Beyond the Wall (Game of Thrones)
| "Beyond the Wall" | |
|---|---|
| Game of Thrones episode | |
| File:Game-of-Thrones-S07-E06-Beyond-the-Wall.jpg Daenerys Targaryen and her dragons arrive beyond the Wall | |
| Episode no. | Season 7 Episode 6 |
| Directed by | Alan Taylor |
| Written by | David Benioff D. B. Weiss |
| Featured music | Ramin Djawadi |
| Cinematography by | Jonathan Freeman |
| Editing by | Tim Porter |
| Original air date | August 20, 2017 |
| Running time | 70 minutes[1] |
| Guest appearances | |
| |
"Beyond the Wall" is the sixth episode of the seventh season of HBO's fantasy television series Game of Thrones, and the 66th overall. It was written by series co-creators David Benioff and D. B. Weiss, and directed by Alan Taylor.
Beyond the Wall, Jon Snow (Kit Harington) leads a raiding party to capture a wight to bring south as evidence of the White Walkers. After successfully capturing one, the group is besieged by the White Walker army. Gendry (Joe Dempsie) is commanded to return to Eastwatch and send a raven to Daenerys Targaryen (Emilia Clarke) to request her help. Before the group can be killed by the wights, Daenerys arrives and begins lighting the wights on fire with her three dragons. In an attempt to stop her, the Night King, the leader of the White Walkers, throws his ice spear at one of Daenerys's dragons, Viserion, and kills it. Daenerys flies off, along with the northern raiding party, but is unable to save Jon. Benjen Stark (Joseph Mawle) arrives and fights off the wights in order for Jon to escape, and Jon and Daenerys are reunited. The Night King raises Viserion from the dead, making the dragon a part of his army. At Winterfell, Arya Stark (Maisie Williams) confronts Sansa Stark (Sophie Turner) following her discovery of the letter she sent as a child begging for fealty to King Joffrey Baratheon, and Sansa discovers Arya's bag of faces she took from Braavos.
"Beyond the Wall" received mostly praise from critics, who listed the epic scale and special effects of the battle between the White Walkers and the dragons, the interactions between the northern raiding party, and Jon swearing fealty to Daenerys as highlights of the episode,[2] though some reviewers criticized the episode for "[defying] logic" and its rushed storytelling. In the United States, the episode achieved a viewership of 10.24 million in its initial broadcast.
Plot
At Winterfell
Arya confronts Sansa about the letter Sansa wrote in favor of Joffrey and the Lannisters. Sansa explains she was a child and threatened by Cersei, but Arya rejects that reasoning. They argue over how neither of them saved Ned, and Arya accuses Sansa of mainly being concerned that she will lose face with the Northern lords if the letter is made public. Sansa confides in Littlefinger, who suggests that Brienne, sworn to serve both sisters, would intervene if Arya acted against Sansa. However, when Cersei summons Sansa to King's Landing, Sansa sends Brienne as her representative, despite Brienne's protests and desire to protect Sansa from Littlefinger. Sansa searches Arya's room and finds Arya's faces. Arya discovers Sansa and explains her training with the Faceless Man. Arya says she could take Sansa's face, subtly threatening her with the Valyrian steel dagger before instead leaving her with it.
On Dragonstone
Tyrion suspects Cersei will lay a trap when they meet. He questions how Daenerys, who is infertile, can establish a legacy that will outlive her. She refuses to discuss the succession before ascending to the Iron Throne. Tyrion asserts that Jon is the latest "heroic" man to fall in love with Daenerys.
Beyond the Wall
Jon, the Hound, Jorah, Beric, Thoros, and Gendry journey beyond the wall with Tormund and two other Wildlings. They have various personal and philosophical conversations. Jeor had given Jon his family sword, Longclaw; Jon offers it to Jorah, but Jorah insists Jon keep it. An undead snow bear attacks, killing a Wildling and savaging Thoros, who had pushed the Hound out of harm's way, before they kill it; Thoros's wounds are cauterized and he continues. Jon destroys a White Walker with Longclaw, and all but one of its small group of wights instantly collapse, inanimate. They capture the last wight, apparently turned by a different Walker and thus still animate. A horde of wights approaches; Gendry is sent alone to Eastwatch to send a raven to Daenerys while the others are trapped on a small island, separated from the wights by a collapse of thin ice. Thoros succumbs to his wounds.
Gendry barely reaches Eastwatch and informs Ser Davos about sending ravens to Dragonstone. Daenerys having received his raven, flies Drogon north with Rhaegal and Viserion, rejecting Tyrion's advice to "do nothing."
