Chu shogi wood set. One side's pieces are all promoted (except for the unpromotable pieces), and show as red.
|Years active||Early 14th century to present|
|Genre(s)||Board game |
Abstract strategy game
|Setup time||2+ minutes|
|Playing time||6–8 hours or more|
|Skill(s) required||strategy, tactics|
Chu shogi (中将棋 chū shōgi or Middle Shogi) is a strategy board game native to Japan. It is similar to modern shogi (sometimes called Japanese chess) in its rules and gameplay. Its name means "mid-sized shogi", from a time when there were three sizes of shogi variants that were regularly being played. Chu shogi seems to have been developed in the early 14th century as a derivative of dai shogi ("large shogi"). There are earlier references, but it is not clear that they refer to the game as we now know it.
With fewer pieces than dai shogi, the game is considered more exciting, and was still commonly played in Japan in 1928–1939, especially in the Keihanshin region. The game largely died out after World War II despite the advocacy of prominent shogi players such as Fumiaki Okazaki and Ōyama Yasuharu (who played chu shogi when young and credited it with the development of his personal cautious and tenacious shogi style). In 1976, there were about 30–40 masters of the game. It has gained some adherents in the West, and still maintains a society (the Chushogi Renmei, or Japanese Chu Shogi Association) and an online following in Japan.
The main reference work in English is the Middle Shogi Manual by George Hodges.
Rules of the game
The objective of the game is to capture the opponent's king and, if present, the prince, which counts as a second king. These two pieces are called "royal pieces", as the game is lost when a player is left without any of them. Alternatively, under the rules of the Japanese Chu Shogi Association, it suffices to capture all the opponent's other pieces, leaving a bare king or a bare prince, whereupon the player wins and the game ends early, provided that one's own king is not immediately bared or captured on the next move. Unlike standard shogi, pieces may not be dropped back into play after capture.
Two players alternate making a move, with Black moving first. (The pieces are not differentiated by color, but rather by facing of the pieces, with the "sharp" end pointed at the opponent; the traditional chess terms "Black" and "White" are only used to indicate who plays first, and to differentiate the sides during discussions of the game.) A move consists of moving a piece either to an empty square on the board or to a square occupied by an opposing piece, thus capturing that piece; and optionally of promoting the moving piece, if the move enters the promotion zone, or if it is a capture and any part of it is in the promotion zone.
Two players, Black and White (or 先手 sente and 後手 gote), play on a board ruled into a grid of 12 ranks (rows) and 12 files (columns), with a total of 144 squares. The squares are undifferentiated by marking or color, unlike a Western chess board.
Each player has a set of 46 pieces of 21 different types, and each piece has its name written on it in Japanese kanji. The writing is typically in black. On the reverse side of most pieces (i.e. except the king, queen, and lion) there are characters to indicate the piece's promoted rank, typically written in red. The pieces are wedge-shaped and their orientation indicates which player they belong to, as they point toward the opposing side. In all, the players must remember 28 moves for these pieces. The pieces are of slightly different sizes; from largest to smallest (most to least powerful) they are:
- 1 King
- 1 Queen (also referred to as a "Free king" in some sources, which is a direct translation of the Japanese name)
- 1 Lion
- 2 Dragon kings
- 2 Dragon horses
- 2 Rooks
- 2 Bishops
- 1 Kirin
- 1 Phoenix
- 1 Drunk elephant
- 2 Blind tigers
- 2 Ferocious leopards
- 2 Gold generals
- 2 Silver generals
- 2 Copper generals
- 2 Vertical movers
- 2 Side movers
- 2 Reverse chariots
- 2 Lances
- 2 Go-betweens
- 12 Pawns
Listed below are the pieces of the game and, if they promote, the pieces they promote to. Names are rough translations that have become somewhat standardized in English. Pieces are listed alphabetically by their English name.
