Anna Yesipova
Anna Yesipova | |
---|---|
Background information | |
Born | Saint Petersburg, Russia | February 12, 1851
Died | August 18, 1914 Saint Petersburg, Russia | (aged 63)
Occupation(s) | Musician, professor |
Instrument | Piano |
Years active | 1874–1914 |
Anna Yesipova[a] (born Anna Nikolayevna Yesipova; Russian: Анна Николаевна Есипова; 12 February [O.S. 31 January] 1851 – 18 August [O.S. 5 August] 1914) was a Russian pianist.
Life
[edit]Yesipova was one of Teodor Leszetycki's most brilliant pupils. She made her debut in Saint Petersburg in 1874 attracting rave reviews and the artistic admiration of both Pyotr Ilyich Tchaikovsky and Franz Liszt, particularly for her effortless virtuosity and singing tone. She then began concert tours which brought her in 1876 to the United States, where her playing was greatly admired. She heard the playing of Fanny Bloomfield and advised her to train under Leszetycki, whom Yesipova married in 1880 and later divorced. In the Summer of the same year she gave a number of concerts in Lisbon, where she had a very warm reception.[1]
Yesipova was probably the first pianist to program the complete set of Frédéric Chopin's Preludes, Op. 28 in a recital, for a concert in 1876. Previously the practice was to perform excerpts only.[2]
In 1885, Yesipova was appointed Royal Prussian Court Pianist. From 1893 to 1908, she was professor of pianoforte at the Saint Petersburg Conservatory. Among her students were Sergei Prokofiev, Leff Pouishnoff, Sergei Tarnowsky, Maria Yudina, Leonid Kreutzer, Isabelle Vengerova, Anastasia Virsaladze, Leo Ornstein, Isidor Achron, Thomas de Hartmann, and Alexander Borovsky (Borowsky) [1889–1968]. See: List of music students by teacher: T to Z#Anna Yesipova.
Recordings
[edit]In the early 1900s, Yesipova made a number of piano rolls, some of which have made been available as modern recordings (including Thalberg's Fantasia on a theme from Bellini's La Sonnambula).[3] Anna Essipova (Welte-Mignon Piano Rolls) - Pupils of Leschetizky Vol.1
There is one extant acoustic recording of her playing, which is Benjamin Godard's Gavotte in G, made onto an Edison cylinder by Julius Block in 1898.
Notes
[edit]- ^ Her name is cited variously as Anna Esipova; Anna or Annette Essipova; Anna, Annette or Annetta Essipoff; Annette von Essipow; Anna Jessipowa.
References
[edit]- ^ Cf. e.g. Diario Ilustrado of July 15th, 1880.
- ^ Paul Kildea, Chopin's Piano (2018), p. 311n
- ^ Through the Night program on BBC Radio 3, 28 February 2010
Sources
[edit]- This article incorporates text from a publication now in the public domain: Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). "Essipoff, Annette". New International Encyclopedia (1st ed.). New York: Dodd, Mead.
- Comtesse Angèle Potocka: Theodore Leschetizky, an intimate study of the man and the musician. New York, The Century co., 1903 p. 223 f.
External links
[edit]- portrait (by Jose Mora)
- 1914 deaths
- 1851 births
- 19th-century classical pianists
- 19th-century women musicians from the Russian Empire
- Pianists from the Russian Empire
- Piano educators
- Russian women classical pianists
- Russian music educators
- Russian women music educators
- Academic staff of Saint Petersburg Conservatory
- Burials at Tikhvin Cemetery
- Pupils of Theodor Leschetizky
- 19th-century women pianists