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Mr Wilder & Me

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Mr Wilder and Me is a novel by Jonathan Coe, published in the UK by Viking Books on 5 November 2020. It is a historical novel set in the late 1970s, and tells the story of Hollywood director Billy Wilder’s struggles to write, finance and shoot his penultimate film Fedora, as observed through the eyes of a young Greek interpreter. The novel contains a mixture of real and invented characters.

Plot

Calista Frangopoulou, a 57-year-old, London-based film composer, is facing a crisis in her life, as her offers of work dry up and her daughter Fran struggles with an unwanted pregnancy. The departure of her other daughter Ariane for Australia triggers a reminiscence about the time she left her then family home in Athens to travel round America in 1976.

On that trip, Calista makes friends with a young English woman, Gill Foley. It’s been arranged for Gill to have dinner in Los Angeles with an old friend of her father’s, the Hollywood director Billy Wilder. She invites Calista to join her, but disappears halfway through the meal, leaving Calista in the company of Wilder, IAL Diamond and their wives. Calista gets drunk and has to crash out at the Wilders’ apartment. The next day she leaves them a thank-you note with her parents’ name and address.

One year later, she receives a phone call at her parents’ apartment, asking her to work for two weeks as interpreter on the set of Wilder’s latest film Fedora. She is flown to Corfu, and then to the village of Nydri on the island of Lefkada. In Nydri, as her work comes to an end, she tells Diamond that she doesn’t want to return to her parents just yet, and he arranges for her to be taken on as his assistant in Munich, where the film’s interiors are to be shot.

In Munich, at a dinner in honour of the film’s composer Miklós Rózsa, Calista listens as Wilder confronts a young German diner who is a proponent of holocaust denial. In a fifty-page flashback presented as a screenplay, Wilder recounts his experience of fleeing Nazi Germany in the 1930s, then returning to Germany in 1945 to make Death Mills, his documentary about Nazi atrocities, and to search in vain for his mother and other family members, who he concludes must have died in the death camps.

The production of Fedora moves to Paris, where Calista has long conversations with Wilder’s and Diamond’s wives, and sleeps with Matthew, a young man whose mother is working on the film. After the shooting wraps, an exhausted Wilder and Diamond drink a brief toast, telling each other that ‘We made it’. A brief epilogue tells of the unsuccessful release of Fedora, and the resolution of Calista’s present-day family crisis.

Real characters

Invented characters

  • Calista Frangopoulou: a Greek musician and composer, in her early twenties when the main events of the novel take place, 57 as she looks back and narrates them
  • Geoffrey: Calista’s husband
  • Fran: Calista’s daughter (possibly named after Fran Kubelik, the character played by Shirley Maclaine in Wilder’s film The Apartment)
  • Ariane: Fran’s twin sister (possibly named after Ariane Chavasse, the character played by Audrey Hepburn in Wilder’s film Love in the Afternoon)
  • Matthew: a young man with whom Calista has a fling on the set of Fedora, later a successful film director
  • Gill Foley: a young Englishwoman Calista meets while travelling around the USA in 1976, and who introduces her to Billy Wilder. The character previously appeared in Coe’s novels The Rain Before It Falls and Expo 58 (as ‘Baby Gill’)
  • Thomas Foley: Gill’s father. As a young man working for the British Ministry of Information, he assists Wilder during his work in London in 1945. The character previously appeared briefly in Coe’s novel The Rain Before It Falls, and is the main character in Expo 58.

Reception

The novel was generally well-received. Alex Preston, writing for The Observer, described it, along with Middle England, as being part of the ‘renaissance of Jonathan Coe’ after some disappointing novels, and concluded that it was ‘as good as anything he’s written’.[1] Writing for The Scotsman, Allan Massie called it ‘a bittersweet delight with a dark and horrible background’,[2] while Mark Lawson in The Guardian wrote that ‘Wilder, charismatically wise-cracking but haunted by history, and Diamond, agonised by the lengthy complexity of turning words into pictures, give the book the feel of a real movie memoir.’[3]

References

  1. ^ "Mr Wilder & Me by Jonathan Coe review – satisfyingly sweeping". the Guardian. October 26, 2020.
  2. ^ "Book review: Mr Wilder & Me, by Jonathan Coe". www.scotsman.com.
  3. ^ "Mr Wilder & Me by Jonathan Coe review – the director's cut". the Guardian. November 5, 2020.