Assassination of Julius Caesar

"Murder of Caesar" redirects here. For the painting, see The Murder of Caesar (Piloty). For other uses, see Assassination of Julius Caesar (disambiguation) and Death of Caesar (disambiguation).

Assassination of Julius Caesar
Denarius of Brutus (portrayed on the obverse) and Lucius Plaetorius Cestianus, minted in 43–42 BC. The reverse shows a pileus between two daggers, with the legend EID MAR, commemorating the assassination.
Location	Theatre of Pompey, Rome
Coordinates	41°53′43″N 12°28′37″E
Date	15 March 44 BC (44 BC-03-15)
Target	Julius Caesar
Attack type	Assassination, stabbing
Perpetrators	60 or more Roman senators
Ringleaders	Marcus Brutus Gaius Cassius Longinus Decimus Brutus Albinus Gaius Trebonius

Julius Caesar, the Roman "dictator in perpetuity", was assassinated by a group of senators on the Ides of March (15 March) of 44 B.C.E. during a meeting of the Senate at the Theatre of Pompey in Rome. The senators stabbed Caesar 23 times. The senators claimed to be performing the act over fears that Caesar's unprecedented concentration of power during his dictatorship was undermining the Roman Republic, and presented the deed as an act of tyrannicide. At least 60 senators were party to the conspiracy, led by Marcus Brutus, Gaius Cassius and Decimus Brutus. Despite the death of Caesar, the conspirators were unable to restore the institutions of the Republic. The ramifications of the assassination led to the Liberators' civil war and ultimately to the Principate period of the Roman Empire.

Causes

Bust of Julius Caesar, posthumous portrait in marble, 44–30 BC, Museo Pio-Clementino, Vatican Museums.

Caesar had served the Republic for eight years in the Gallic Wars, fully conquering the region of Gaul (roughly equivalent to modern-day France). After the Roman Senate demanded Caesar to disband his army and return home as a civilian, he refused, crossing the Rubicon with his army and plunging Rome into Caesar's Civil War in 49 B.C.E. After defeating the last of the opposition, Caesar was appointed dictator perpetuo ("dictator in perpetuity") in early 44 B.C.E. Roman mints produced a denarius coin with this title and his likeness on one side, and with an image of the goddess Ceres and Caesar's title of Augur Pontifex Maximus on the reverse. According to Cassius Dio, writing over 200 years later, a senatorial delegation went to inform Caesar of new honors they had bestowed upon him in 44 BC. Caesar received them while sitting in the Temple of Venus Genetrix, rather than rising to meet them.

Suetonius wrote (almost 150 years later) that Caesar failed to rise in the temple, either because he was restrained by Cornelius Balbus or that he balked at the suggestion he should rise. Suetonius also gave the account of a crowd assembled to greet Caesar upon his return to Rome. A member of the crowd placed a laurel wreath on the statue of Caesar on the Rostra. The tribunes Gaius Epidius Marullus and Lucius Caesetius Flavus ordered that the wreath be removed as it was a symbol of Jupiter and royalty. Caesar had the tribunes removed from office through his official powers. According to Suetonius, Caesar was unable to dissociate himself from the royal title from this point forward. Suetonius also gives the story that a crowd shouted to him rex ("king"), to which Caesar replied, "I am Caesar, not Rex" ("Ego caesar, non-rex."). Also, at the festival of the Lupercalia, while he gave a speech from the Rostra, Mark Antony, who had been elected co-consul with Caesar, attempted to place a crown on his head several times. Caesar put it aside to use as a sacrifice to Jupiter Optimus Maximus.

Plutarch and Suetonius are similar in their depiction of these events, but Dio combines the stories, writing that the tribunes arrested the citizens who placed diadems or wreaths on statues of Caesar. He then places the crowd shouting "rex" on the Alban Hill with the tribunes arresting a member of this crowd as well. The plebeian protested that he was unable to speak his mind freely. Caesar then brought the tribunes before the senate and put the matter to a vote, thereafter removing them from office and erasing their names from the records.

