dress which is distinctly recognisable as Peruvian, and in a Japanese gown. Again, this abundance of exotic fabric frames the face of the bride, dominant in the centre of the canvas, with its western-European features. Rossetti ostensibly finished this oil in 1866, but continued to make changes to it throughout his life.[2]

See also

References

  1. ^ J. Treuherz, E. Prettejohn, and E. Becker. Dante Gabriel Rossetti. London: Thames & Hudson (2003).
  2. ^ V. Surtees. Dante Gabriel Rossetti. Vol.I, Oxford: Clarendon Press (1971).

Further reading

  • Doughty, Oswald (1949) A Victorian Romantic: Dante Gabriel Rossetti London: Frederick Muller
  • Fredeman, William E. (Ed.) (2002-8) The correspondence of Dante Gabriel Rossetti. 7 Vols. Brewer, Cambridge.
  • Hilto, Timoth (1970). The Pre-Raphelites. London: Thames and Hudson, New York: Abrams.
  • Linafelt, Tod (2002). "Biblical Love Poetry (...and God)". Journal of the American Academy of Religion 70 (2).
  • Pope, Marvin H. (1977). Song of Songs: A New Translation with Introduction and Commentary.Anchor Bible 7C. 2 volumes. Garden City, New York: Doubleday.
  • Ash, Russell (1995). Dante Gabriel Rossetti. London: Pavilion Books.
  • Surtees, Virginia (1971). Dante Gabriel Rossetti. 2 vols. Oxford: Clarendon Press.
  • Treuherz, Julian, Prettejohn, Elizabeth, and Becker, Edwin (2003). Dante Gabriel Rossetti. London: Thames & Hudson.
  • Todd, Pamela (2001). Pre-Raphaelites at Home, New York: Watson-Giptill Publications.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=The_Beloved_(Rossetti)&oldid=963388821"