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Tampa Red

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Tampa Red
Birth nameHudson Woodbridge
Also known asHudson Whittaker
Born(1903-01-08)January 8, 1903
Smithville, Georgia, U.S.
DiedMarch 19, 1981(1981-03-19) (aged 78)
Chicago, Illinois
GenresChicago blues, hokum
Occupation(s)Musician, songwriter
Instruments
Years active1920s–1960s
Labels

Hudson Whittaker (born Hudson Woodbridge, January 8, 1903[1] – March 19, 1981), known as Tampa Red, was an American Chicago blues musician.

He is best known as a blues guitarist who had a distinctive single-string slide style. His songwriting and his bottleneck technique influenced other leading Chicago blues guitarists, such as Big Bill Broonzy, Robert Nighthawk and Muddy Waters, and many others, including Elmore James and Mose Allison.[2] In a career spanning over 30 years, he also recorded pop, R&B and hokum songs. His best-known recordings include "Anna Lou Blues", "Black Angel Blues", "Crying Won't Help You", "It Hurts Me Too", and "Love Her with a Feeling".[3]

Biography

Tampa Red was born Hudson Woodbridge in Smithville, Georgia. His parents died when he was a child, and he moved to Tampa, Florida, where he was raised by his aunt and grandmother and adopted their surname, Whittaker.[4] He emulated his older brother, Eddie, who played the guitar, and he was especially inspired by an old street musician called Piccolo Pete, who first taught him to play blues licks on the guitar.[2]

In the 1920s, having already perfected his slide technique, he moved to Chicago, Illinois, and began his career as a musician, adopting the name "Tampa Red", with reference to his childhood home and his light-colored skin.[4] His big break came when he was hired to accompany Ma Rainey. He began recording in 1928, with "It's Tight Like That", in a bawdy and humorous style that became known as hokum.[4] His early recordings were mostly collaborations with Thomas A. Dorsey, known as Georgia Tom.[4] The two recorded almost 90 sides, sometimes as the Hokum Boys or, with Frankie Jaxon, as Tampa Red's Hokum Jug Band.

In 1928, Red became the first black musician to play a National steel-bodied resonator guitar [citation needed], the loudest and showiest guitar available before amplification, acquiring one in the first year in which they were available. This allowed him to develop his trademark bottleneck style, playing single-string runs, not block chords, which was a precursor of later blues and rock guitar soloing.[5] The National guitar he used was a gold-plated tricone, which was found in Illinois in the 1990s by Randy Clemens, a music shop owner and guitarist, and later sold to the Experience Music Project in Seattle.[6] Red was known as "The Man with the Gold Guitar", and into the 1930s he was billed as "The Guitar Wizard". In 1931, Red recorded "Depression Blues", including the topical lyrics, "If I could tell my troubles, it would give my poor heart ease, but Depression has got me, somebody help me please".[7]

Red's partnership with Dorsey ended in 1932, but he remained much in demand as a session musician, working with John Lee "Sonny Boy" Williamson, Memphis Minnie, Big Maceo, and many others.[4] He signed with Victor Records in 1934 and remained on their artist roster until 1953. He formed the Chicago Five,[8] a group of session musicians who created what became known as the Bluebird sound, a precursor of the small-group style of later jump blues and rock-and-roll bands.[4] Red was a friend and associate of Big Bill Broonzy's and Big Maceo Merriweather's. He achieved commercial success and some prosperity. His home became a centre for the blues community, providing rehearsal space, bookings, and lodgings for musicians who arrived in Chicago from the Mississippi Delta as the commercial potential of blues music grew and agricultural employment in the South diminished.[9]

By the 1940s, Red was playing an electric guitar. In 1942, his "Let Me Play with Your Poodle",[8] was a number 4 hit on Billboard's new "Harlem Hit Parade", a forerunner of the R&B chart. His 1949 recording "When Things Go Wrong with You (It Hurts Me Too)", another R&B hit, was covered by Elmore James.

He was "rediscovered" in the blues revival of the late 1950s, like many other surviving early-recorded blues artists, such as Son House and Skip James. He made his last recordings in 1960.

Red became an alcoholic after his wife's death in 1953.[10] He died destitute in Chicago, aged 77.[11]

Discography

Red was one of the most prolific blues recording artists of his era. It has been estimated that he recorded 335 songs on 78-rpm records,[12] of which 251 were recorded between 1928 and 1942, making him the blues artist with the most recordings during that period.[13] Most of his singles were released before Billboard magazine began tracking blues (and other "race music") in October 1942, and accurate sales records are not available. However, he had four singles that placed in the R&B top ten between 1942 and 1951.[14]

Selected singles

Red recorded alternate versions (usually designated "No. 2", "No. 3", etc.) of some of his early songs. Songs with alternate versions are marked with a superscript plus sign. He recorded some singles with collaborators, credited as the Hokum Boys, Tampa Red's Hokum Jug Band, Papa Too Sweet, and other names.