Suetonius adds that Lucius Cotta proposed to the Senate that Caesar should be granted the title of "king", for it was prophesied that only a king would conquer Parthia. Caesar intended to invade Parthia, a task that later gave considerable trouble to Mark Antony during the second triumvirate.

His many titles and honors from the Senate were ultimately merely honorary. Caesar continually strove for more power to govern, with as little dependence as possible on honorary titles or the Senate. The placating and ennobling of Caesar did not allay ultimate confrontation, as the Senate was still the authority granting Caesar his titles. Formal power resided in them, resulting in tension with Caesar.

Conspiracy

The city of Rome, 44 B.C.E.

According to Plutarch, the conspiracy to assassinate Caesar began with a meeting between Cassius Longinus and his brother-in-law Marcus Brutus in February 44 B.C.E. Next, Brutus and Cassius recruited Decimus Brutus to join them. All three were Roman senators.

The three men then began to recruit others. They attempted to strike a balance: they aimed to recruit enough men to surround Caesar and fight his supporters, but not so many that they would risk being discovered. They preferred friends to acquaintances and recruited neither reckless youths nor feeble elders. In the end, Brutus, Cassius and Decimus recruited senators near the age of forty, as were they. The men assessed each potential recruit with innocent-sounding questions. The ancient sources report that in the end, around sixty to eighty conspirators joined the plot, although the latter number may be a scribal error. Notable conspirators included Gaius Trebonius, Servilius Casca, Tillius Cimber, and Pontius Aquila.

According to Nicolaus of Damascus, the conspirators included Caesar’s soldiers, officers, and civilian associates, and while some joined the conspiracy due to concerns over Caesar’s authoritarianism, many had self-interested motives such as jealousy: feeling that Caesar had not rewarded them enough or that he had given too much money towards Pompey’s former supporters. The conspirators did not meet openly but instead secretly assembled at each others’ homes and in small groups in order to work out a plan.

First, the conspirators discussed the addition of two other men to the conspiracy. Cicero, the famous orator, was trusted by both Cassius and Brutus, but the conspirators felt he lacked daring; at that time, Cicero was over sixty, and the conspirators thought he would be too likely to put safety over speed when planning the assassination. Next, the conspirators considered Mark Antony, aged thirty-nine and one of Caesar’s best generals. The conspirators were agreeing to attempt to recruit him until Gaius Trebonius spoke. He revealed that he had personally approached Antony the summer before and asked him to join a different conspiracy to end Caesar’s life, and Antony had turned him down. This rejection to the old conspiracy caused the conspirators to decide against recruiting Antony.

Now, however, a new idea took place. Antony was strong because of his familiarity with the soldiers, and powerful due to his consulship. The conspirators should, therefore, assassinate Antony as well. Eventually, this idea was expanded upon and split the conspirators into two factions. The optimates, the "Best Men" of Rome, among the conspirators wanted to go back to the way things were before Caesar. This would entail killing both Caesar and all the men around him, including Antony, and reverting Caesar's reforms. The former supporters of Caesar among the conspirators did not agree to this. They liked Caesar's reforms, and did not want a purge of Caesar’s supporters. However, even they agreed to kill Antony.

Brutus disagreed with both. He argued that killing Caesar, and doing nothing else, was the option they should choose. The conspirators claimed to be acting based on the principles of law and justice, he told them, and it would be unjust to kill Antony. While the assassination of Caesar would be viewed as the killing of a tyrant, the killing of Caesar and his supporters would only be seen as a politicized purge and the work of Pompey's former supporters. By keeping Caesar's reforms intact, they would both keep the support of the Roman people, who Brutus believed opposed Caesar the king, not Caesar the reformer, and the support of Caesar's soldiers and other supporters. His argument convinced the other conspirators. They began making plans for Caesar's assassination.

