Anna Baumgart
Anna Baumgart | |
|---|---|
.JPG) | |
| Education | Academy of Fine Arts in Gdańsk |
| Known for | Sculpture, film |
| Movement | Modernism, Abstract art |
Anna Baumgart (born 1966) is a Polish artist, best known for her large installation pieces and film. She is based in Warsaw.[1] While she covers many different issues in her works, "all of them share a preoccupation with repression."[2] Her works are in the permanent collections of several Polish museums.
Early life and education
Baumgart was born in Wroclaw in 1966.[1]
In 1994 Baumgart graduated from the department of sculpture of the Academy of Fine Arts in Gdańsk.[3]
Career
Themes
Baumgart uses historiography to examine the past and reexamine it through art.[2] She has also explored how the media can shape the narrative of a historical moment by reducing it to a single iconography.[4] Szum Magazine writes that Baumgart likes to play with history and themes in culture.[5]
Baumgart also examines issues related to gender, such as how to redefine the "notion of 'hysteria.'"[6] She is interested in examining roles relating to motherhood and the system as they shape the mental development of a child.[7]
Work
In her work, Let Unrestrained Anger Be Eliminated (1996), Baumgart uses technology and the human body to explore the "resonance between maleness and femaleness."[8] she explores the roles of how a child's development is shaped and whether it is through the mother or society in Who's Talking? (1998).[7] Her work, I've Got It From My Mother (2002) uses myths and symbols in the photographic and sculptural works of the artist and her daughter.[9]
Baumgart uses found footage to create Real? (The Cranes Are Flying) (2001).[10] Baumgart's first staged film was Ecstatics, Hysterics and Other Saintly Ladies (2004) and premiered at the Zachęta National Gallery.[6] The film project, Fresh Cherries (2010) examines prostitution in concentration camps.[11]
In 2010, Baumgart collaborated with artist, Agnieszka Kurant, to create Project (...) which is an installation that spanned Chlodna street where there was once a footbridge linking Jewish communities to one another during World War II.[12]
- Mother (1999),
- Condoms, Money, Lady - No problem! (Prezerwatywy, pieniądze, money, lady - no problem, 1999)
Major exhibitions
- Media Art Biennale in 1997 and 1999, At The Time of Writing
- Centre for Contemporary Art Zamek Ujazdowski in Warsaw, 1998
- Public Relations, CCA Łaźnia in Gdańsk, 1999
Public collections
- Zachęta National Gallery of Art[1]
- Silesian Museum in Katowice[1]
- Fonds Régional d’Art Contemporain Poitou-Charentes[1]
References
Citations
- ^ a b c d e "Anna Baumgart". Culture.pl (in Polish). Retrieved 2017-09-02.
- ^ a b "Anna Baumgart and Her Historiography Art". Contemporary Lynx. 2014-07-30. Retrieved 2017-09-02.
- ^ "Anna Baumgart". Polish Docs. Retrieved 2017-09-02.
- ^ "Anna Baumgart". Museum On The Seam. Retrieved 2017-09-02.
- ^ ""Zaśpiewajcie, niewolnicy" Anny Baumgart w Bunkrze Sztuki". Szum Magazine (in Polish). 28 July 2014. Retrieved 2 September 2017.
- ^ a b "Anna Baumgart - Ecstatics, Hysterics and Other Saintly Ladies - Museum of Modern Art in Warsaw". Artmuseum.pl. Retrieved 2017-09-02.
- ^ a b Grigar 2007, p. 97.
- ^ Sliwinska, Basia (2016-06-29). The Female Body in the Looking-Glass: Contemporary Art, Aesthetics and Genderland. I.B.Tauris. ISBN 9781786720085.
- ^ Korolczuk, Elzbieta (2017-07-05). "'I've Got It From My Mother': Exploring the Figure of the Mother in Contemporary Polish Art". In Buller, RachelEpp (ed.). Reconciling Art and Mothering. Routledge. ISBN 9781351552004.
- ^ "Anna Baumgart - Real? (The Cranes Are Flying) - Museum of Modern Art in Warsaw". Artmuseum.pl. Retrieved 2017-09-02.
- ^ "Anna Baumgart - Fresh Cherries - Museum of Modern Art in Warsaw". Artmuseum.pl. Retrieved 2017-09-02.
- ^ Villarreal, Ignacio (7 January 2010). "Spatial Installation by Anna Baumgart and Agnieszka Kurant in Warsaw". Art Daily. Retrieved 2017-09-02.
Sources
- Grigar, Ewa (2007). "The Gendered Body as Raw Material for Women Artists". In Johnson, Janet Elise; Robinson, Jean C. (eds.). Living Gender after Communism. Bloomington, Indiana: Indiana University Press. ISBN 9780253112293.
External links
