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Clement Power

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Clement Power (born 20 August 1980 in London) is a British conductor.

Education

After studies of piano, violin and composition, Power read music at Gonville and Caius College, Cambridge, and conducting at the Royal College of Music, London.

Career

After a season (2005–06) as assistant conductor to the London Philharmonic Orchestra, Power was named assistant conductor (2006–08) of the Ensemble Intercontemporain, Paris, where he worked with Pierre Boulez and Susanna Mälkki. Known for his interpretations of the major works of the twentieth and twenty-first centuries,[1] Power frequently collaborates with leading new-music ensembles including Klangforum Wien[2][3][4][5][6] and MusikFabrik.[7][8] He has conducted orchestras including the Philharmonia,[9][10] the London Philharmonic Orchestra,[11][12][13][14] BBC Scottish Symphony Orchestra,[15] NHK Symphony Orchestra, RSO Stuttgart,[16][17][18] Lucerne Festival Academy Orchestra,[19] Orchestre Philharmonique du Luxembourg, Orchestre de Bretagne, Ensemble Intercontemporain,[20][21] Ensemble Contrechamps,[22] Avanti! Chamber Orchestra,[23] Ictus Ensemble,[24] Ensemble Modern, Birmingham Contemporary Music Group,[25][26] and the Munich Chamber Orchestra. He has been the guest of festivals including Lucerne Festival,[27][28] Salzburg Biennale,[29] Darmstadt,[30] Wien Modern,[31][32][33][34] IRCAM Agora,[35] and the Venice Biennale,[36] amongst many others. Power has given over two hundred world premieres, including works by Georg Friedrich Haas,[37] Péter Eötvös, Benedict Mason, and new operas by Hèctor Parra (Hypermusic Prologue, Ensemble Intercontemporain / Liceu),[38][39] Wolfgang Mitterer (Marta, Opéra de Lille),[40][41][42][43] and Liza Lim (Tree of Codes, Cologne Opera).[44][45]