Back at the snowy island, the Hound discovers that the water has frozen back, allowing the wights to attack, killing the two Wildlings and nearly overrunning the party. Daenerys arrives just in time and the dragons burn many wights. The men try to evacuate on Drogon but the wights continue to attack; the Night King, having watched the entire face-off from afar, now throws his ice-spear at Viserion[3], killing it. Jon stays on the ground and urges the others to flee with the captured wight. After Jon's allies leave, Jon faces the attacking wights alone with his Longclaw, until Benjen Stark arrives and gives Jon his horse. Benjen is last seen sacrificing himself to the wights while Jon escapes to Eastwatch.
Jon recovers aboard a ship. He apologizes to Daenerys for Viserion's death; she accepts the loss as the cost of her learning the truth, and she vows to fight the Night King together with Jon. He calls her 'my Queen' and believes the Northern lords will come to accept her leadership. Daenerys hopes to be worthy of that trust.
Back beyond the Wall. the Night King has his wights pull a dead Viserion out of the water. He then reanimates the dragon, adding it to his army of the dead.
Production
Writing
"Beyond the Wall" was written by the series' creators David Benioff and D. B. Weiss. In the "Inside the Episode" featurette published by HBO following the airing of the episode, David Benioff indicated that the death of the dragon Viserion was something that he and the writers had been working towards for a long time, and added "The whole path of the show in some way has been trying to map out all of the episode end points, and with this one, it was the dragon opening its blue eye, and realizing that the Night King has finally gotten his own weapon of mass destruction."[4] Weiss also stated that the most enjoyable part in writing the sequence was to make it seem as though all of the "good guys" were going to "get out the other side more or less scot-free," and knew that subsequently killing the dragon would have "a tremendous emotional impact," due to its importance to Daenerys.[4] He continued by saying that they knew it would be important for the Night King to seize on the opportunity to kill a dragon, and that they intended for the scene to be a "one-two punch" by having the viewer witness "the horror" involved with seeing "one of these three amazing beings like this in the world going under the water and not coming up again, and processing that," but also "processing something that's even worse," by having the dragon pulled out of the water and becoming a part of the Night King's army.[4]
Regarding the inclusion of the wight polar bear attack, Benioff and Weiss stated that they had wanted to have a wight polar bear for "about four seasons," but never made it onto the screen due to opposition from the special effects team. Weiss recalled being told that they were not able to afford the special effect, but felt that it made "perfect sense that you could have one of these things out there, and we really put our four feet down and said goddamnit, we want a zombie polar bear," and thus wrote it into the episode.[5]
Weiss also spoke about the concluding Winterfell sequence, saying that once Sansa finds Arya's collection of faces and is confronted, Sansa was intended to start to see Arya as "a real, physical danger to her," and that they wanted to translate that fear to the subsequent episode, in the finale of the seventh season.[6]
Filming
"Beyond the Wall" was directed by Alan Taylor. This was Taylor's seventh episode as a director for the series, but it was his first episode since the second season, where he directed that season's finale episode, "Valar Morghulis".[7] He was also a director for two episodes in the first season, "Baelor" and "Fire and Blood", as well as three other episodes in the second season. Since his hiatus from the series, Taylor was a director for several big budget Hollywood films, including Thor: The Dark World and Terminator Genisys.[7] In an interview with Entertainment Weekly, Taylor spoke about the differences between his earlier stint with the series, and his return for the show's seventh season, saying he was previously told to avoid using green screen, and thus special effects, due to the budgetary constraints that the series had in its earlier seasons.[7] However, with "Beyond the Wall", he was able to fully utilize visual effects to create the large environment, dragons and armies due to the increased budget.[7] He also described the experience as "going full circle," having witnessed the evolution of characters such as Sophie Turner as Sansa and Maisie Williams as Arya Stark, who he directed when they were children, and that they have since grown up.[8]