Date Title Label & Cat. no. Comments
1928 "It's Tight Like That" Vocalion 1216+ with Georgia Tom (Tom Dorsey) (piano)
"How Long, How Long Blues" Vocalion 1228+ as Tampa Red's Hokum Jug Band
1929 "The Duck's Yas-Yas-Yas" Vocalion 1277 with Dorsey
"You've Got to Reap What You Sow" Vocalion 1404 slide guitar instrumental
"Corrine Corrina" Vocalion 1450+ with Dorsey
1930 "The Dirty Dozen #2" Vocalion 1538
1931 "Things 'bout Coming My Way" Vocalion 1637+
1932 "You Can't Get That Stuff No More" Vocalion 1706 with Dorsey
1934 "Sugar Mama Blues No. 1" Vocalion 2720+
"Black Angel Blues" Vocalion 2753
"Mean Mistreater Blues" Bluebird 5546
1938 "Love with a Feeling" Bluebird 7822 with Black Bob Hudson (piano) & unknown bass
1939 "Don't Forget It" Bluebird 8327-B
1940 "It Hurts Me Too" Bluebird 8635 with Blind John Davis (piano) & unknown bass
"Anna Lou Blues" Bluebird 8654 with Davis & unknown bass
"Don't You Lie to Me" Bluebird 8654 with Davis & unknown bass
1942 "Let Me Play with Your Poodle" Bluebird 0700 with Big Maceo Merriweather (piano) & Clifford Jones (drums), Billboard R&B chart #4
1945 "Detroit Blues" Bluebird 0731 with combo (piano, bass, & drums), R&B #5
1946 "Crying Won't Help You" RCA Victor 20-1988 with combo
1949 "When Things Go Wrong with You" RCA Victor 22-0035 remake of "It Hurts Me Too", with combo, R&B #9
1950 "Love Her with a Feeling" RCA Victor 22-0084 remake of "Love with a Feeling", with combo
1951 "Sweet Little Angel" RCA Victor 22-0107 remake of "Black Angel Blues", with combo
"Early in the Morning" RCA Victor 22-0123 with combo
"Pretty Baby Blues" RCA Victor 22-0136 with combo, R&B #7

He also played as a sideman on recordings by Big Maceo Merriweather, John Lee "Sonny Boy" Williamson, Memphis Minnie, Ma Rainey, and Victoria Spivey.[12]

Selected albums

Although he was a prolific singles artist, Red recorded only two albums, which were released late in his career. Various compilation albums have been released since his death by different record companies, often with significant overlap, but some compilations focus on certain aspects of his style or original record labels.

Date Title Label Comments
1961 Don't Tampa with the Blues Bluesville recorded 1960
Don't Jive Me Bluesville recorded 1960
1974 Bottleneck Guitar 1928–1937 Yazoo
1991–93 Complete Recorded Works in Chronological Order, vols. 1–15 Document recorded 1928–53
1993 Keep Jumping 1944–1952 Wolf
1994 Tampa Red (1928–1942) Story of the Blues
The Guitar Wizard Columbia/Legacy Okeh and Vocalion releases 1928–34
It Hurts Me Too – The Essential Recordings Indigo various labels, 1928–42
1997 The Complete Bluebird Recordings 1934–1936 RCA
The Bluebird Recordings 1936–1938 RCA
2001 The Essential Classic Blues recorded 1928–51
2002 Slide Guitar Classics P-Vine

References

  1. ^ Some sources quote a different date of birth, ranging from "Christmas day, probably 1900" to January 8, 1904.
  2. ^ a b Barlow, William (1989). "Looking Up at Down": The Emergence of Blues Culture. Temple University Press. pp. 304–305. ISBN 0-87722-583-4.
  3. ^ Pearson, Barry Lee. "Tampa Red: Biography". Allmusic.com. Retrieved August 19, 2010. {{cite web}}: Cite has empty unknown parameter: |coauthors= (help)
  4. ^ a b c d e f Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. pp. 173–174. ISBN 1-85868-255-X.
  5. ^ Info.net Archived April 18, 2007, at the Wayback Machine
  6. ^ Carradini, Stephen (2011). "From Red to Randy". Oklahoma Gazette. April 6, 2011. p. 57.
  7. ^ Giles Oakley (1997). The Devil's Music. Da Capo Press. p. 149. ISBN 978-0-306-80743-5.
  8. ^ a b Giles Oakley (1997). The Devil's Music. Da Capo Press. p. 163. ISBN 978-0-306-80743-5.
  9. ^ Giles Oakley (1997). The Devil's Music. Da Capo Press. p. 175/6. ISBN 978-0-306-80743-5.
  10. ^ Nigel Williamson (2007). The Rough Guide to the Blues. Rough Guides. ISBN 978-1843535195.
  11. ^ Tampa Red at Find a Grave
  12. ^ a b Herzhaft, Gerard (1992). Encyclopedia of the Blues. University of Arkansas Press. p. 335. ISBN 1-55728-252-8. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help)
  13. ^ Wald, Elijah (2004). Escaping the Delta: Robert Johnson and the Invention of the Blues. Harper. p. 41. ISBN 978-0-06-052427-2. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help)
  14. ^ Whitburn, Joel (1988). Top R&B Singles 1942–1988. Record Research. p. 401. ISBN 0-89820-068-7. {{cite book}}: Cite has empty unknown parameter: |coauthors= (help)
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