The promotions apply only to pieces which start out with the ranks in the left-most column, that is, pieces with these ranks written in black; promoted pieces with those same ranks written in red may not promote further. Pieces which only appear upon promotion, that is, names which only occur written in red, are marked with an asterisk. The king, queen, and lion do not promote.
|Piece name||Kanji||Romaji||Abbrev.||Promotion||Short name||Betza notation|
(lit. "angle mover")
|blind tiger||盲虎||mōko2||虎||flying stag||tiger||FrlbW|
|copper general||銅将||dōshō||銅||side mover||copper||fKbW|
|dragon horse||龍馬||ryūma1||馬||horned falcon||horse||BW|
|dragon king||龍王||ryūō||龍||soaring eagle||dragon||RF|
|*flying ox||飛牛||higyū||牛||(promoted vertical mover)||ox||BfbR|
|*flying stag||飛鹿||hiroku||鹿||(promoted blind tiger)||stag||fbRK|
|*free boar||奔猪||honcho||猪||(promoted side mover)||boar||BrlR|
|*horned falcon||角鷹||kakuō||鷹||(promoted dragon horse)||falcon||BrlbRf[avW]fD|
(lit. "jade general")
(lit. "king general")
(lit. "incense chariot")
(lit. "foot soldier")
|*prince||太子||taishi||太||(promoted drunk elephant)||prince||K|
(lit. "free king")
(lit. "flying chariot")
|side mover||横行||ōgyō||横||free boar||side mover||WrlR|
|silver general||銀将||ginshō||銀||vertical mover||silver||FfW|
|*soaring eagle||飛鷲||hijū||鷲||(promoted dragon king)||eagle||RbBf[avF]fA|
|vertical mover||竪行||shugyō||竪||flying ox||vertical mover||WfbR|
|*whale||鯨鯢||keigei2||鯨||(promoted reverse chariot)||whale||fRbQ|
|*white horse||白駒||hakku1||駒||(promoted lance)||white horse||fQbR|
- 1 The pronunciations of 龍馬, 奔王, 反車, and 白駒 are irregular. The regular forms ryūme, hon’ō, hansha, and hakuku are also seen.
- 2 The alternative pronunciations 盲虎 mekura, 香車 yari, 歩兵 hohei or fu, and 鯨鯢 geigei are also sometimes seen.
- 3 Bishops, gold generals, and rooks arising from promotion (not the ones present initially) are sometimes given the alternate readings chorokaku, と金 tokin, and ginbisha respectively.
Below is a diagram showing the setup of the players' pieces. The board setup is symmetrical: the way one player sees their own pieces is the same way that the opposing player sees their pieces.
In some contexts, one-letter abbreviations may be necessary. Those used in WinBoard are given in the second column of abbreviations. Promoted pieces are notated by a + in front of the symbol; thus a white horse is +L, and a promoted gold (now a rook) is +G.
The promotion zone is the 'enemy camp', the farthest four ranks of the board, which are mostly occupied by the opposing player's pieces when the board is first set up. When a promotable piece enters the promotion zone from outside, or makes a capture starting within the promotion zone, it has the option of "promoting" to a more powerful rank. Promotion is not mandatory, and in some cases it may be beneficial to leave the piece unpromoted. (For example, the pawn, gold general, silver general, copper general, ferocious leopard, phoenix, kirin, vertical mover, side mover, and go-between all lose some of their powers upon promoting, so that there may be immediate tactical reasons for deferral, even though they all gain much more than they lose.) Promotion is permanent and promoted pieces may not revert to their original rank, nor promote a second time. If a piece is not promoted upon entering the promotion zone, then it may not promote until it leaves the zone and reenters unless it makes a capture, with the exception of pawns (see below).
Promotion is effected by turning the piece over after it moves, revealing the name of its promoted rank. Promoting a piece has the effect of changing how that piece moves. See below. For example, promoting a kirin turns it into a lion, and thereafter it behaves exactly like the original lion, even for the lion-trading rules. (Which can be a reason to defer promotion of a kirin.) A rook obtained by promoting a gold differs from an original rook, though, by that the latter can still promote (to dragon king), while the former cannot.
If a pawn reaches the furthest rank, it gets a second opportunity to promote on a non-capture. (This is because the pawn can never leave the zone, and there is a legitimate reason to defer its promotion: a pawn can stand between two protected lions without allowing either player to trade them, which is something a promoted pawn – a gold general – cannot do.) No such exception exists or is needed for lances (the only other piece with no backward moves) as there is never any reason to defer promotion of a lance in the first place: therefore, a lance that reaches the furthest rank without promoting becomes an immobile "dead piece" (死に駒). This last-rank promotion of pawns can likewise be declined, leaving the pawn as an immobile "dead piece". (Unlike for lances, this might still be done with reason, again because of the lion-trading rules.)
