Alice Dunbar Nelson

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Alice Dunbar Nelson
Alice Dunbar-Nelson.png
Alice Ruth Moore

(1875-07-19)July 19, 1875
DiedSeptember 18, 1935(1935-09-18) (aged 60)
Alma materStraight University
Cornell University
Occupationpoet, journalist, political activist
Spouse(s)Paul Laurence Dunbar (1898–1906)
Henry A. Callis (1910–1916)
Robert J. Nelson (1916–1935)

Alice Dunbar Nelson (July 19, 1875 – September 18, 1935) was an American poet, journalist, and political activist. Among the first generation born free in the South after the Civil War, she was one of the prominent African Americans involved in the artistic flourishing of the Harlem Renaissance. Her first husband was the poet Paul Laurence Dunbar. After his death, she then married physician Henry A. Callis; and, lastly, was married to Robert J. Nelson, a poet and civil rights activist. She achieved prominence as a poet, author of short stories and dramas, newspaper columnist, activist for women's rights, and editor of two anthologies.


Alice Ruth Moore was born in New Orleans on July 19, 1875, the daughter of an African-American seamstress and former slave and a white seaman.[1] Her parents, Patricia Wright and Joseph Moore, were middle-class people of color and part of the traditional multiracial Creole community of the city.

Personal Life[edit]

Moore graduated from the teaching program at Straight University (later merged into Dillard University) in 1892 and worked as a teacher in the public school system of New Orleans at Old Marigny Elementary.[1] Nelson lived in New Orleans for twenty-one years. During this time, Nelson studied art and music. She also learned to play the piano and cello. [2]

In 1895, Alice Dunbar Nelson's first collection of short stories and poems, Violets and Other Tales,[3] was published by The Monthly Review. Around this time, Moore moved to Boston and then New York City.[4] She co-founded and taught at the White Rose Mission (White Rose Home for Girls) in Manhattan's San Juan Hill neighborhood, [5] beginning a correspondence with the poet and journalist Paul Laurence Dunbar. Alice Dunbar Nelson's work in The Woman's Era captured Paul Laurence Dunbar's attention. On April 17, 1895, Paul Laurence Dunbar sent Alice a letter of introduction, which was the first of many letters that were exchanged between the two. In their letters, Paul inquired Alice on her interest in the race question. Alice responded by saying that she thought of her characters as "simple human beings", and believed that many writers focused on race too closely. Although her later works of race-focused literature would dispute this fact, Alice's opinion on the race problem contradicted Paul Laurence's. The two held contradictory opinions about the representation of race in literature; however, the two continued to communicate romantically through their letters. [6]

The correspondence between the two revealed tensions about the sexual freedoms of men and women. Before their marriage began, Paul told Alice that she has kept him from "yielding to temptations"; a clear reference to sexual liaisons. In a letter from March 6, 1896, Paul attempted to instigate jealousy in Alice by talking about a woman he had met in Paris. However, Alice failed to respond to these attempts and continued to maintain an emotional distance from Paul Laurence Dunbar. In 1898, after corresponding for a few years, Alice ended up moving to Washington, DC to join Paul Laurence Dunbar and they secretly eloped and got married in 1898. Their resulting marriage proved stormy, exacerbated by Dunbar's declining health due to tuberculosis, alcoholism developed from doctor-prescribed whiskey consumption, and depression. Before their marriage, Paul raped Alice; which he later blamed on his alcoholism. Alice would later forgive him for this behavior before their marriage. Paul would often beat Alice, and this was public knowledge. In a later message to Dunbar's earliest biographer, Alice said that "He came home one night in a beastly condition. I went to him to help him to bed—and he behaved as your informant said, disgracefully." She also claimed to have been "ill for weeks with peritonitis brought on by his kicks." [6] In 1902, after he beat her nearly to death, she left him. He was reported to also have been disturbed by her lesbian affairs. [7] Alice and Paul Dunbar separated in 1902 but were never divorced. Paul Dunbar died in 1906, causing their marriage to officially end. [6]

Alice Dunbar then moved to Wilmington, Delaware and taught at Howard High School for more than a decade. During this period, she also taught summer sessions at State College for Colored Students (the predecessor of Delaware State University) and at the Hampton Institute. In 1907, she took a leave of absence from her teaching position in Wilmington and enrolled as a student at Cornell University, returning to Wilmington in 1908.[8] In 1910, she married Henry A. Callis, a prominent physician and professor at Howard University, but this marriage ended in divorce.

