A château (plural châteaux; French pronunciation: [ʃɑto] for both the singular and the plural) is a manor house or residence of the lord of the manor or a country house of nobility or gentry, with or without fortifications, originally—and still most frequently—in French-speaking regions.
The word château is also used for castles in French, so where clarification is needed, the term château fort is used to describe a castle, such as Château fort de Roquetaillade. Care should be taken when translating the word château into English. It is not used in the same way as "castle", and most châteaux are described in English as "palaces" or "country houses" rather than "castles". For example, the Château de Versailles is so called because it was located in the countryside when it was built, but it does not bear any resemblance to a castle, so it is usually known in English as the Palace of Versailles.
The urban counterpart of château is palais, which in French is applied only to grand houses in a city. This usage is again different from that of the term "palace" in English, where there is no requirement that a palace must be in a city, but the word is rarely used for buildings other than the grandest royal residences. The expression hôtel particulier is used for an urban "private house" of a grand sort.
A château is a “power house”, as Sir John Summerson dubbed the British and Irish “stately homes” that are the British Isles' architectural counterparts to French châteaux. It is the personal (and usually hereditary) badge of a family that, with some official rank, locally represents the royal authority; thus, the word château often refers to the dwelling of a member of either the French royalty or the nobility, but some fine châteaux, such as Vaux-le-Vicomte, were built by the essentially high-bourgeois — people but recently ennobled: tax-farmers and ministers of Louis XIII and his royal successors. However, the quality of the residences could vary considerably, from royal châteaux owned by royalty and the wealthy elite near larger towns to run-down châteaux vacated by poor nobility and officials in the countryside isolated and vulnerable.
A château is supported by its terres (lands), composing a demesne that renders the society of the château largely self-sufficient, in the manner of the historic Roman and Early Medieval villa system, (cf. manorialism, hacienda). The open villas of Rome in the times of Pliny the Elder, Maecenas, and Emperor Tiberius began to be walled-in, and then fortified in the 3rd century AD, thus evolving to castellar “châteaux”. In modern usage, a château retains some enclosures that are distant descendants of these fortifying outworks: a fenced, gated, closeable forecourt, perhaps a gatehouse or a keeper's lodge, and supporting outbuildings (stables, kitchens, breweries, bakeries, manservant quarters in the garçonnière). Besides the cour d’honneur (court of honour) entrance, the château might have an inner cour (“court”), and inside, in the private residence, the château faces a simply and discreetly enclosed park.
In the city of Paris, the Louvre (fortified) and the Luxembourg (originally suburban) represented the original château but lost their château etymology, becoming “palaces” when the City enclosed them. In the U.S., the word château took root selectively, in the Gilded Age resort town of Newport, Rhode Island, the châteaux were called “cottages”, but, north of Wilmington, Delaware, in the rich, rural “Château Country” centred upon the powerful Du Pont family, château is used with its original definition. In Canada, especially in English, château usually denotes a hotel, not a house, and applies only to the largest, most elaborate railway hotels built in the Canadian Railroad golden age, such as the Château Lake Louise, in Lake Louise, Alberta, the Château Laurier, in Ottawa, the Château Montebello, in Montebello, Quebec, and the most famous Château Frontenac, in Quebec City. Moreover, in other French-speaking European regions, such as Wallonia (Belgium), the word Château is used with the same definition. In Belgium, a strong French architectural influence is evident in the seventeenth-century Château des Comtes de Marchin and the eighteenth-century Château de Seneffe.
The Loire Valley (Vallée de la Loire) is home to more than 300 châteaux. They were built between the 10th and 20th centuries, firstly by the French kings followed soon thereafter by the nobility; hence, the Valley is termed "The Valley of the Kings". Alternatively, due to its moderate climate, wine growing soils and rich agricultural land, the Loire Valley is referred to as "The Garden of France". The châteaux range from the very large (often now in public hands) to more 'human-scale' châteaux such as the Château de Beaulieu in Saumur or the medieval Chateau du Rivau close to Chinon which were built of the local tuffeau stone.
The Château de Vaux-le-Vicomte is simililary a baroque French chateau located in Maincy, near Melun, 55 km southeast of Paris in the Seine-et-Marne département of France. It was built from 1658 to 1661 for Nicolas Fouquet, Marquis de Belle-Isle (Belle-Île-en-Mer), Viscount of Melun and Vaux, the superintendent of finances of Louis XIV.
Built by Jules Hardouin-Mansart, 1675–1683 for the duc de Chevreuse, Colbert's son-in-law, is a French Baroque château of manageable size. Protected behind fine wrought iron double gates, the main block and its outbuildings (corps de logis), linked by balustrades, are ranged symmetrically around a dry paved and gravelled cour d'honneur. Behind, the central axis is extended between the former parterres, now mown hay. The park with formally shaped water was laid out by André Le Notre.
There are many estates with true châteaux on them in Bordeaux, but it is customary for any wine-producing estate, no matter how humble, to prefix its name with "Château". If there were any trace of doubt that the Roman villas of Aquitaine evolved into fortified self-contained châteaux, the wine-producing châteaux would dispel it. On the other hand there are many striking châteaux in the Bordeaux region still depicting this Roman villa style of architecture, an example of this being Château Lagorce in Haux.
- "Dictionary.com". Retrieved 13 April 2014.
- Applefield, David (6 April 2010). The Unofficial Guide to Paris. John Wiley & Sons. p. 112. ISBN 978-0-470-63725-8.
- Giedion, Sigfried (1982). Space, Time and Architecture: The Growth of a New Tradition. Harvard University Press. p. 134. ISBN 978-0-674-83040-0.
- Anderson, James Maxwell (1 January 2007). Daily Life During the French Revolution. Greenwood Publishing Group. p. 2. ISBN 978-0-313-33683-6.
- Richardson, Glenn (1 January 2008). The Contending Kingdoms: France and England, 1420-1700. Ashgate Publishing, Ltd. p. 64. ISBN 978-0-7546-5789-7.
- Jordi, Nathalie; Sommer, Lauren; Sussman, Anna (5 June 2007). MTV France. John Wiley & Sons. p. 146. ISBN 978-0-7645-8770-2.
- Hempstead, Andrew; Cuthbert, Pamela; Aykroyd, Lucas (12 November 2013). Frommer's Far & Wide: A Weekly Guide to Canada's Best Travel Experiences. John Wiley & Sons. p. 149. ISBN 978-1-118-10169-8.
- Whittaker, Andrew (2008). France: Be Fluent in French Life and Culture. Thorogood Publishing. p. 25. ISBN 978-1-85418-493-1.
- Ouvert au public (in French). Editions de la Caisse nationale des monuments historiques et des sites. 1983. p. 111.
- Hanser, David A. (2006). Architecture of France. Greenwood Publishing Group. p. 271. ISBN 978-0-313-31902-0.
- Quest-Ritson, Charles (2007). Gardens of Europe: A Traveller's Guide. Antique Collectors Club. p. 114. ISBN 978-1-870673-55-6.
- Auzias, Dominique; Jean-Paul Labourdette (29 April 2014). Gironde 2014 Petit Futé (in French). Petit Futé. p. 353. ISBN 978-2-7469-7194-3.
- Château d'Ussé, in the Loire Valley, home to the Duke of Blacas, it inspired Charles Perrault for his Sleeping Beauty
- Château de Janvry
- List of castles
|Wikimedia Commons has media related to Châteaux en France.|
|Look up château in Wiktionary, the free dictionary.|