According to Fumiaki Okazaki, the go-between can likewise promote on the furthest rank on a non-capture. In the past, the Japanese Chu Shogi Association used this rule, but later repealed it because the go-between can go backwards. Some of the new rules given by Okazaki and not present in the Edo-period texts seem to be late innovations in the history of chu shogi from the Showa period.
An opposing piece is captured by displacement: That is, if a piece moves to a square occupied by an opposing piece, the opposing piece is displaced and removed from the board. A piece cannot move to a square occupied by a friendly piece, that is, by another piece controlled by the moving player.
Each piece on the game moves in a characteristic pattern. Pieces move either orthogonally (that is, forward, backward, left, or right, in the direction of one of the arms of a plus sign, +), or diagonally (in the direction of one of the arms of a multiplication sign, ×). The lion is the sole exception, in that it is not required to move in a straight line.
As stated earlier, this game is based on dai shogi and all of the pieces of this game can be found in dai shogi. The eight types of pieces that were removed were all rather weak and all promoted to gold generals. Furthermore, the larger board of dai shogi makes the slow-moving step movers even slower. All of this made for comparatively dull gameplay.
Many pieces are capable of several kinds of movement, with the type of movement most often depending on the direction in which they move. The movement categories are:
Some pieces move only one square at a time. If a friendly piece occupies an adjacent square, the moving piece may not move in that direction; if an opposing piece is there, it may be displaced and captured.
The step movers are the king, prince, drunk elephant, blind tigers, ferocious leopards, the generals, go-betweens, and the 12 pawns of each side. Only the king and prince can move in all eight directions. The king and prince are additionally considered royal pieces, as losing both of them loses the game. The Japanese Chu Shogi Association, in addition to separating out the king and prince, also considers the pawns and go-betweens as a separate class of "pawns" (歩), while the remaining step movers are called "small pieces" (小駒).
Several pieces can jump, that is, they can pass over any intervening piece, whether friend or foe, with no effect on either. These are the lion, the kirin, the phoenix, the horned falcon and the soaring eagle. Only the lion can jump in all directions.
Many pieces can move any number of empty squares along a straight orthogonal or diagonal line, limited only by the edge of the board. If an opposing piece intervenes, it may be captured by moving to that square and removing it from the board. A ranging piece must stop where it captures, and cannot bypass a piece that is in its way. If a friendly piece intervenes, the moving piece is limited to a distance that stops short of the intervening piece; if the friendly piece is adjacent, it cannot move in that direction at all.
The ranging pieces are the queen, dragon king, dragon horse, rook, bishop, vertical mover, side mover, reverse chariot, lance, and all those pieces which do not appear in the initial setup except the prince. Only the queen can range along all eight directions. The Japanese Chu Shogi Association further divides them into greater (大走り駒) and lesser (走り駒) ranging pieces: the greater ranging pieces are the queen, horned falcon, and soaring eagle, and the remainder are lesser ranging pieces.
Lion move (multiple capture)
The lion has a double-capture ability, called a 'lion move', as to a lesser extent do the soaring eagle and horned falcon (promoted dragon king and dragon horse). The details of these powerful moves are described for the lion below.
Following are diagrams that indicate the movement of each piece. Pieces are listed roughly in order, from front to back rows, with pieces making similar moves paired. Pieces with a grey heading start out in the game; those with a blue heading only appear on the board as a promoted piece. Betza's funny notation has been included in brackets for easier reference, with the extension that the notation xxxayyyK stands for an xxxK move possibly followed by an yyyK move, not necessarily in the same direction. By default continuation legs can go into all directions, but can be restricted to a single line by a modifier 'v' ("vertical", interpreted relative to the piece's current position on its path). The default modality of all legs is the ability to move and capture: other possibilities are specified explicitly. Square brackets are used to make it clear what operators the a modifier chains together: thus DaK would denote a dabbaba move followed by a king move, but D[aK] would denote a piece that can move as a dabbaba, or twice as a king.