The conspirators believed that how and where they assassinated Caesar would make a difference. An ambush in a secluded area would have a different impact on public opinion than an assassination in the heart of Rome. The conspirators came up with multiple ideas for the assassination. They considered an attack on Caesar while he was walking on the Via Sacra, the "Sacred Street". Another idea was to wait to attack him during the elections for new consuls. The conspirators would wait for Caesar to begin crossing the bridge that all voters crossed as part of the election procedures, and then topple him over the rail and into the water. There would be conspirators waiting in the water for Caesar, with daggers drawn. Another plan was to attack at a gladiatorial game, which had the benefit that nobody would be suspicious of armed men.

Finally, somebody brought up a different idea. What if the conspirators assassinated Caesar at one of the senate meetings? All other plans had one detractor: while Caesar had no official bodyguards, he asked his friends to protect him in public. Most of these friends were imposing and dangerous-looking and the conspirators were afraid that they would interfere with the assassination. Here, this would not be an issue, since only senators were allowed in the Senate House. Some also said that the murder of a tyrant in full view of the Senate would not be seen as a political plot, but as a noble act, done on behalf of their country. The conspirators ultimately settled on this as the chosen plan. Caesar would be leaving the city on 18 March to embark on a military campaign against the Getae and the Parthians. The last senate meeting before that date was on the 15th, the Ides of March, and so the conspirators chose this as the day of the assassination.

In the days leading up to the Ides, Caesar was not completely oblivious to the conspirators' planning. The haruspex Spurinna had warned Caesar (probably on 15 February) that his life would be in danger for the next thirty days, a period which ended with the Ides of March.

Two days before the assassination, Cassius met with the conspirators and told them that, should anyone discover the plan, they were to turn their knives on themselves.

Ides of March

Woodcut manuscript illustration by Johannes Zainer, c. 1474

On the Ides of March of 44 BC, a day used by the Romans as a deadline for settling debts, conspirators and non-conspirators met at the Senate House of Pompey, located in the Theatre of Pompey, for the senate meeting. Usually, the senators would be meeting at the Roman Forum, but Caesar was financing a reconstruction of the forum and so the senators met in other venues throughout Rome, this being one of them. There were gladiatorial games underway at the Theatre of Pompey, and Decimus Brutus, who owned a company of gladiators, stationed them in the Portico of Pompey, also located in the Theatre of Pompey. The gladiators could be useful to the conspirators: if a fight broke out to protect Caesar, the gladiators could intervene, if Caesar was killed but the conspirators became under attack, the gladiators could protect them, and since it was impossible to enter the Senate House without going through the Portico, the gladiators could block entrance to both if necessary.

The senators waited for Caesar’s arrival, but it did not come. The reason for this is that early that morning, Calpurnia, Caesar's wife, was awoken from a nightmare. She had dreamt that she was holding a murdered Caesar in her arms and mourning him. Other versions have Calpurnia dream that the front pediment of their house had collapsed and that Caesar had died; yet another shows Caesar's body streaming with blood. Calpurnia had no doubt heard Spurinna's warnings of great peril to Caesar's life, which helps explain her visions. Around 5 A.M., Calpurnia begged Caesar not to go to the senate meeting that day. After some hesitation, Caesar acquiesced. Although not superstitious, he knew that Spurinna and Calpurnia were involved in Roman politics, and decided to be cautious. Caesar sent Mark Antony to dismiss the Senate. When the conspirators heard of this dismissal, Decimus went to Caesar's home to try to talk him into coming to the Senate meeting. "What do you say, Caesar?" Decimus said. "Will someone of your stature pay attention to a woman's dreams and the omens of foolish men?" Caesar eventually decided to go.

