Clutch of Constables
 First edition | |
| Author | Ngaio Marsh |
|---|---|
| Language | English |
| Series | Roderick Alleyn |
| Genre | Detective fiction |
| Publisher | Collins Crime Club |
Publication date | 1968 |
| Media type | |
| Preceded by | Death at the Dolphin |
| Followed by | When in Rome |
Clutch of Constables is a detective novel by Ngaio Marsh; it is the twenty-fifth novel to feature Roderick Alleyn, and was first published in 1968. The plot concerns art forgery, and takes place on a cruise on a fictional river in the Norfolk Broads; the "Constable" referred to in the title is John Constable, whose works are mentioned by several characters.
Plot summary
[edit]The novel is structured around a training course that detective, Roderick Alleyn of Scotland Yard, is giving to trainee police detectives, with specific reference to his successful identification and capture of the international fraudster, crook and killer 'The Jampot' also known as Foljambe.
Meanwhile, Alleyn's celebrity painter wife Agatha Troy has just successfully launched her latest exhibition and, on a whim, takes a canal cruise on the MV Zodiac through 'Constable' country. That is, East Anglia, referring to John Constable RA, the old master, not the punning PC constable of the book's title.
Her fellow passengers are, of course, the usual assorted bunch of suspects, when the murder takes place of Hazel Rickerby-Carrick, a needy, tiresome spinster whose diary is her "self-propelling journal" and who indiscreetly boasts of carrying around her neck a fabulous Fabergé, jewelled zodiac ornament, which is, of course missing.
The passengers, all suspects, include: a literary lepidopterist clearly much smitten by Troy, a pair of gushing American tourists in search of antiques, a sporting Australian clergyman, a London slum landlord with a talent for fine graphics and, finally, a grandly exotic and distinguished surgeon of Afro-European origin, to whom Troy is greatly attracted, and who is the subject of overt racism from several of the passengers.
The plot develops around a conspiracy to plant fake Constable paintings in the international art market, and, Alleyn arrives hot-foot to protect his wife, solve the crime, unmask and arrest 'The Jampot' [who?]
Reception
[edit]Maurice Richardson wrote in The Observer, "It may not be Miss Marsh’s best but it’s got all that zest of hers like a hot cross bun which keeps you reading."[1] The Illustrated London News took the same tone: "Miss Marsh has captured the ambience of life on an 'inshore liner' with her usual flair... I enjoyed the story. It has an inventive, pacey plot with an unusual setting and some nicely nasty suspects."[2]
Themes
[edit]Dr. Natouche belongs in a series of the author's sympathetically portrayed, grandly classy victims of racism in her novels (cf Vintage Murder, Colour Scheme, Black As He's Painted and her final novel Light Thickens). It is interesting how often Marsh makes Alleyn or Troy strongly attracted to them.[citation needed]
References
[edit]- ^ Richardson, Maurice (27 October 1968). "Crime Ration". The Observer. p. 29.
- ^ Le Foe, Dominic (16 November 1968). "Thrills for the first frosts". The Illustrated London News. No. 6746. p. 28.
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