Many of the scenes leading up to the battle with the White Walker army were filmed in Iceland, but the majority of the episode's battle sequence was filmed in a quarry in Belfast, Northern Ireland.[7] Taylor had expected to film the sequence entirely in Iceland, but quickly realized that it was not feasible due to the amount of production that was required.[7] In filming the wight polar bear attack, Taylor noted that the bear was designed by the New Zealand-based Weta Workshop, which previously worked on The Lord of the Rings trilogy.[7] Richard Dormer, who portrays Beric Dondarrion, described filming the scene in a separate interview, saying "It was very cold, wet and physical. Hot as well, running around imagining a 12-foot flaming polar bear. It’s pretty weird, but it was fun."[9] Dormer also noted the difficulty of filming a flaming sword, revealing that the sword could only burn for two minutes at a time, and could not be swung too quickly, requiring Dormer to slow down his movement. He also said that the sword he was using weighed approximately three times more than a normal sword.[9] Though the actors were dressed warmly for the scenes beyond the Wall, their suits contained a "tube system through which cold water can be circulated between shots using a portable pump to keep them from getting overheated," due to the actual warmth of filming on a fake set in Northern Ireland.[7] This was also essential due to the possibility of Rory McCann's, who portrays Sandor "The Hound" Clegane, prosthetic makeup melting off his face.[7]
In another interview with The Hollywood Reporter, Taylor also spoke about the process of interacting with the lake and water, saying "every moment of interaction with water had to be a multiple stage process where we filmed the action on our 360 degree set and landscape, and then restage it against green screen with elements we shot in a dunk tank rig, and all of those elements get married together to form something as simple as a guy falling into the ice and plopping into the water."[8] Four to five different shots were needed in order to accomplish this portion of the battle.[8] Taylor described working with Vladimir Furdik, who portrays the Night King, noting that Furdik is completely covered in prosthetics, and saying "He's just delightful. There's nothing he can't do. He's a full-on actor in that role, aside from being able to do all of the action and all of the horse work. He has a beautiful face — although you lose some of that behind the Night King prosthetics."[8] Taylor revealed that he had worked with Furdik previously, as Furdik was also a stunt performer on Thor: The Dark World.[8]
To film the death of the dragon, Viserion, Taylor said that he "provided the shots where we knew the dragon was going to be impaled and crash," for special effects supervisor Joe Bauer to use later. But Taylor also filmed reaction shots "all along the way" while the dragon fell to its death, utilizing a tennis ball on a stick in order for the actors to understand where the dragon was in the scene, as well as a "pre-viz" and storyboards for them to understand what the final product would look like.[8] Taylor praised Emilia Clarke's performance as Daenerys Targaryen in the scene, and he was also grateful that he was chosen to direct the dragon's death, due to his self-proclaimed past with directing pivotal death scenes in several series, including the death of Ned Stark in season one, as well as major deaths in Rome, Deadwood and The Sopranos.[8]
Taylor also spoke about the amount of time that was intended to pass between the approach of the White Walker army, and Daenerys's arrival, saying that they were being intentionally vague, "We did a few things, like getting deliberately hazy about how much time is passing, because it's so dark in the frozen lake and you don't know how many days or nights you may have witnessed. We tried to make it a little ambiguous and give it some wiggle room on that end. We were aware that we were asking for people's suspended disbelief — plausible impossibilities is what you're aiming for."[8]
Reception
Ratings
"Beyond the Wall" was viewed by 10.24 million American households on its initial viewing on HBO, which was less than the previous week's rating of 10.72 million viewers for the episode "Eastwatch".[10][11] The episode also acquired a 4.7 rating in the 18–49 demographic, making it the highest rated show on cable television of the night.[10]
Critical reception
"Beyond the Wall" received mostly praise from critics who listed the epic scale and special effects of the battle between the White Walkers and the dragons, the interactions between the northern raiding party and Jon swearing fealty to Daenerys as highlights of the episode,[2] with some reviewers criticizing the episode for "[defying] logic."[12] It has received an 82% rating on the review aggregator website Rotten Tomatoes from 34 reviews, with an average score of 7.8 out of 10.[12] The site's consensus reads ""Beyond The Wall" delivered the epic battles and plot twists that are expected from the penultimate episode of a Game of Thrones season -- although sometimes in ways that defied logic."[12]