Caesar was walking to the senate house when he caught sight of Spurinna. “Well, the Ides of March have come!” Caesar called out playfully. “Aye, the Ides have come,” said Spurinna, “but they are not yet gone.” Mark Antony, having vaguely learned of the plot the night before from a terrified conspirator named Servilius Casca, and fearing the worst, went to head Caesar off. The plotters, however, had anticipated this and, fearing that Antony would come to Caesar's aid, had arranged for Trebonius to intercept him just as he approached the portico of the Theatre of Pompey, where the session was to be held, and detain him outside (Plutarch, however, assigns this action to delay Antony to Decimus Brutus). When he heard the commotion from the Senate chamber, Antony fled.

According to Plutarch, as Caesar arrived at the Senate, Lucius Tillius Cimber presented him with a petition to recall his exiled brother. The other conspirators crowded round to offer their support. Both Plutarch and Suetonius say that Caesar waved him away, but Cimber grabbed Caesar's shoulders and pulled down Caesar's toga. Caesar then cried to Cimber, "Why, this is violence!" ("Ista quidem vis est!"). At the same time, Casca produced his dagger and made a glancing thrust at the dictator's neck. Caesar turned around quickly and caught Casca by the arm. According to Plutarch, he said in Latin, "Casca, you villain, what are you doing?" Casca, frightened, shouted "Help, brother!" (Ancient Greek: ἀδελφέ, βοήθει, romanized: adelphe, boethei). Within moments, the entire group, including Brutus, were stabbing the dictator. Caesar attempted to get away, but, blinded by blood in his eyes, he tripped and fell; the men continued stabbing him as he lay defenseless on the lower steps of the portico. Caesar was stabbed 23 times. Suetonius relates that a physician who performed an autopsy on Caesar established that only one wound (the second one to his chest that pierced his aorta) had been fatal. This autopsy report (the earliest known post-mortem report in history) describes that Caesar's death was mostly attributable to blood loss from his stab wounds.

Caesar was killed at the base of the Curia in the Theatre of Pompey.

The dictator's last words are a contested subject among scholars and historians. Suetonius himself says he said nothing, nevertheless, he mentions that others have written that Caesar's last words were the Greek phrase "καὶ σύ, τέκνον;" (transliterated as "Kai su, teknon?": "You too, child?" in English). Plutarch also reports that Caesar said nothing, pulling his toga over his head when he saw Brutus among the conspirators. The version best known in the English-speaking world is the Latin phrase "Et tu, Brute?" ("You too, Brutus?"); this derives from William Shakespeare's Julius Caesar (1599), where it actually forms the first half of a macaronic line: "Et tu, Brute? Then fall, Caesar." According to Plutarch, after the assassination, Brutus stepped forward as if to say something to his fellow senators not involved in the plot; they, however, fled the building. Brutus and his companions then marched through the city, announcing: "People of Rome, we are once again free!" They were met with silence, as the citizens of Rome had locked themselves inside their houses as soon as the rumours of what had taken place began to spread. According to Suetonius, after the murder all the conspirators fled; Caesar's body lay untouched for some time afterwards, until finally three common slaves put him on a litter and carried him home, with one arm hanging down.

A wax statue of Caesar was erected in the Forum displaying the 23 stab wounds. A crowd who had amassed there started a fire, which badly damaged neighboring buildings. In the ensuing years, the Liberators' civil war resulted in the end of the Republic and the rise of the Roman Empire.

Portentous events

Virgil wrote in the Georgics that several unusual events took place following Caesar's assassination.

Who dare say the Sun is false? He and no other warns us when dark uprising threaten, when treachery and hidden wars are gathering strength. He and no other was moved to pity Rome on the day that Caesar died, when he veiled his radiance in gloom and darkness, and a godless age feared everlasting night. Yet in this hour Earth also and the plains of Ocean, ill-boding dogs and birds that spell mischief, sent signs which heralded disaster. How oft before our eyes did Etna deluge the fields of the Cyclopes with a torrent from her burst furnaces, hurling thereon balls of fire and molten rocks. Germany heard the noise of battle sweep across the sky and, even without precedent, the Alps rocked with earthquakes. A voice boomed through the silent groves for all to hear, a deafening voice, and phantoms of unearthly pallor were seen in the falling darkness. Horror beyond words, beasts uttered human speech; rivers stood still, the earth gaped upon; in the temples ivory images wept for grief, and beads of sweat covered bronze statues. King of waterways, the Po swept forests along in the swirl of his frenzied current, carrying with him over the plain cattle and stalls alike. Nor in that same hour did sinister filaments cease to appear in ominous entrails or blood to flow from wells or our hillside towns to echo all night with the howl of wolves. Never fell more lightning from a cloudless sky; never was comet's alarming glare so often seen.