|○||Steps to an adjacent square|
|☆||Jumps to a non-adjacent square, bypassing any intervening piece|
|│||Ranges along a straight line, crossing any number of empty squares|
|!||igui (capture without moving)|
|Go-Between 仲人 chūnin (promotes to drunk elephant)||Pawn 歩兵 fuhyō (promotes to gold general)|
|Side Mover 横行 ōgyō (promotes to free boar)||Vertical Mover 竪行 shugyō (promotes to flying ox)|
|Bishop 角行 kakugyō (promotes to dragon horse)||Rook 飛車 hisha (promotes to dragon king)|
|Dragon Horse 龍馬 ryūma (promotes to horned falcon)||Dragon King 龍王 ryūō (promotes to soaring eagle)|
|Lance 香車 kyōsha (promotes to white horse)||Reverse Chariot 反車 hensha (promotes to whale)|
|Blind Tiger 盲虎 mōko (promotes to flying stag)||Ferocious Leopard 猛豹 mōhyō (promotes to bishop)|
|Copper General 銅将 dōshō (promotes to side mover)||Silver General 銀将 ginshō (promotes to vertical mover)|
|Gold General 金将 kinshō (promotes to rook)||Drunk Elephant 酔象 suizō (promotes to prince)|
|Kirin 麒麟 kirin (promotes to lion)||Phoenix 鳳凰 hōō (promotes to queen)|
|Queen 奔王 honnō||Flying Stag 飛鹿 hiroku (promoted blind tiger)|
|Flying Ox 飛牛 higyū (promoted vertical mover)||Free Boar 奔猪 honcho (promoted side mover)|
|Whale 鯨鯢 keigei (promoted reverse chariot)||White Horse 白駒 hakku (promoted lance)|
|King 玉将 gyokushō, 王将 ōshō||Prince 太子 taishi (promoted drunk elephant)|
- The next three pieces have special movements that involve the ability to move and even capture twice per turn.
|Horned Falcon 角鷹 kakuō (promoted dragon horse)||Soaring Eagle 飛鷲 hijū (promoted dragon king)|
|Lion 獅子 shishi|
By returning to its starting square with the second step, it can effectively capture a piece on an adjacent square without moving. This is called 居喰い igui "stationary feeding". It can step to an adjacent empty square and back without capturing anything; this leaves the board unchanged, effectively passing a turn (じっと jitto). Jitto may prove useful in endgame situations; it is traditionally indicated by tapping the lion and leaving it in place.
Below are eight examples of the lion-trading rules in action. In all examples below, the Black and White pieces are distinguished by colour, rather than their direction as they would be in a real game. (Black moves up the board.)
Black can capture White's lion with his lion, as the two lions are adjacent, and so the protection by White's gold general is irrelevant. Note the Black lion is allowed to end up anywhere in the drawn area after the capture, even on the 3 squares where the gold could recapture it, although usually it would of course avoid that, and perhaps even take the gold as well.
Both Black's and White's lions are protected (Black's by his silver general and White's by his lance), and hence neither side can use their lion to capture the enemy lion. However, Black can legally use his bishop to capture White's lion.
Black cannot capture White's lion, as while White's lion is currently undefended, the capture would expose Black's lion to recapture by White's bishop via an X-ray attack. White's bishop is thus a hidden protector. If White is to move, he can capture Black's lion with the bishop, but not with his own lion.
A more complicated version of the previous situation. It would be illegal for Black to use his lion to capture the White pawn together with the White lion, as his lion would then be open to recapture by the White bishop and the intermediate piece was a pawn. (The same would be true if it were a White go-between.) However, Black could legally forego capturing the pawn and only capture the White lion, as then his lion could not be recaptured immediately. (This is the probable rule, although it is not explicitly stated in historical documents. It would be extremely rare anyway that one would prefer exposure to recapture, even if that were allowed. But in this example the discovered check would have made it safe to do so.)
White's lion is protected by his pawn, and hence it would be illegal for Black to use his lion to capture White's lion and nothing else (since his lion could then be recaptured by the pawn). However, Black can legally use his lion to capture the White pawn and then the White lion, since the situation is judged after and not before the proposed capture (probably), and his lion cannot be immediately recaptured.