In 1916 she married the poet and civil rights activist Robert J. Nelson. While Alice was married to Nelson, she worked with him to publish the play Masterpieces of Negro Experience (1914). A play that was only shown once at Howard High School in Wilmington, Delaware. [9] She joined him in becoming active in politics in Wilmington and the region. They stayed together for the rest of their lives.

During this era she also had intimate relationships with women, including the activist Fay Jackson Robinson.[10] In 1930, Nelson traveled throughout the country lecturing. Nelson traveled thousands of miles, and presented at thirty-seven different educational institutions. Nelson also spoke at YWs, YMCAs, and churches. Nelson’s achievements were documented by Friends Service Committee Newsletter. [2]

Early Activism[edit]

An excerpt from The Woman's Era. The newspaper which acted as the foundation for Alice's long career as a journalist and activist.

At a young age, Alice Dunbar Nelson became interested in engaging in activities that would empower Black women. In 1894, she became a charter member of the Phyllis Wheatley Club in New Orleans. She contributed to this club by lending them her writing skills. To expand their horizons, the Phyllis Wheatley Club collaborated with the Woman's Era Club. Dunbar worked with the Woman's Era Club's monthly newspaper which was titled The Woman's Era. This newspaper targeted refined and educated women and was the first newspaper for and created by African American women. Alice's work with the paper marked the beginning of her career as a journalist and an activist. [6]

Dunbar Nelson was an activist for African Americans' and women's rights, especially during the 1920s and 1930s. While she continued to write stories and poetry, she became more politically active in Wilmington, and put more effort into numerous articles and journalism on leading topics. In 1915, she was a field organizer for the Middle Atlantic states for the woman's suffrage movement. In 1918, she was field representative for the Woman's Committee of the Council of Defense. In 1924, Dunbar-Nelson campaigned for the passage of the Dyer Anti-Lynching Bill, but the Southern Democratic block in Congress defeated it.[8] In this time period, Dunbar-Nelson gave many other efforts to creating political change. It is said that "She stayed very active in the NAACP; she cofounded a much-needed reform school in Delaware for African American girls; she worked for the American Friends Inter-Racial Peace Committee; she spoke at rallies against the sentencing of the Scottsboro defendants." [11]

Journalism Work and Continued Activism[edit]

From 1913 to 1914, Dunbar was co-editor and writer for the A.M.E. Review, an influential church publication produced by the African Methodist Episcopal Church (AME Church). From 1920, she coedited the Wilmington Advocate, a progressive black newspaper. She also published The Dunbar Speaker and Entertainer, a literary anthology for a black audience.[8]

Alice Dunbar Nelson supported America's involvement in World War I because she saw the war as a means to ending racial violence in America. She organized events to encourage other African Americans to support the war. During this time, she referenced the war in a number of her works. In her 1918 poem "I Sit and Sew", Nelson writes from the perspective of a woman who feels suppressed from engaging directly with the war effort. Because she was not able to enlist in the war herself, Nelson wrote propagandistic pieces such as Mine Eyes Have Seen (1918), a play that encouraged African American men to enlist in the army. These works display Nelson's belief that racial equality could be achieved through military service and sacrificing one's self to their nation. [12]