Terri Schwartz of IGN wrote in her review of the episode, "Game of Thrones has long set the precedent that its penultimate episodes of its seasons would be the biggest in terms of scale and, oftentimes, loss, in everything from "Baelor" to "The Rains of Castamere". In that way, "Beyond the Wall" was no different, as it arguably featured the greatest loss the series has faced to date: a dragon killed by the Night King, and even worse, resurrected by him."[13] However, Schwartz also criticized the episode saying that it suffered "more than any other episode to date from the rushed, truncated storytelling in Season 7."[13] Schwartz went on to also praise the interactions between the northern raiding party on their journey to find the White Walkers, and ultimately gave the episode a 6.9 out of 10.[13] Daniel D'Addario of Time Magazine wrote in his review of the episode "This episode, occupying the penultimate-in-the-season slot that has historically been the spot where the biggest moments occur, was ever-so-slightly less a barnburner than last year's "Battle of the Bastards," for instance. But that's in part due to the increasing obviousness of the stakes."[14] Myles McNutt of The A.V. Club spoke similarly in his comparison of the episode to the previous season's penultimate episode, questioning some of the reasoning behind the battle, writing "we have a situation here where a series of events engineered for action and suspense effectively sells out the characters involved."[15] He also praised the episode, however, by saying "On the level of spectacle, "Beyond The Wall" is another series high point, with stellar work from returning director Alan Taylor, capturing the visceral battles that the seven men and several Red Shirts encounter on their journey. And I was charmed by the series of "walk and talks" that punctuate their travels, brief vignettes of characters like Sandor and Tormund interacting for the first time while marching toward their potential dooms."[15] He gave the episode a B.[15] Steve Greene of IndieWire wrote in his review, ""Beyond the Wall" might not be the best episode of the season, but it's more assuredly the most important. By bringing the season-long promise of terror and triumph in rapid succession, the series turned this vital episode into a horror story to remember."[16]
Leak
Similar to the fourth episode of the season, "The Spoils of War", the episode was leaked before it was set to air, on August 20, 2017. Four days before its official broadcast, HBO Spain and HBO Nordic accidentally allowed "Beyond the Wall" to be available for on-demand viewing for one hour before being removed.[17]
References
- ^ "Game of Thrones 66". HBO. Retrieved August 20, 2017.
- ^ a b Collins, Sean (August 20, 2017). "'Game of Thrones' Recap: The Walking Dead". The Rolling Stone. Retrieved August 21, 2017.
- ^ Kelly, Hillary. "How to Tell Dany's Dragons Apart on Game of Thrones".
- ^ a b c Wigler, Josh (August 21, 2017). "'Game of Thrones' Creators Explain That Big Death". The Hollywood Reporter. Retrieved August 22, 2017.
- ^ Desta, Yohana (August 21, 2017). "Game of Thrones: Why Everyone on the Set Hated that Zombie Polar Bear". Vanity Fair. Retrieved August 22, 2017.
- ^ "Game of Thrones: Inside Sn 7 / Ep 6". HBO. Retrieved August 22, 2017.
- ^ a b c d e f g h i Hibberd, James (August 21, 2017). "Game of Thrones director on staging that frozen lake battle". Entertainment Weekly. Retrieved August 22, 2017.
- ^ a b c d e f g h Wigler, Josh (August 21, 2017). "How 'Game of Thrones' Delivered the Season's Mother of Dragon Moments". The Hollywood Reporter. Retrieved August 22, 2017.
- ^ a b Morton, Ashley (August 21, 2017). "Richard Dormer Shares What It's Really Like to Fight with Beric's Flaming Sword". HBO. Retrieved August 22, 2017.
- ^ a b Porter, Rick (August 22, 2017). "Sunday cable ratings: 'Survivor's Remorse' premiere steady, 'Game of Thrones' down a little". TV by the Numbers. Retrieved August 22, 2017.
- ^ Porter, Rick (August 15, 2017). "Sunday cable ratings: 'Game of Thrones' scores another series high". TV by the Numbers. Retrieved August 15, 2017.
- ^ a b c "Game of Thrones - Beyond the Wall". Rotten Tomatoes. Retrieved August 21, 2017.
- ^ a b c Schwartz, Terri (August 20, 2017). "Game of Thrones: "Beyond the Wall" Review". IGN. Retrieved August 21, 2017.
- ^ D'Addario, Daniel (August 20, 2017). "Game of Thrones Ratchets Up the Stakes in a Monumental Episode". Time Magazine. Retrieved August 21, 2017.
- ^ a b c McNutt, Myles (August 20, 2017). "A game-changing Thrones spectacle buckles under the pressures of a shortened season (experts)". The A.V. Club. Retrieved August 21, 2017.
- ^ Greene, Steve (August 20, 2017). "'Game of Thrones' Review: Series-Altering 'Beyond the Wall' Is One of the Year's Most Intense Horror Stories". IndieWire. Retrieved August 21, 2017.
- ^ Hooton, Christopher (August 16, 2017). "HBO has accidentally broadcast this week's Game of Thrones". The Independent. Archived from the original on August 16, 2017. Retrieved August 16, 2017.
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