Aftermath

Deification of Julius Caesar, a 16th-century engraving by Virgil Solis illustrating Ovid's passage on the apotheosis of Caesar (Metamorphoses 15.745–850)

Main articles: Liberators' civil war, Second Triumvirate, and Final War of the Roman Republic

Two days after the assassination, Mark Antony summoned the senate and managed to work out a compromise in which the assassins would not be punished for their acts, but all of Caesar's appointments would remain valid. By doing this, Antony most likely hoped to avoid large cracks in government forming as a result of Caesar's death. Simultaneously, Antony diminished the goals of the conspirators. The result unforeseen by the assassins was that Caesar's death precipitated the end of the Roman Republic. The Roman lower classes, with whom Caesar was popular, became enraged that a small group of aristocrats had sacrificed Caesar. Antony, who had been drifting apart from Caesar, capitalized on the grief of the Roman mob and threatened to unleash them on the Optimates, perhaps with the intent of taking control of Rome himself. But, to his surprise and chagrin, Caesar had named his grandnephew Gaius Octavius his sole heir, bequeathing him the immensely potent Caesar name as well as making him one of the wealthiest citizens in the Republic. Upon hearing of his adoptive father's death, Octavius abandoned his studies in Apollonia and sailed across the Adriatic Sea to Brundisium. Octavius became Gaius Julius Caesar Octavianus or Octavian, the son of the great Caesar, and consequently also inherited the loyalty of much of the Roman populace. Octavian, aged only 18 at the time of Caesar's death, proved to have considerable political skills, and while Antony dealt with Decimus Brutus in the first round of the new civil wars, Octavian consolidated his tenuous position. Antony did not initially consider Octavius a true political threat due to his young age and inexperience, but Octavius quickly gained the support and admiration of Caesar's friends and supporters.

To combat Brutus and Cassius, who were massing an enormous army in Greece, Antony needed soldiers, the money from Caesar's war chests, and the legitimacy that Caesar's name would provide for any action he took against them. With passage of the Lex Titia on 27 November 43 BC, the Second Triumvirate was officially formed, composed of Antony, Octavian, and Caesar's Master of the Horse Lepidus. It formally deified Caesar as Divus Iulius in 42 BC, and Caesar Octavian henceforth became Divi filius ("Son of the Divine"). Seeing that Caesar's clemency had resulted in his murder, the Second Triumvirate brought back proscription, abandoned since Sulla. It engaged in the legally sanctioned murder of a large number of its opponents in order to fund its forty-five legions in the second civil war against Brutus and Cassius. Antony and Octavian defeated them at Philippi.

Afterward, Mark Antony married Caesar's lover, Cleopatra, intending to use the fabulously wealthy Egypt as a base to dominate Rome. A third civil war broke out between Octavian on one hand and Antony and Cleopatra on the other. This final civil war, culminating in the latter's defeat at Actium, resulted in the final ascendancy of Octavian, who became the first Roman emperor, under the name Caesar Augustus, a name that raised him to the status of a deity.

Gallery

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  Aftermath of the attack with Caesar's body abandoned in the foreground, La Mort de César by Jean Léon Gérôme, c. 1859–1867

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  The Murder of Caesar by Karl von Piloty, 1865, Lower Saxony State Museum

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  Mark Antony with the dead body of Caesar, painted by Bela Čikoš Sesija, before 1920

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  The Assassination of Julius Caesar by William Holmes Sullivan, c. 1888, Royal Shakespeare Theatre

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  The death of Caesar by Victor Honoré Janssens, c. 1690s

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  The Death of Caesar by Vincenzo Camuccini, between 1804 and 1805.

