Advanced Music Systems
 |
 | |
| Industry | Professional audio design & engineering |
|---|---|
| Founded | 1976 |
| Headquarters | Burnley, Lancashire |
Key people | Mark Crabtree Stuart Nevison |
| Products | Audio & recording equipment |
AMS (Advanced Music Systems) were a manufacturer of professional studio equipment.[1] The company later merged with Neve Electronics to form AMS Neve.
Background
AMS was established in 1976 by Mark Crabtree and Stuart Nevison. They had been Aerospace engineers moving into the design of professional studio equipment for the manipulation and control of sound. The first product designed by the company was the DM-20 Tape Phase Simulator. This initial product was notably used by ELO, 10cc and Paul McCartney, who used it on the Wings' London Town album in 1978.
DMX 15-80 Digital Delay Line
In 1978 AMS introduced the world's first microprocessor controlled, 15-bit digital delay line, the AMS DMX 15-80. One of the early users of the AMS DMX 15-80 was Manchester record producer Martin Hannett who would go on to own quite a few of the devices. Later the DMX included "loop triggering" launching the use of digital sampling. The DMX later included pitch changing and up to 32 seconds of delay.[2]
RMX-16 Digital Reverb
In 1981 AMS released the RMX-16 digital reverberator.[3] In addition to a range of reverb types, the RMX-16 had a program ("Non Lin 2") which digitally emulated the drum sound of a compressed and gated room microphone, copying the effect used on the Phil Collins recording In the Air Tonight.[3] (Collins' unique drum sound was created by a combination of a room microphone compressed by the "Listen Mic" compressor of an early SSL Console, in combination with cutting off the reverb sound with a noise gate.[3])
Audiofile
In 1984, AMS released the Audiofile, one of the first 16-bit hard disk based recording systems dedicated to Post production.[4] The Audiofile saw considerable use in television post production and was seen by dubbing mixers as a huge technological breakthrough. After decades of mixing on 16mm magnetic film stock, in which mix decisions were extremely difficult to undo, the ability to undo and make changes instantaneously provided dubbing mixers with new opportunities for experimentation in their work.[5]
Logic 1 (Logic Series) Digital Console
In 1988, AMS released Logic 1; it was the first dynamically configurable, fully automated digital mixing console.[3] This was followed in 1990 by Logic 2, an expanded version of the Logic design in a large format console.
Public listing and merger with Neve
AMS was floated on the London Stock Exchange in 1985. Siemens bought AMS in 1990 and merged the company with Neve Electronics in 1992. Crabtree acquired the combined firm in 1995, becoming the sole owner of AMS Neve.
AMS Neve continues to manufacture professional recording equipment.
Awards and recognition
The founders of AMS have been recognised with awards for their contributions to the recording and broadcast industry.
In March 2000, Crabtree was the recipient of an Oscar at the Academy Awards for the design and development of the AMS Neve Logic Digital Film Console for motion picture sound mixing.[6] Crabtree was subsequently awarded a second Oscar in 2004 for "significant contributions to the evolution of digital audio editing for motion picture post production".[7]
Nevison was awarded a Fellow of the Association of Professional Recording Services (APRS) in 2015.[8]
Notable products
- AMS DMX 15-80 digital delay (mono)
- AMS DMX 15-80S digital delay (stereo)
- AMS S-DMX
- AMS RMX-16 digital reverberator
- AMS Audiofile digital audio editor
- AMS Logic series digital mixing consoles
References
- ^ AMS - Neve About Us Archived February 27, 2009, at the Wayback Machine Retrieved on March 16, 2009
- ^ AMS - Neve History 70s Archived February 28, 2009, at the Wayback Machine Retrieved on March 16, 2009
- ^ a b c d AMS - Neve History 80s Archived February 28, 2009, at the Wayback Machine Retrieved on March 16, 2009
- ^ Weinrich, Dennis. "Archived copy" (PDF). Archived from the original (PDF) on 2011-06-28. Retrieved 2011-02-22.
{{cite web}}: CS1 maint: archived copy as title (link), Audio Media, August 1990, accessed February 22, 2011. - ^ "The evolution of television sound mixing". www.adapttvhistory.org.uk. Retrieved 2018-05-29.
- ^ "72nd Annual Academy Awards Results and Commentary (2000)". www.digitalhit.com. Retrieved 2010-03-10.
- ^ "76th Annual Academy Awards Results and Commentary (2004)". www.digitalhit.com. Retrieved 2010-03-10.
- ^ "APRS Sound Fellowships 2015". www2.aprs.co.uk/sfa2015. Retrieved 2010-03-10.