Jump to content

Arna Bontemps

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 90.22.110.224 (talk) at 06:03, 18 April 2007. The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Arna Bontemps, photographed by Carl Van Vechten, 1939

Arna Wendell Bontemps (October 13, 1902 - June 4, 1973) was an American poet and a noted member of the Harlem Renaissance.

He was born in Alexandria, Louisiana, in a house at 1327 Third Street that has been recently restored and is now the Bontemps African America Museum & Cultural Arts Center. When he was three, his family moved to the Watts district of Los Angeles, California. He was graduated from Pacific Union College in California in 1923. After graduation he went to New York to teach at Harlem Academy, where he became a contributor to the Harlem Renaissance. He began writing while a student at Pacific Union College and became the author of many children's books. His critically most important work, The Story of the Negro (1948), received the Jane Addams Book Award and was also a Newbery Honor Book. He is probably best known for the 1931 novel God Sends Sunday. He also wrote the 1946 play St. Louis Woman with Countee Cullen.

Works

(Unless noted otherwise, Bontemps is the main author of the work)

  • God Sends Sunday, (New York, Harcourt, Brace and Co., 1931)
  • Popo and Fifina, Children of Haiti, by Arna Bontemps and Langston Hughes, (New York: Macmillan, 1932)
  • You Can’t Pet a Possum, (New York: W. Morrow, 1934)
  • Black Thunder, (New York: Macmillan, 1936)
  • Sad-faced Boy, (Boston: Houghton Mifflin, 1937)
  • Drums at Dusk: a Novel, (New York: Macmillan, 1939)
  • Father of the Blues: an Autobiography, by W.C. Handy: edited by Arna Bontemps, (New York: Macmillan, 1957)
  • Golden Slippers: an Anthology of Negro Poetry for Young Readers, compiled by Arna Bontemps, (New York: Harper & Row, 1941)
  • The Fast Sooner Hound, by Arna Bontemps and Jack Conroy, (Boston: Houghton Mifflin, 1942)
  • They Seek a City, (Garden City, New York: Doubleday, Doran and Co., 1945)
  • We Have Tomorrow, (Boston: Houghton Mifflin, 1945)
  • Slappy Hooper, the Wonderful Sign Painter, by Arna Bontemps and Jack Conroy, (Boston: Houghton Mifflin, 1946)
  • Story of the Negro, (New York: Knopf, 1948)
  • The Poetry of the Negro, 1746-1949: an anthology, edited by Langston Hughes and Arna Bontemps, (Garden City, NY: Doubleday, 1949)
  • George Washington Carver, (Evanston, IL: Row, Peterson, 1950)
  • Chariot in the Sky: a Story of the Jubilee Singers, (Philadelphia: Winston, 1951)
  • Sam Patch, the High, Wide & Handsome Jumper, by Arna Bontemps and Jack Conroy, (Boston: Houghton Mifflin, 1951)
  • The Story of George Washington Carver, (New York: Grosset & Dunlap, 1954)
  • Lonesome Boy, (Boston: Houghton Mifflin, 1955)
  • The Book of Negro Folklore, edited by Langston Hughes and Arna Bontemps, (New York: Dodd, Mead, 1958)
  • Frederick Douglass: Slave, Fighter, Freeman, (New York: Knopf, 1959)
  • 100 Years of Negro Freedom, (New York: Dodd, Mead, 1961)
  • American Negro Poetry, edited and with an introduction by Arna Bontemps, (New York: Hill and Wang, 1963)
  • Personals, (London: P. Breman, 1963)
  • Famous Negro Athletes, (New York: Dodd, Mead, 1964)
  • Great Slave Narratives, (Boston: Beacon Press, 1969)
  • Hold Fast to Dreams: Poems Old and New Selected by Arna Bontemps, (Chicago: Follett, 1969)
  • Mr. Kelso’s Lion, (Philadelphia: Lippincott, 1970)
  • Free at Last: the Life of Frederick Douglass, (New York: Dodd, Mead, 1971)
  • The Harlem Renaissance Remembered: Essays, Edited, With a Memoir, (New York: Dodd, Mead, 1972)
  • Young Booker: Booker T. Washington’s Early Days, (New York, Dodd, Mead, 1972)
  • The Old South: "A Summer Tragedy" and Other Stories of the Thirties, (New York: Dodd, Mead, 1973)