List of conspirators

Brutus and the Ghost of Caesar (1802), copperplate engraving by Edward Scriven from a painting by Richard Westall, illustrating Act IV, Scene III, from Shakespeare's Julius Caesar

Most of the conspirators' names are lost to history and only about twenty are known. Nothing is known about some of those whose names have survived. The known members are:

• M. Junius Brutus, former Pompeian
• G. Cassius Longinus, former Pompeian
• D. Junius Brutus Albinus, former Caesarian
• G. Trebonius, former Caesarian
• L. Tillius Cimber, former Caesarian
• P. Servilius Casca Longus, former Caesarian, the one responsible for the first stab
• G. Servilius Casca, former Caesarian, brother of P. Casca
• Pontius Aquila, former Pompeian
• Ser. Sulpicius Galba, former Caesarian
• Q. Ligarius, former Pompeian
• L. Minucius Basilus, former Caesarian
• G. Cassius Parmensis
• Caecilius, former Pompeian
• Bucolianus, former Pompeian, brother of Caecilius
• Rubrius Ruga, former Pompeian
• M. Spurius, former Pompeian
• P. Sextius Naso, former Pompeian
• Petronius
• P. Turullius
• Q. ("Pacuvius") Antistius Labeo

Marcus Tullius Cicero was not a member of the conspiracy and was surprised by it, but later wrote to the conspirator Trebonius that he wished he had been "invited to that superb banquet". He believed that the conspirators should also have killed Mark Antony.

See also

• Acta Caesaris
• Death of Alexander the Great
• Death of Cleopatra
• Julius Caesar, a play by William Shakespeare
• The Ides of March, a novel by Thornton Wilder

Bibliography

• J. A. Crook, Andrew Lintott, Elizabeth Rawson (editors), The Cambridge Ancient History, Volume IX, The Last Age of the Roman Republic, Cambridge University Press, 1992.
• Balsdon, J.P.V.D. (1958). "The Ides of March". Historia: Zeitschrift für Alte Geschichte. 7 (1): 80–94. JSTOR 4434559.
• Drumann, W. (1906). P. Groebe (ed.). Geschichte Roms in seinem Uebergange von der republikanischen zur monarchischen Verfassung, oder: Pompeius, Caesar, Cicero und ihre Zeitgenossen (in German). 3 (2nd ed.). Leipzig: Berlin, Gebr£uder Borntraeger.
• Epstein, David F. (1987). "Caesar's Personal Enemies on the Ides of March". Latomus. 46 (3): 566–570. ISSN 0023-8856. JSTOR 41540686.
• Horsfall, Nicholas (1974). "The Ides of March: Some New Problems". Greece & Rome. 21 (2): 191–199. doi:10.1017/S0017383500022397. ISSN 0017-3835.
• Parenti, Michael (2004). The assassination of Julius Caesar : a people's history of Ancient Rome. New Press. ISBN 1-56584-942-6. OCLC 56643456.
• Smith, R.E. (1957). "The Conspiracy and the Conspirators". Greece & Rome. 4 (1): 58–70. doi:10.1017/S0017383500015734. ISSN 0017-3835.
• Strauss, Barry S. (2015). The death of Caesar : the story of historys most famous assassination. ISBN 978-1-4516-6881-0. OCLC 913303337.
• Yavetz, Zvi (1974). "Existimatio, Fama, and the Ides of March". Harvard Studies in Classical Philology. 78: 35–65. doi:10.2307/311200. JSTOR 311200.

External links

• Account of the assassination from the historian Appian. Section 114 contains a list of conspirators.
• Suetonius, Life of Julius Caesar, includes an account of the plot