From about 1920 on, she made a commitment to journalism and was a highly successful columnist, with articles, essays and reviews appearing as well in newspapers, magazines, and academic journals.[8] She was a popular speaker and had an active schedule of lectures through these years. Her journalism career originally began with a rocky start. During the late 19th century, it was still unusual for women to work outside of the home, let alone an African-American woman, and the journalism business was a hostile, male-dominated field. In her diary, she spoke about the tribulations associated with the profession of journalism – "Damn bad luck I have with my pen. Some fate has decreed I shall never make money by it" (Diary, 366). She discusses being denied pay for her articles and issues she had with receiving proper recognition for her work.[13][14] In 1920, Nelson was removed from teaching at Howard High School for attending Social Justice Day on October 1 against the will of Principal Ray Wooten. Wooten states that Nelson was removed for, "political activity" and incompatibility." Despite the backing of the Board of Education's Conwell Banton, against Nelson's firing, Nelson decided not to return to Howard High School. [15] In 1928, Nelson became Executive Secretary of the American Friends Inter-Racial Peace Committee. In 1928, Nelson also spoke on The American Negro Labor Congress Forum in Philadelphia. Nelson's topic was Inter-Racial Peace and its Relation to Labor. Dunbar-Nelson also wrote for the Washington Eagle. Nelson wrote for the Washington Eagle's "As In A Looking Glass" columns from 1926 to 1930. [15]

Later Life and Death[edit]

She moved from Delaware to Philadelphia in 1932, when her husband joined the Pennsylvania Athletic Commission. During this time, her health was in decline and she died from a heart ailment on September 18, 1935, at the age of 60.[8] She was cremated in Philadelphia.[16] She was made an honorary member of Delta Sigma Theta sorority. Her papers were collected by the University of Delaware.[8]

Her diary was published in 1984 and detailed her life during the years 1921 and 1926 to 1931 ("Alice Dunbar-Nelson"). As one of only two journals of 19th-century African-American women, Dunbar-Nelson's diary provided useful insight into the lives of black women during this time. It "summarizes her position in an era during which law and custom limited access, expectations, and opportunities for black women" ("Alice Dunbar-Nelson"). Her diary addressed issues such as family, friendship, sexuality, health, professional problems, travels, and often financial difficulties.[17]

Rhetorical context[edit]

The rhetorical context of Alice Dunbar-Nelson's writing includes subject, purpose, audience, and occasion. "Dunbar-Nelson's writings addressed the issues that confronted African-Americans and women of her time".[18] In essays such as "Negro Women in War Work" (1919), "Politics in Delaware" (1924), "Hysteria," and "Is It Time for Negro Colleges in the South to Be Put in the Hands of Negro Teachers?" Dunbar-Nelson explored the role of black women in the workforce, education, and the antilynching movement.[18] The examples demonstrate a social activist role in her life. Dunbar-Nelson's writings express her belief of equality between the races and between men and women. She believed that African-Americans should have equal access to the educational institution, jobs, healthcare, transportation and other constitutionally granted rights.[19] Her activism and support for certain racial and feminist causes started to appear around the early 1900s, where she publicly discussed the women's suffrage movement in the middle American states. in 1918, she officially held the role of field representative for the Woman's Committee of the Council of Defense, only a few years after marrying Robert J. Nelson who was a poet and a social activist as well. She significantly contributed to some African-American journalism such as the Wilmington Advocate and The Dunbar Speaker and Entertainer.[20] Following her leading role in the Woman's Committee, Alice became the executive secretary of the American friends inter-racial peace committee, which was then a highlight of her activism life. She successfully created a political/feminist career co-editing newspapers and essays that focused on the social issues that minorities and women were struggling through in American through the 1920s, and she was specifically influential due to her gain of an international supportive audience that she used to voice over her opinion.[21]

