|Born||Bruce Alonzo Goff
June 8, 1904
Alton, Kansas, USA
|Died||August 4, 1982
Tyler, Texas, USA
|Buildings||Pavilion for Japanese Art|
Bruce Alonzo Goff (June 8, 1904 – August 4, 1982) was an American architect, distinguished by his organic, eclectic, and often flamboyant designs for houses and other buildings in Oklahoma and elsewhere.
Born in Alton, Kansas, Goff was a child prodigy whose family moved to Tulsa, Oklahoma in 1915. He was largely self-educated and displayed a great talent for drawing. His father arranged for him to become an apprentice at the age of twelve to the architectural firm of Rush, Endacott and Rush in Tulsa, Oklahoma. Goff's employers were so impressed with his talent, that they soon gave him responsibility for designing houses and small commercial projects. One of his earliest designs that was actually built was a house at 1732 South Yorktown Avenue in Tulsa's Yorktown Historical District, another was McGregor House built about 1920 at 1401 South Quaker Street in what is now known as the Cherry Street District.[a] During this period, his work was heavily influenced though his correspondence with Wright and Louis Sullivan.[b] Goff became a partner with the firm in 1930. He is credited, along with his high-school art teacher Adah Robinson, with the design of Boston Avenue Methodist Church in Tulsa, one of the finest examples of Art Deco architecture in the United States.
In 1934, Goff moved to Chicago and began teaching part-time at the Academy of Fine Arts. He designed several Chicago-area residences and went to work for the manufacturer of "Vitrolite".[c] Goff enlisted in the U.S. Navy, became a Seabee, and designed a number of military structures and residences during his service. Goff accepted a teaching position with the School of Architecture at the University of Oklahoma in 1942. Despite being largely self-taught, Goff became chair of the school in 1943. This was his most productive period. In his private practice, Goff built a large number of residences in the American Midwest, developing his singular style of organic architecture that was client- and site-specific.
In 1955, Goff, who was homosexual, was accused of "endangering the morals of a minor", as homosexuality was not socially acceptable in Norman, Oklahoma in 1955. As a result of the unproven claims, he was forced to resign from his position at the University of Oklahoma. Historians and writers have expressed their belief that Goff was politically forced from his position specifically for being homosexual.
Goff relocated his studio to the Price Tower in Bartlesville, Oklahoma in 1955.[d] He continued to produce novel designs and spent much of his time traveling and lecturing. Articles about his ideas and designs appeared frequently in professional magazines, such as Progressive Architecture, Art in America and Architectural Forum. From 1960 to 1961, Goff had Arthur Dyson as an apprentice in his office.
Goff's accumulated design portfolio of 500 projects (about one quarter of them built) demonstrates a restless, sped-up evolution through conventional styles and forms at a young age, through the Prairie Style of his heroes and correspondents Frank Lloyd Wright and Louis Sullivan, then into original design. Finding inspiration in sources as varied as Antoni Gaudi, Balinese music, Claude Debussy, Japanese ukiyo-e prints, and seashells, Goff's mature work had no precedent and he has few heirs other than his former assistant, New Mexico architect Bart Prince, and former student, Herb Greene. His contemporaries primarily followed tight functionalistic floorplans with flat roofs and no ornament. Goff's idiosyncratic floorplans, attention to spatial effect, and use of recycled and/or unconventional materials such as gilded zebrawood, cellophane strips, cake pans, glass cullet, Quonset Hut ribs, ashtrays, and white turkey feathers, challenge conventional distinctions between order and disorder.
A number of Goff's original designs are on display at the Modern Wing at the Art Institute of Chicago.
In 2002 director Heinz Emigholz shot the documentary film Goff in the Desert which depicts 62 of Bruce Goff's buildings. He also used some imagery of this movie for the music video Celtic Ghosts of German band Kreidler.
Goff was active from about 1926 until his death, with several of his projects completed by associates after his death. A number of his works were considered for listing on the U.S. National Register of Historic Places. The following are selected major works:
- 1926: Boston Avenue Methodist Church, Tulsa, Oklahoma
- 1928: Riverside Studio, Tulsa, Oklahoma
- 1938: Turzak House, Chicago, Illinois
- 1947: Ledbetter House, Norman, Oklahoma
- 1950: Bavinger House, Norman, Oklahoma
- 1955: John Frank House, Sapulpa, Oklahoma
- 1978: Pavilion for Japanese Art at the Los Angeles County Museum of Art, Los Angeles, California
Goff's contributions to the history of 20th-century architecture are widely praised. His extant archive—including architectural drawings, paintings, musical compositions, photographs, project files, and personal and professional papers—is held by the Ryerson & Burnham Libraries at the Art Institute of Chicago.