Black cannot capture the White lion in the corner alone, as his lion would be recaptured by the White rook; however, capturing the silver general and then the corner lion is legal. Black cannot capture the White lion at the top of the board (also protected by the rook), even if he captures the go-between as well. It is legal for Black to capture the White go-between and then the White gold general, as then this is not a lion-capturing-lion situation and the rules do not apply.
If White captures Black's lion with his rook, then by the Edo-era rules, Black cannot retaliate immediately by capturing White's lion with his bishop, though he can of course do so on any future move. Under the Japanese Chu Shogi Association's rules, the recapture would be allowed by the Okazaki rule as White's lion is unprotected. If White captures Black's lion with the kirin and promotes it to lion, Black would be allowed to recapture that lion in the next move, as this is not on another square from where the first lion was captured.
This diagram shows a case with multiple lions. (Such situations do not appear in the historical rules.) Suppose Black proposes to use his lion to capture White's leftmost lion (1.LnxLn). White objects, stating his plan to reply by recapturing Black's lion with his other lion (1...LnxLn). Now, this proposed White move would not be legal under the lion-trading rules, as it exposes White's lion to immediate recapture by Black's rook (2.RxLn). (The pin on the rook is irrelevant, as it is legal, though usually bad, to expose your king to check in chu shogi.) Since White's proposed recapture 1...LnxLn is illegal, the Black lion cannot actually be recaptured after 1.LnxLn. However, contemporary play would not take this into account. Instead, it would tend to favour a front-to-back application of the rules, in which any exposure of a lion to recapture is considered illegal and loses on the spot. Under this interpretation, Black's 1.LnxLn is illegal.
In principle a player may not make a move if the resulting position is one that has previously occurred in the game with the same player to move. (This rule is usually relaxed without altering its effect, by only forbidding the 4th occurrence of any position, to allow for human error.) However, evidence from historical mating problems suggests that this prohibition does not apply to a player who is in check. Note that certain pieces have the ability to pass in certain situations (a lion, when at least one square immediately adjacent to it is unoccupied, a horned falcon, when the square immediately in front of it is unoccupied, and a soaring eagle, when one or both of the two squares immediately diagonally in front of it are unoccupied). (The lion, horned falcon, and soaring eagle can also be blocked from passing by the edge of the board.) Such a pass move leaves the position unchanged, but it does not violate the repetition rule, as it will now be the turn of the other player to move. Of course, two consecutive passes are not possible, as the first player will see the same position as before.
The Japanese Chu Shogi Association plays by more complex repetition rules. Only a fourth repetition is forbidden, and the burden to deviate is not necessarily on the player that reaches this first. If one side is making attacks with his moves in the repeat cycle, and the other is not, the attacking side must deviate, while in case of checking the checker must deviate regardless of whether the checked side attacks other pieces. In the case of consecutive passes, the side passing first must deviate, making turn passing to avoid zugzwang pointless if the opponent is in a position where he can pass his turn too.
Check and mate
When a player makes a move such that the opponent's only remaining royal (king or prince) could be captured on the following move, the move is said to give check; the king or prince is said to be in check. If a player's king or prince is in check and no legal move by that player will get it out of check, the checking move is also mate, and effectively wins the game.
Unlike Western chess, a player need not move out of check in chu shogi, and indeed may even move into check. Although obviously not often a good idea, a player with more than one royal may occasionally sacrifice one of these pieces as part of a gambit, or trade it for more capable pieces.
A player is not allowed to give perpetual check. This is not a rule in itself, but arises from the repetition rule.
A player who captures the opponent's sole remaining king or prince wins the game. Thus a player who is checkmated or stalemated will lose. This situation extends to "smothered stalemates" where the king's safety is not at issue, but no moves are possible: these also result in a loss for the stalemated player to move by the rules of The Chess Variant Pages.