Much of Dunbar-Nelson's writing was about the color line – both white and black color lines. In an autobiographical piece entitled "Brass Ankles Speaks", she discusses the difficulties she faced growing up mixed-race in Louisiana. She recalls the isolation felt as a child, and the sensation of not belonging to or being accepted by either race. She said as a child she was called a "half white nigger" and that while adults were not as vicious with their name-calling, they were also not accepting of her. Both black and white individuals rejected her for being "too white." White coworkers didn't think she was racial enough and black coworkers did not think she was dark enough to work with her own people.[18] She wrote that being multiracial was hard because "the 'yaller niggers,' the 'Brass Ankles' must bear the hatred of their own and the prejudice of the white race" ("Brass Ankles Speaks"). Much of Dunbar-Nelson's writing was rejected because she wrote about the color line, oppression, and themes of racism. Few mainstream publications would publish her writing because it was not marketable. She was able to publish her writing, however, when the themes of racism and oppression were more subtle.[22]

Summary Section[edit]

"I Sit and Sew" by Alice Dunbar-Nelson is a three stanza poem written 1918. In stanza one, the speaker addresses the endless task of sitting and sewing as opposed to engaging in activity that aids soldiers at war. In doing so, the speaker addresses issues of social norms and the expectation of women as domestic servants. As the poem continues into stanza two, the speaker continues to express the desire to venture beyond the confines of social exceptions by furthering the imagery of war as opposed to domestic duty, yet the speaker resolves the second stanza with the refrain of the first, "I must Sit and Sew." By doing so, the speaker amplifies the arresting realities of domestic duty attributed to womanhood in the 1900s. In the third and final stanza, the speaker further amplifies desire and passion by saying both the living and dead call for my help. In ending, the speaker ask God," must I sit and sew?" In doing so, the speaker appeals to heavenly intervention to further amplify the message within the poem.


  • Violets and Other Tales, Boston: Monthly Review, 1895. Short stories and poems, including "Titée", "A Carnival Jangle", and "Little Miss Sophie". Digital Schomburg. ("The Woman" reprinted in Margaret Busby (ed.), Daughters of Africa, 1992, pp. 161–163.)
  • The Goodness of St. Rocque and Other Stories, 1899, including "Titée" (revised), "Little Miss Sophie", and "A Carnival Jangle".
  • "Wordsworth's Use of Milton's Description of the Building of Pandemonium", 1909, in Modern Language Notes.
  • (As editor) Masterpieces of Negro Eloquence: The Best Speeches Delivered by the Negro from the days of Slavery to the Present Time, 1914.
  • "People of Color in Louisiana", 1917, in Journal of Negro History.
  • Mine Eyes Have Seen, 1918, one-act play, in The Crisis, journal of the National Association for the Advancement of Colored People (NAACP).
  • (As editor) The Dunbar Speaker and Entertainer: Containing the Best Prose and Poetic Selections by and About the Negro Race, with Programs Arranged for Special Entertainments, 1920.
  • "The Colored United States", 1924, The Messenger, literary and political magazine in NY
  • "From a Woman's Point of View" ("Une Femme Dit"), 1926, column for the Pittsburgh Courier.
  • "I Sit and I Sew", "Snow in October", and "Sonnet", in Countee Cullen (ed.), Caroling Dusk: An Anthology of Verse by Negro Poets, 1927.
  • "As in a Looking Glass", 1926–1930, column for the Washington Eagle newspaper.
  • "So It Seems to Alice Dunbar-Nelson", 1930, column for the Pittsburgh Courier.
  • Various poems published in the NAACP's journal The Crisis, in Ebony and Topaz: A Collectanea (edited by Charles S. Johnson),[23] and in Opportunity, the journal of the Urban League.
  • Give Us Each Day: The Diary of Alice Dunbar-Nelson, ed. Gloria T. Hull, New York: Norton, 1984.
  • "Writing, Citizenship, Alice-Dunbar Nelson." Zagarell, Sandra A. Legacy, Vol. 36, Iss. 2, (2019): 241-244.