His Bavinger House was awarded the Twenty-five Year Award from the American Institute of Architects in 1987, and Boston Avenue Methodist Church was designated a National Historic Landmark in 1999.
Goff died in Tyler, Texas, on August 4, 1982. His cremated remains are interred in Graceland Cemetery, Chicago, Illinois, with a marker designed by Grant Gustafson (one of Goff's students) that incorporates a glass cullet fragment salvaged from the ruins of the Joe D. Price House and Studio.
- McGregor House was added to the NRHP in 2014.
- Both Wright and Sullivan advised Goff to practice architecture with Rush, Endacott and Rush instead of enrolling in Massachusetts Institute of Technology. They felt the formal education would stifle his creativity.
- Vitolite was an architectural sheet glass introduced during the 1930’s.
- Price Tower was designed by Goff mentor, Frank Lloyd Wright.
- "The Round House", Life Magazine (1951)
- Gunnar Birkets, Process and Expression in Architectural Form (The Bruce Alonzo Goff Series in Creative Architecture) (University of Oklahoma Press, 1994)
- Jeffrey Cook, The Architecture of Bruce Goff (Granada Publishing Ltd. 1978)
- David G. De Long, Bruce Goff: Toward Absolute Architecture (MIT Press 1988)
- Pauline Saliga and Mary Woolever, The Architecture of Bruce Goff: Design for the Continuous Present (Prestel 1995)
- Philip B. Welch, Goff on Goff: Conversations and Lectures (1996 University of Oklahoma Press)
- Elisofon, Eliot (March 19, 1951). "The Round House". Life. Time Inc. Retrieved 16 April 2015.
- "Goff," Price Tower Arts Center. Retrieved October 26, 2014.
- "No Place Like Home". Frieze Magazine. Jan–Feb 1996. Retrieved 2013-05-21.
- Patricia Leigh Brown, "Built on Oil, Banking on Design", New York Times, Oct. 16, 2003.
- Rohan, Timothy M. (July 11, 2014). The Architecture of Paul Rudolph. Yale University Press. p. 62. ISBN 0300149395.
- "Bohemian Pioneer". The Architects' Journal. Architectural Press. 188: LXIII. 1988. ISSN 0003-8466. OCLC 4651322.
- Hammons, Mark (1994). The Architecture of Arthur Dyson. Fresno, California: Word Dancer Press. p. 14. ISBN 1-884995-23-3.
- Huxtable, Ada Louise (February 8, 1970). "Peacock Feathers and Pink Plastic". The New York Times. Retrieved 2011-06-23.
- http://www.bruce-goff-film.com/en/english.html Bruce Goff - Architecture as autobiography
- Arn Henderson (2000). "National Register of Historic Places Multiple Property documentation: Resources Designed by Bruce Goff in Oklahoma, 1918–1982" (PDF).
- Webb, Michael (2005). "Saving Bruce Goff". The Architectural Review.
- "Boston Avenue Methodist Episcopal Church, South". National Historic Landmark summary listing. National Park Service. Retrieved 2008-01-18.
- TX Death Records, Texas, USA.
- "The Round House". Life Magazine. 1951.
- Birkerts, Gunnar (April 1994). Process and Expression in Architectural Form (The Bruce Alonzo Goff Series in Creative Architecture). 1. University of Oklahoma Press. ISBN 978-0-8061-2642-5.
- Cook, Jeffrey (January 1, 1978). The Architecture of Bruce Goff. Granada Publishing Limited. ISBN 978-0-246-11315-3.
- De Long, David G. (August 19, 1988). Bruce Goff: Toward Absolute Architecture (1st ed.). The MIT Press. ISBN 978-0-262-04097-6.
- Pauline Saliga, ed. (June 1995). The Architecture of Bruce Goff: Design for the Continuous Present. Mary Woolever. Prestel. ISBN 978-3-7913-1453-2.
- Welch, Philip B. (November 1996). Goff on Goff: Conversations and Lectures. University of Oklahoma Press. ISBN 978-0-8061-2868-9.
Find more about
at Wikipedia's sister projects
|Definitions from Wiktionary|
|Media from Commons|
|News from Wikinews|
|Quotations from Wikiquote|
|Texts from Wikisource|
|Textbooks from Wikibooks|
|Learning resources from Wikiversity|
- ADAO - International Web Portal of Organic Architecture
- Bruce Goff Archive, includes biography and digitized images
- Encyclopedia of Oklahoma History and Culture – Goff, Bruce
- Allison Meier, "Midwestern Futurism: The Endangered Legacy of an Avant-garde Architect", Hyperallergic (August 22, 2012)
- Helen Unseth House, Flickr
- "Bruce Alonzo Goff – 2001 Inductee." The Osborne County Hall of Fame (retrieved October 29, 2014)