Camarón de la Isla
Camarón de la Isla
Monument to Camarón in La Línea de la Concepción
|Birth name||José Monge Cruz|
|Born||5 December 1950|
San Fernando, Cádiz, Spain
|Died||2 July 1992 (aged 41)|
Badalona, Barcelona, Spain
|Genres||Nuevo Flamenco, Flamenco|
|Associated acts||Paco de Lucía, Tomatito|
José Monge Cruz (5 December 1950 – 2 July 1992), better known by his stage name Camarón de la Isla (Spanish: Shrimp of the Island), was a Spanish flamenco singer. Considered one of the all-time greatest flamenco singers, he was noted for his collaborations with Paco de Lucía and Tomatito, and the three of them were of major importance to the revival of flamenco in the second half of the 20th century.
He was born in San Fernando, Cádiz, Spain, into a gypsy family, the second of eight children. His mother was Juana Cruz Castro, a basket weaver ("La Canastera"), whose gift of singing was a strong early influence. His father, Juan Luis Monje, was also a singer as well as a blacksmith, and had a forge where Camarón worked as a boy. His uncle José nicknamed him Camarón (Spanish for "Shrimp") because he was blonde and fair skinned. When his father died of asthma, while still very young, the family went through financial hardship. At the age of eight he began to sing at inns and bus stops with Rancapino to earn money. At sixteen, he won first prize at the Festival del Cante Jondo in Mairena de Alcor. Camarón then went to Madrid with Miguel de los Reyes and in 1968 became a resident artist at the Tablao Torres Bermejas where he remained for twelve years.
During his time at Tablao Torres Bermejas, he met Paco de Lucía, with whom he recorded nine albums between 1969 and 1977. The two toured extensively together during this period. As Paco de Lucía became more occupied with solo concert commitments, Camarón worked with the flamenco guitarist Tomatito.
In 1976, at the age of 25, Camarón married Dolores Montoya, a Romani girl from La Línea de la Concepción whom he nicknamed "La Chispa" (The Spark). At the time La Chispa was only 16. The couple had four children.
Many consider Camarón to be the single most popular and influential flamenco cantaor (singer) of the modern period. Although his work was criticized by some traditionalists, he was one of the first to feature an electric bass in his songs. This was a turning point in the history of Flamenco music that helped distinguish Nuevo Flamenco.
Health Issues and Death
Posthumous Awards and Recognitions
On 5 December 2000 the Ministry of Culture of the Junta de Andalucía posthumously awarded to Camarón the ´Llave de Oro del Cante´, the Golden Key of Flamenco. This was only the fourth key awarded since 1862.
In 2005, film director Jaime Chávarri released the biopic Camarón in Spain starring Óscar Jaenada as Camarón and Verónica Sánchez – star of popular Spanish TV series Los Serrano – as La Chispa. The film, produced in consultation with Camarón's widow, was subsequently nominated for several Goya Awards.
In 2006, Isaki Lacuesta directed La Leyenda del Tiempo (The Legend of Time), in which a Japanese woman visits Camarón's birthplace to learn to sing exactly like him.
In 2018, the documentary film Camarón: Flamenco y Revolución (Camarón: The Film), from the Spanish director Alexis Morante, was released through Netflix. In an interview, the director would say that one of his goals with the film was "to explain how the myth was built" .
with Paco de Lucía (Their first albums were nameless, but were known among aficionados by the name of the first track)
- Al Verte las Flores Lloran (1969)
- Cada Vez que Nos Miramos (1970)
- Son Tus Ojos Dos Estrellas (1971)
- Canastera (1972)
- Caminito de Totana (1973)
- Soy Caminante (1974)
- Arte y Majestad (1975)
- Rosa María (1976)
- Castillo de Arena (1977)
- Camaron en la Venta de Vargas (2006)
- La Leyenda del Tiempo (1979) (Released as a solo album)
- Soy Gitano (1989) (Released with the Royal Philharmonic Orchestra, with guest appearances by Tomatito)
- Contributing artist
The titles given for the first five albums with Paco de Lucía are those in popular usage, being the titles of the first tracks. Formally, all of them are entitled El Camarón de la Isla con la colaboración especial de Paco de Lucía with the exception of Canastera.
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