As an alternative, there is the "bare king" rule. A historic description of chu shogi mentions, "When pieces are gone, and there are only the 2 kings, one can mate only if he has a promoted gold". Nonetheless, this is only one specific case, and the motivation for such a rule is uncertain given that king and rook (a promoted gold) against king is an easy forced checkmate. The Japanese Chu-Shogi Association has altered this into a general baring rule similar to that of shatranj, where a bare king immediately loses against any other material, unless you can bare the opponent on the following move (in which case the game is a draw), or you can capture the opponent's sole remaining king or prince on the following move (in which case the opponent loses). This makes a difference in the endgames of king and pawn against king, or king and ferocious leopard against king, which cannot be won by the stronger side without the bare king rule (and also in some cases with blind tigers, silver generals, and copper generals that can be trapped by the enemy king when separated from their own kings). Further detail is offered in their standardised rules: king and any piece against king is an immediate win by the bare king rule, except if the piece is a pawn or go-between, in which case it must be promoted safely (to a gold general or drunk elephant respectively) before the win can be claimed. Furthermore, "dead pieces" do not count under this rule; a king and an immobile pawn or lance at the far rank against a king is still a draw.
In practice these winning conditions are rarely fulfilled, as a player will resign when checkmated, as otherwise when loss is inevitable.
A player who makes an illegal move loses immediately. (This rule may be relaxed in casual games, and Hodges writing for a Western audience encourages players to do so.) Players can also agree to a draw at any time, or if the game reaches a position such that the winning condition is impossible to fulfill for either player (called 持将棋 jishōgi, as in standard shogi). (In practice, positions that cannot be won without the other side making a very obvious blunder are also considered as jishōgi, such as a king with only his lion blocked from getting near the enemy king by two side movers on adjacent ranks.) Under the historical rules, this means that no legal series of moves can lead to all of one player's royal pieces being captured; under the Japanese Chu Shogi Association's rules, this additionally means that no legal series of moves can lead to one player being left with only a king, or with no royal pieces. In professional play, drawn games are replayed with opposite colours.
Hodges reports a strict touch rule for chu shogi. Once a piece has been touched, then that piece must be moved. Furthermore, if the piece is also moved to a square, it must remain on that square without exception. (That is, the piece cannot be moved to a different square, even if one's hand does not leave the piece.) Thus, chu shogi's touch rule is more severe than the western chess touch-move rule used in tournament play. Under the rules of the Japanese Chu Shogi Association, if a piece is touched but it cannot move, there is no penalty for the first two times, but the opponent can declare a foul on the third time and result in forfeiture of the game.
Games between players of disparate strengths are often played with handicaps. In a handicap game, one or more of White's pieces are removed from the setup—in exchange, White may move up a few of his pieces or rearrange them to fill in the gaps and protect the weaker pieces, and White plays first. Lions can also be handicapped by having Black's kirin promoted for a second lion, and, for a third, swapping Black's phoenix for White's kirin and promoting the latter.
The imbalance created by this method of handicapping is not as strong as it is in international chess because material advantage is not as powerful in chu shogi as it is in chess.
The handicaps detailed in the Middle Shogi Manual, in increasing order of size, are as follows:
Other handicaps may be used, such as Queen, Queen and Dragon King, or Two Kings (where the weaker player begins with the Drunk Elephant promoted).
The relationship between handicaps and differences in rank is not universally agreed upon. Colin Adams' suggestion is as follows:
|0||Alternating Black and White (no handicap)|
|1||Black (the weaker player moves first)|
|2||Gold General (the stronger player removes a gold general, or any of the other four step movers)|
|5||Alternating Rook and Queen|
|7||Two Lions and a Step Mover (copper general, silver general, ferocious leopard, or gold general)|
|8||Two Lions and a Side Mover|
|9||Two Lions and a Vertical Mover|
|10||Alternating Two Lions and a Vertical Mover and Three Lions|
|12||Alternating Three Lions and Three Lions and One Piece|
|13||Three Lions and One Piece|
|14||Three Lions and Two Pieces|
|15||Three Lions and Three Pieces|
|16||Three Lions and Four Pieces|
|17||Three Lions and Five Pieces|
The method used in English-language texts to express shogi moves was established by George Hodges in 1976 ('TSA notation') in the magazine Shogi. It is derived from the algebraic notation used for chess, but modifications have been made for chu shogi.
