Break, Break, Break
|by Alfred, Lord Tennyson|
c. 1901 illustration to the poem by W. E. F. Britten
|First published in||1842|
|Subject(s)||Death of Arthur Hallam|
|Rhyme scheme||abcb defe ...|
|Read online||Break, Break, Break at Wikisource|
"Break, Break, Break" is a poem by Alfred, Lord Tennyson written during early 1835 and published in 1842. The poem is an elegy that describes Tennyson's feelings of loss after Arthur Henry Hallam died and his feelings of isolation while at Mablethorpe, Lincolnshire. The poem is minimalistic in terms of detail and style.
During the Christmas holiday of 1834/1835, Tennyson was working on many poems, including In Memoriam. He also became dissatisfied with his earlier works and was busy revising the poems that he was still willing to see as publishable.
- But O for the touch of a vanish'd hand,
- And the sound of a voice that is still!
- Break, break, break,ro
- At the foot of thy crags, O Sea!
- But the tender grace of a day that is dead,
- Will never come back to me.
The poem describes feelings of loss and the realization that there is something beyond the cycle of life and death. He is standing on the sandy sea shore and writing this poem.  It has a strong biographical connection, containing Tennyson's feelings of melancholy and nostalgia. Tennyson captures his strong emotions in other poems, including Morte D' Arthur, "Tithonus", and "Ulysses". The suffering felt within the poem is connected to the suffering described in Tennyson's In Memoriam, in that they both describe longing for Tennyson's deceased friend Hallam. This longing is voiced in the third stanza of "Break, Break, Break".
"Break, Break, Break" can be classified as an elegy on the subject of Tennyson's feelings about Hallam. Like "On a Mourner," written a year before, both poems use a very simple style and describe a scene in minimalistic terms. This technique is later used in later elegies written by Tennyson, including "Crossing the Bar", "In the Garden at Swainston", and "To the Marquess of Dufferin and Ava". In several of his works, including "On a Mourner", Tennyson uses a myth to illustrate themes of the poem. However, this technique and other decorative aspects are dropped in "Break, Break, Break." This distinguishes the poem from other poems Tennyson wrote around the same time, such as "Tithonus" and "Ulysses".
Michael Thorn, in his 1992 biography of Tennyson, claims, "This poem, so often anthologized, is a perfect example of how biography can be used to reinvigorate a work grown dull with repetition and familiarity. Almost certainly written during this visit to Mablethorpe [...] knowledge of the biographical background creates a cinematically clear image of the cloaked poet looking resentfully at the cheerful fisherman's child, the equally jovial sailor, and the ships at sea. It is one of the great short lyrics".
In 1906 the composer Cyril Rootham set Tennyson's elegy "Break, break, break" as a part song for unaccompanied men's voices (TTBB) as his Op.17. The work was published in the same year by Weekes & Co, as No.35 in "Weekes & Co.'s Series of Anthems and Part Songs in the Tonic Sol-fa notation".
|Wikisource has original text related to this article:|
- Shaw 1976 p. 260
- Thorn 1992 p. 139
- Martin 1979 p. 219
- Shaw 1976 pp. 135, 177
- Shaw 1976 pp. 257–259
- Thorn 1992 p. 138
- Martin, Robert Bernard. Tennyson: The Unquiet Heart. London: Faber and Faber, 1979.
- Shaw, W. David. Tennyson's Style. Ithaca: Cornell University Press, 1976.
- Thorn, Michael. Tennyson. New York: St. Martin's Press, 1992.