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Bartolomeo Barbarino – Madrigali di diversi autori for solo voice with theorbo, harpsichord, or other instruments (Venice: Ricciardo Amadino), also includes a song for two tenors
John Bartlet – A Booke of Ayres with a Triplicitie of Musicke (London: John Windet), a collection of lute songs for 1, 2, & 4 voices
Sethus Calvisius – Herr Gott wer kan aussgründen for four voices (Leipzig: Abraham Lamberg), a motet
Giovanni Paolo Cima – Partito de ricercari, & canzoni alla francese (Milan: Simon Tini & Filippo Lomazzo)
Christian Erbach – Modorum sacrorum tripertitorum, quibus solennium sacrorum per annum initia for five voices, parts 2 & 3 (Dillingen: Adam Meltzer), a collection of introits, alleluias, and post-communion songs
Giacomo Finetti – Orationes vespertinae for four voices (Venice: Ricciardo Amadino), music for Vespers
Girolamo Montesardo – Nuova inventione d'intavolatura per sonare li balletti sopra la chitarra spanuola, published in Florence, the first printed source of alfabeto notation for the guitar
Nicola Parma – Motets for eight and twelve voices (Venice: Ricciardo Amadino)
Serafino Patta - Missa, psalmi, motecta ac litaniae in honorem Deiparae Virginis... (Venice: Giacomo Vincenti)
Enrico Antonio Radesca (Radesca di Foggia) – Second book of canzonettas, madrigals and arie della romana for two voices (Milan: Simon Tini & Filippo Lomazzo)
John Coprario – Funeral Teares for one and two voices (London: John Windet for William Barley for John Browne), written on the death of the Earl of Devonshire (April 3, 1606).