A typical example is P-8f. The first one or two letters represents the piece moved (see setup above, except that Ky "kylin" is used for Kirin and FK "free king" for Queen). Promoted pieces have a + added in front of the letter, for example +P for a promoted pawn. The designation of the piece is followed by a symbol indicating the type of move: - for an ordinary move or x for a capture. Next is the designation for the square on which the piece lands. This consists of a number representing the file and a lowercase letter representing the rank, with 1a being the top right corner (as seen from Black's point of view) and 12l being the bottom left corner. (This method of designating squares is based on Japanese convention, which, however, uses Japanese numerals instead of letters. For example, the square 2c is denoted by 2三 in Japanese.)
If a move entitles the player to promote the piece, then a + is added to the end to signify that the promotion was taken, or an = to indicate that it was declined. For example, Px7d= indicates a pawn capturing on 7d without promoting.
In cases where the above notation would be ambiguous, the designation of the start square is added after the designation for the piece in order to make clear which piece is meant.
When a 'Lion', 'Horned Falcon' or 'Soaring Eagle' captures by 'igui' (that is, without moving), the square of the piece being captured is used instead of the destination square, and this is preceded by the symbol '!'. For example, a Lion on 8c capturing a piece on 9d by igui would be shown as Lnx!9d.
When a piece makes a double capture with 'Lion' powers both captures are shown in the order that they were made. For example, a Lion on 3g, capturing a piece on 3h and then capturing another on 2i, would be represented by Lnx3hx2i.
Moves are commonly numbered as in chess.
WinBoard/XBoard uses non-easternised algebraic notation for the moves, differing mainly from TSA notation by using single-letter piece abbreviations, labeling the board files with the letters a–l from left to right, the board ranks with the numbers 1–12 from bottom to top, and omitting the hyphen separator between piece name and square coordinates. It reverses the names "Black" and "White" to conform to international chess. Thus it becomes White who moves first, and his king starts at f1; the Black king starts at g12. (In the TSA notation, these squares are 7l and 6a respectively.) Double moves are indicated by the same method as in TSA notation (e.g. +Dxf6-g7). Igui, however, has no special notation but is written as the back-and-forth double move it is, while a turn pass is written as -- and not associated with a particular piece. Absence of a promotion + suffix implies deferral. Some WinBoard versions use a more general notation for double moves, writing all legs as individual SAN moves, separating them by commas.
One modern variant of chu shogi, called Heisei chu shogi (平成中将棋), is played on a more open board. Forty percent of the pieces are set aside at setup and held in reserve, and once during the game a player may drop one of these on an empty square adjacent to a friendly piece. Captured pieces do not come back into play, and the rest of the game is played as in regular chu shogi.
The set-aside pieces are the lances, coppers, silvers, side movers, vertical movers, reverse chariots, kirin, and phoenix. As with dropped pieces in standard shogi, the piece may not be dropped on a square from where it cannot move (e.g. a lance in the far rank). If dropped into the promotion zone, the piece may promote immediately or on any subsequent move in the promotion zone.
The valuable long-range sliders have to be shielded from attack by the enemy's much less-valuable steppers by operating from behind your own steppers, or they would get quickly lost through fork attacks. As the steppers start on the back rank, they need to be developed before you can engage the opponent. This is usually done by pushing the Pawns one rank forward, creating a passage through the 3rd rank by moving up some of the sliders there, and walk Copper, Silver and Leopard to the 4th rank and beyond through the resulting corridor. One of the Side Movers is usually moved up to 4th rank, so that when your own camp empties as a result of launching your attack, the Side Movers prevent entry of the enemy Lion by controlling 3rd and 4th rank.
The King is usually protected by hiding it behind a wall on the 2nd rank built from the two Tigers and the Elephant. When standing shoulder to shoulder these pieces protect each other's blind spots, making the defense hold up against a lone Lion. An even stronger castle results from leaving the Golds diagonally protecting the outer-most pieces of the wall, although this has the obvious disadvantage that these Golds then cannot be used for attacking, or protecting the wings of your camp from infestation by enemy promoting pieces. There is no hurry in building the castle, as it will take a long time before the opponent can fight his way through all the material that is initially in front of your King.