Discography

References

  1. ^ Hewett, Ivan (9 February 2012). "Clement Power: new face". Telegraph.co.uk. Retrieved 27 July 2020.
  2. ^ Kuznik, Frank (14 November 2010). "Prague Culture: CONTEMPULS". Pragueculture.blogspot.com. Retrieved 27 July 2020.
  3. ^ "derStandard.at". Apps.derstandard.at. Retrieved 27 July 2020.
  4. ^ "Archived copy". Archived from the original on 25 April 2012. Retrieved 11 October 2011.{{cite web}}: CS1 maint: archived copy as title (link)
  5. ^ "Belgrade Music Festival Ends on Austrian Note". Balkaninsight.com. 16 November 2011. Retrieved 27 July 2020.
  6. ^ [1] [dead link‍]
  7. ^ Musikfabrik, Ensemble. "Außergewöhnliches Instrumentarium des Komponisten Harry Partch im WDR-Funkhaus / Musikfabrik im WDR, 11.10.16 - openPR". Openpr.de. Retrieved 27 July 2020.
  8. ^ Schwering, Markus (11 April 2016). "Uraufführung in Kölner Oper: Liza Lims "Tree of Codes" überwältigt die Zuschauer". Ksta.de. Retrieved 27 July 2020.
  9. ^ Hewett, Ivan (21 May 2010). "Philharmonia Orchestra, Festival Hall, review". Telegraph.co.uk. Retrieved 27 July 2020.
  10. ^ [2] [dead link‍]
  11. ^ Hewett, Ivan (10 June 2014). "London Philharmonic Orchestra: Debut Sounds, Queen Elizabeth Hall, review: 'brilliantly performed'". Telegraph.co.uk. Retrieved 27 July 2020.
  12. ^ [3] [dead link‍]
  13. ^ [4] [dead link‍]
  14. ^ [5] [dead link‍]
  15. ^ "Lifestyle". Scotsman.com. Retrieved 27 July 2020.
  16. ^ "Lachenmann-Perspektiven: Wie die Zeit vergeht". Stuttgarter-nachrichten.de. Retrieved 27 July 2020.
  17. ^ "Helmut Lachenmann: Der Komponist, der das Hören befreite". Stuttgarter-zeitung.de. Retrieved 27 July 2020.
  18. ^ GmbH, Südwest Presse Online-Dienste (9 November 2015). "Zaubergarten der Geräusche". Swp.de. Retrieved 27 July 2020.
  19. ^ "...Angefangen mit der quirligen neoklassizistischen Musik, die vom Ensemble under Leitung von Clement Power höchst akkurat und farbenreich gespielt wird..." Sigfried Schibli, Basler Zeitung, 3 September 2012
  20. ^ [6] [dead link‍]
  21. ^ "El Periódico - Noticias y última hora de Catalunya, España y el mundo". Elperiodico.com. Retrieved 27 July 2020.
  22. ^ Classic, S. W. R.; Classic, S. W. R. "Ensemble Contrechamps". Swr.online. Retrieved 27 July 2020.
  23. ^ [7] [dead link‍]
  24. ^ "Marta à l'Opéra de Lille : le diamant noir de Mitterer - Actualités - Ôlyrix". Olyrix.com. Retrieved 27 July 2020.
  25. ^ Hewett, Ivan (7 February 2012). "Birmingham Contemporary Music Group, CBSO centre, Birmingham, review". Telegraph.co.uk. Retrieved 27 July 2020.
  26. ^ "BCMG/Power – review". The Guardian. 5 February 2012. Retrieved 27 July 2020.
  27. ^ "Sechs Wochen Musik mit Akzenten und Perspektiven | NZZ". Retrieved 27 July 2020.
  28. ^ "Une matinée atonale | Forum Opéra". Forumopera.com. Retrieved 27 July 2020.
  29. ^ "Lichtmusik im Dunkeln". Drehpunktkultur.at. Retrieved 27 July 2020.
  30. ^ [8] [dead link‍]
  31. ^ [9] [dead link‍]
  32. ^ Ritonja, Elisabeth (30 October 2012). "Wien Modern Eröffnungsabend – es darf gelacht werden!". Retrieved 27 July 2020.
  33. ^ Weidringer, 23 10 2012 um 16:59 von Walter (23 October 2012). "Mensch gegen Maschine: Eröffnung von "Wien Modern"". Diepresse.com. Retrieved 27 July 2020.{{cite web}}: CS1 maint: numeric names: authors list (link)
  34. ^ "derStandard.at". Apps.derstandard.at. Retrieved 27 July 2020.
  35. ^ [10] [dead link‍]
  36. ^ https://www.labiennale.org/en/music/2020/biennale-musica-2020/ensemble-contrechamps-2020-09-27-16-00
  37. ^ "terz : magazin : aktuelles : Kritik Dialoge Eröffnungskonzert". Terz.cc. Retrieved 27 July 2020.
  38. ^ [11] [dead link‍]
  39. ^ Senz, Javier Pérez (14 November 2013). "La música de Hèctor Parra irrumpe con fuerza en el Festival de Huddersfield". Elpais.com. Retrieved 27 July 2020.
  40. ^ "" Marta " subjugue l'Opéra de Lille". La Croix. 15 March 2016. Retrieved 27 July 2020.
  41. ^ "Lille : Marta, opéra onirique d'une " éternelle enfant-poupée " - La Voix du Nord". Lavoixdunord.fr. Retrieved 27 July 2020.
  42. ^ "Un roi sans divertissement | Forum Opéra". Forumopera.com. Retrieved 27 July 2020.
  43. ^ "Marta, le nouvel enfant prodige de Mitterer, à l'Opéra de Lill... - Diapason". Diapasonmag.fr. 15 March 2016. Retrieved 27 July 2020.
  44. ^ "Archived copy". Archived from the original on 20 September 2016. Retrieved 16 August 2016.{{cite web}}: CS1 maint: archived copy as title (link)
  45. ^ "Die Deutsche Bühne". Die-deutsche-buehne.de. Retrieved 27 July 2020.
  46. ^ "The performance is consummately elegant, each detail finely etched, while never losing sight of the whole acoustic spectrum", Fabrice Fitch, Gramophone, September 2010
  47. ^ "klassik.com : Aktuelle CD-Besprechung, DVD-Kritik, CD-Besprechungen, DVD-Kritiken". Magazin.klassik.com. Retrieved 27 July 2020.
  48. ^ "derStandard.at". Apps.derstandard.at. Retrieved 27 July 2020.
  49. ^ Ross, Alex. "Notable Performances and Recordings of 2014". The New Yorker. Retrieved 27 July 2020.
  50. ^ "ConNotations CD review – Mai Yi Foo makes light work of Shostakovich, Berg and Saint-Saëns". The Guardian. 9 March 2017. Retrieved 27 July 2020.
  51. ^ "Musikalische Eruptionen, kompositorische Stringenz | MO | 22 01 2018 | 23:03". Oe1.orf.at. Retrieved 27 July 2020.
  52. ^ "Edition Musikfabrik". Retrieved 27 July 2020.
  53. ^ Pettitt, Hugh Canning, David Cairns, Paul Driver and Stephen. "On record: Classical, 14 July". Thetimes.co.uk. Retrieved 27 July 2020.{{cite web}}: CS1 maint: multiple names: authors list (link)
  54. ^ "Musikfabrik Saison Brosch 2019-2020" (PDF). Musikfabrik.eu. Retrieved 27 July 2020.
  55. ^ "Erbe". Musikfabrik.eu. Retrieved 27 July 2020.
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