  1. ^ a b Nagel, James (2014). Race and Culture in New Orleans Stories: Kate Chopin, Grace King, Alice Dunbar-Nelson, and George Washington Cable. University of Alabama Press. pp. 20–. ISBN 978-0-8173-1338-8. Retrieved April 22, 2018.
  2. ^ a b Hull, Gloria (1987). Color, Sex, & Poetry: three women writes of the Harlem Renaissance. Indiana University Press.
  3. ^ "Violets and Other Tales", Monthly Review, 1895. Digital Schomburg.
  4. ^ Culp, Daniel Wallace (1902). Twentieth century Negro literature; or, A cyclopedia of thought on the vital topics relating to the American Negro. Atlanta: J. L. Nichols & Co. p. 138.
  5. ^ May, Vanessa H., Unprotected Labor: Household Workers, Politics, and Middle-class Reform in New York, 1870–1940, University of North Carolina Press, pp. 90–91.
  6. ^ a b c d Green, Tara T. (2010). "Not Just Paul's Wife: Alice Dunbar's Literature and Activism". The Langston Hughes Review. 24: 125–137. ISSN 0737-0555. JSTOR 26434690.
  7. ^ Faderman, Lillian, Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America, Penguin Books, 1991, p. 98.
  8. ^ a b c d e f Guide to the Alice Dunbar-Nelson papers, Special Collections, University of Delaware Library, Newark, Delaware. Retrieved May 17, 2020.
  9. ^ Tylee, Claire M. (1997-01-01). "Womanist propaganda, African-American Great War experience, and cultural strategies of the Harlem Renaissance: Plays by Alice Dunbar-Nelson and Mary P. Burrill". Women's Studies International Forum. 20 (1): 153–163. doi:10.1016/S0277-5395(96)00100-8. ISSN 0277-5395.
  10. ^ Bendix, Trish (March 22, 2017). "Queer Women History Forgot: Alice Dunbar-Nelson". MODERN SPIN MEDIA, LLC. Retrieved April 4, 2018.
  11. ^ "Connecting From Off Campus - UF Libraries". doi:10.5250/legacy.36.2.0241. Retrieved 2020-11-03.
  12. ^ Davis, David A. (2008). "Not Only War Is Hell: World War I and African American Lynching Narratives". African American Review. 42 (3/4): 477–491. ISSN 1062-4783. JSTOR 40301248.
  13. ^ "African American literature". The Virgil Encyclopedia. John Wiley & Sons, Ltd. December 31, 2013. pp. 35–36. doi:10.1002/9781118351352.wbve0071. ISBN 9781118351352.
  14. ^ Glenn, Valerie D. (2003). "Our Documents: 100 Milestone Documents from American History". Reference Reviews. 17 (4): 57–58. doi:10.1108/09504120310473777. ISSN 0950-4125.
  15. ^ a b Dunbar-Nelson, Alice (1984). Give us each day: the diary of Alice Dunbar-Nelson. New York: New York: W.W Norton.
  16. ^ Alexander, Eleanor. Lyrics of Sunshine and Shadow: The Tragic Courtship and Marriage of Paul Laurence Dunbar and Alice Ruth Moore: a History of Love and Violence Among the African American Elite. New York: New York University Press, 2001, p. 175.
  17. ^ Perry, Patsy B. (1986). "Review of Give Us Each Day: The Diary of". Signs. 12 (1): 174–176. doi:10.1086/494309. ISSN 0097-9740. JSTOR 3174369.
  18. ^ a b c "About Alice Dunbar-Nelson", Department of English, College of LAS, University of Illinois, 1988.
  19. ^ "Alice Dunbar-Nelson". University of Illinois at Urbana–Champaign. Retrieved April 22, 2018.
  20. ^ Maglott, Stephen A. (2017). "Alice Dunbar-Neslon". The Ubuntu Biography Project.
  21. ^ Johnson, Wilma J (2007). "Alice Ruth Moore Dunbar". Black Past.
  22. ^ "Essays by Alice Dunbar-Nelson", Modern American Poetry, University of Illinois at Urbana–Champaign.
  23. ^ Ebony and topaz : a collectanea. WorldCat. OCLC 1177914.

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