The left and right board edge are controlled by the battery formed by Lance and Chariot. Usually little can be achieved here before you somehow acquire a majority by taking out some of the opponent's pieces there from the side. But even if the opponent's edge would be completely annihilated, it will take an impractically long time before you can cash in on that, and promote Lance and Chariot so they can get involved on the real battle, as you would first have to get your Pawn out of the way by walking it to promotion. So a majority here is more a tie breaker in case the main battle ends undecided than an immediate advantage.
According to the German Chu Shogi Association, the average values of the pieces are:
|Piece name||Approximate value||Promotion||Approximate value|
|Dragon King||8||Soaring Eagle||11|
|Dragon Horse||7||Horned Falcon||10|
|Vertical Mover||4||Flying Ox||8|
|Side Mover||4||Free Boar||8|
|Blind Tiger||3||Flying Stag||6|
|Silver General||2||Vertical Mover||4|
|Copper General||2||Side Mover||4|
These average values do not take into account the special status of the king and prince as royal pieces. They have also been normalized so that the pawn is worth 1 point to avoid fractions. Additionally, pieces gain in value if they have a good chance of promotion (particularly for the kirin, which promotes to the most powerful piece in the game).
Pieces that can slide forward promote far more easily than steppers or jumpers. As the board thins out their promotion becomes unavoidable, while steppers can almost always be met by an opponent stepper to neutralize it by the time it arrives at the promotion zone. The potential promotion gain of the sliders is thus always an important part of the material balance, but if it makes up too large a part of your total strength, you might be overwhelmed before you can develop this potential.
Particularly significant are the phoenix and kirin, which promote to the two most powerful pieces in the game. They are best not used up in tactics, but kept until they get an opportunity to survive a promotion.
- "故・大山康晴名人による中将棋のススメ". 中将棋連盟. Retrieved 29 September 2014.
- Hodges, GF (1976). "Middle shogi & how to play it". Shogi (1): 10–12.
- The Middle Shogi Manual allows pieces to regain their promotability after they move once without promoting. However, the Japanese Chu Shogi Association uses a different promotion rule, where a piece can only promote on a non-capture when it enters the zone. Once in the zone pieces can only promote on captures. There is strong evidence from historic mating problems that this has always been the rule in Japan.
- Hodges, GF (1976). "Middle shogi & how to play it part four". Shogi (4): 15–16.
- Translation by Hidetchi "Archived copy". Archived from the original on 2015-04-23. Retrieved 2015-04-23.CS1 maint: archived copy as title (link) of Chu-Shogi-renmei site
- http://www.chushogi-renmei.com/kouza/rule.htm rule 2.3
An example of this is discussed in section 5.5 of the same page, second diagram.
- Chu Shogi Handicaps and Grades
- German Chu Shogi Association
- Richard's Play-by-eMail rules for ChuShogi
- Heisei Chu Shogi
- Chu Shogi at The Chess Variant Pages
- Chu shogi page
- Chu shogi strategy etc.
- Colin Adams' chu shogi website at the Internet Archive
- Colin Adams' chu shogi blog
- German Chu Shogi Association (GCSA) with many reports and games to replay online
- Japanese Chu-Shogi Association (in Japanese)
- American Chu Shogi Association (ACSA; defunct) at the Internet Archive
- Presentation of chu shogi by Jean-Louis Cazaux
- SDIN Chu Shogi - Play chu shogi in real time vs human players or AI
- Chess Variants Game Courier - Play chu shogi via web page, with email notifications when it's your move.
- Richard's Play-by-eMail Server - Play chu shogi via web page or email your commands to the server, with email notifications when moves have been made in the game you're playing
- 81Dojo server - An internet server that offered live (as opposed to turn-based) chu shogi with English interface. Chu shogi server not currently functioning.
- HaChu AI by H. G. Muller - Play chu shogi (or a few other variants) against your own computer
- Chu Shogi, the ancient super Chess game (by H. G. Muller)
- The Chu Shogi promotion rule (by H. G. Muller, referring to historical mating problems)
- Errata to the Middle Shogi Manual's given solutions to the historical mating problems, by H. G. Muller: series A, B, C
- Introduction to Chu Shogi and other variants by Hidetchi (Tomohide Kawasaki) on YouTube
- I-tsu-tsu Blog: An Interview with the President of Japan Chu Shogi Association