Ceri Richards

Ceri Richards
Ceri Richards
	Ceri Richards in 1960
Born	6 June 1903; Dunvant, Wales
Died	9 November 1971 (aged 68); London, England
Nationality	Welsh
Education	Swansea School of Art; Royal College of Art;
Known for	Painting; printmaking; reliefs;
Movement	Modernism
Spouse	Frances Clayton (married 1929)
Awards	CBE (1960); National Eisteddfod Gold Medal (1961); Einaudi Painting Prize of the Venice Biennale (1962).;

Ceri Giraldus Richards, CBE (6 June 1903 – 9 November 1971) was a Welsh painter, print-maker and maker of reliefs.^[2]

Biography

Richards was born in 1903 in the village of Dunvant, near Swansea, the son of Thomas Coslett Richards and Sarah Richards (born Jones). He and his younger brother and sister, Owen and Esther, were brought up in a highly cultured, working-class environment. His mother came from a family of craftsmen; his father, an employee of a tinplate foundry in Gowerton, was active in the local church, wrote poetry in Welsh and English and for many years conducted the Dunvant Excelsior Male Voice Choir. All three children were taught to play the piano, and became familiar with the works of Bach and Handel in the cycle of Christian celebration. In later years music would be an important stimulus to Richards's painting - as would his youthful sensitivity to the landscapes of Gower and the cycles of nature.

At Gowerton Intermediate School he drew constantly and won local competitions. When he left school to become apprenticed to a firm of electricians in Swansea, he devoted his evenings to studying engineering draughtsmanship at Swansea College of Technology and drawing at the Swansea College of Art (now part of Swansea Metropolitan University).

In 1921, at the age of 18, Richards enrolled full-time at the Swansea College of Art, then under the direction of William Grant Murray. During his time at the College he spent less time in painting than in drawing from classical casts and studying industrial design and graphics. The strongest impact on him during these years appears to have been the week's summer school in 1923, which he spent under the direction of Hugh Blaker at Gregynog Hall, the country house of Gwendoline and Margaret Davies, where he first saw the canvases of Renoir, Van Gogh, Monet, Cézanne, Corot and Daumier, the sculpture of Rodin and sheets of old-master and modern drawings. The experience confirmed him in his vocation; and in the same year he applied for, and won, a scholarship to study in London at the Royal College of Art.

Richards entered the Royal College of Art in 1924.

Afterwards Richards spent most of his life in London, apart from a period teaching art in Cardiff, where he was head of painting at Cardiff School of Art during World War II.^[2]

In 1929 he married Frances Clayton, a fellow artist.^[3] They had two daughters - Rachel (born 1932) and Rhiannon (born 1945). Rachel married the paleontologist Colin Patterson.^[4]

His work gradually moved towards surrealism after exposure to the work of Picasso and Kandinsky. He was also a talented musician, and music is a theme for much of his artwork. From 1959 onwards, he made prints for the Curwen Press. One of the high points of his career was the Venice Biennale of 1962, where he was a prizewinner.

Richards died in London on 9 November 1971.

Many of his works are in the Tate Britain collection.^[5] The Glynn Vivian Art Gallery in Swansea (where Richards' first solo exhibition took place in 1930) also holds a collection. Good examples of his work are also to be found in the gallery of the National Museum Cardiff and the Pallant House Gallery, Chichester.

He designed stained glass windows for Derby Cathedral (1964-5), and for the Blessed Sacrament Chapel of Liverpool Metropolitan Cathedral (1965).^[1]

Select works

Still Life with Music (1933)
The Sculptor and his Object (1934)
The Sculptor in his Studio (1937)
The Female Contains All Qualities (1937)
Blossoms (1940)
The Coster Woman (1943)
The force that through the green fuse drives the flower (three lithographs) (1947)
The Pianist (1948)
Interior with piano, woman and child painting (1949)
Trafalgar Square (1951)
Black Apple of Gower (1952)
Beethoven and St Cecilia (1953)
Do not go gentle into that good night (1956) [2 versions]
Deposition (1958)
La Cathedrale engloutie (1957–1962) [series]
Poissons d'or (1963)
Claire de lune (1967)
White Blossom (1968)
Elegy for Vernon Watkins (1971)

References

^ ^a ^b "Ceri Richards". BBC. Retrieved 24 October 2013.
^ ^a ^b Ian Chilvers, John Glaves-Smith, ed. (2009), A Dictionary of Modern and Contemporary Art, Oxford University Press, p. 1434, ISBN 978-0-199239665
^ "Frances Richards biography". Tate.
^ Oxford Dictionary of National Biography. Oxford University Press. 2004.
^ "Ceri Richards biography". Tate. Retrieved 22 October 2013.

External links

92 artworks by or after Ceri Richards at the Art UK site
"Ceri Richards biography". Tate. Retrieved 22 October 2013.

[Ceri_Richards-1] "Ceri Richards". BBC. Retrieved 24 October 2013.

[Chilvers-2] Ian Chilvers, John Glaves-Smith, ed. (2009), A Dictionary of Modern and Contemporary Art, Oxford University Press, p. 1434, ISBN 978-0-199239665

[3] "Frances Richards biography". Tate.

[4] Oxford Dictionary of National Biography. Oxford University Press. 2004.

[Tate-5] "Ceri Richards biography". Tate. Retrieved 22 October 2013.

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Authority control databases
International	ISNI VIAF FAST WorldCat
National	Germany United States France BnF data Spain Netherlands Vatican Israel
Artists	ULAN RKD Artists Victoria Museum of Modern Art Auckland National Gallery of Canada South Australia
People	Trove
Other	IdRef SNAC Te Papa (New Zealand)

Biography

Select works

References

Further reading

External links