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David Denby bibliography

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A list of the published works of David Denby, American journalist and film critic.

Books

Non-fiction

  • Denby, David (1996). Great books : my adventures with Homer, Rousseau, Woolf, and other indestructible writers of the Western world. New York: Simon & Schuster. {{cite book}}: Cite has empty unknown parameters: |1= and |authormask= (help)
  • Denby, David (2009). Snark : a polemic in seven fits. New York: Simon & Schuster. {{cite book}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help)
  • Denby, David (2016). Lit up : one reporter, three schools, twenty-four books that can change lives. New York: Henry Holt. {{cite book}}: Unknown parameter |authormask= ignored (|author-mask= suggested) (help)

Memoir

  • Denby, David (2004). American sucker. Boston: Little, Brown. {{cite book}}: Cite has empty unknown parameters: |1= and |authormask= (help)

Essays and reporting

2000–2009

2010–

  • Denby, David (June 7, 2010). "The Seat of Power". Goings on About Town. Critic's Notebook. The New Yorker. 86 (16): 9. {{cite journal}}: Cite has empty unknown parameters: |1= and |authormask= (help) Reviews Edward F. Cline's Million Dollar Legs (1932).
  • Denby, David (October 11, 2010). "Triple Cross". Goings on About Town. Critic's Notebook. The New Yorker. 86 (31): 30. {{cite journal}}: Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Reviews Phil Karlson's Kansas City Confidential (1952).
  • Denby, David (October 4, 2010). "Influencing People". The New Yorker. 86 (3): 98–102. {{cite journal}}: Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Reviews David Fincher's The Social Network (2010).
  • Denby, David (March 14, 2011). "End Games". The Critics. A Critic at Large. The New Yorker. 87 (4): 65–68. {{cite journal}}: Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Reviews the films of Abbas Kiarostami.
  • Denby, David (April 4, 2011). "A Man's World". Goings on About Town. Critic's Notebook. The New Yorker. 87 (7): 13. {{cite journal}}: Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Kenji Mizoguchi's Life of Oharu.
  • Denby, David (March 14, 2011). "Looking for Love". The Critics. The Current Cinema. The New Yorker. 87 (4): 78–79. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Peter and Bobby Farrelly's Hall Pass; Michael Dowse's Take Me Home Tonight; Cary Fukunaga's Jane Eyre.
  • Denby, David (November 14, 2011). "The Man in Charge". The Critics. The Current Cinema. The New Yorker. 87 (36): 90–91. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Reviews Clint Eastwood's J. Edgar.
  • Denby, David (January 2, 2012). "Battle Stations". The Critics. The Current Cinema. The New Yorker. 87 (42): 78–79. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Reviews Phyllida Lloyd's Iron Lady, Steven Spielberg's War Horse and Brad Bird's Mission Impossible – Ghost Protocol.
  • Denby, David (January 16, 2012). "Lost Love". The Critics. The Current Cinema. The New Yorker. 87 (44): 80–81. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Stephen Daldry's Extremely Loud & Incredibly Close and Cameron Crowe's We Bought a Zoo.
  • Denby, David (January 30, 2012). "Brotherly Love". Goings on About Town. Critic's Notebook. The New Yorker. 87 (46): 7. {{cite journal}}: Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Reviews Gregory La Cava's Unfinished Business.
  • Denby, David (January 30, 2012). "Flesh and Fantasy". The Critics. The Current Cinema. The New Yorker. 87 (46): 78–79. {{cite journal}}: Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Frederick Wiseman's Crazy Horse, Baltasar Kormákur's Contraband and Steven Soderbergh's Haywire.
  • Denby, David (February 13–20, 2012). "Soldiering On". Goings on About Town. Critic's Notebook. The New Yorker. 88 (1): 10. {{cite journal}}: Unknown parameter |authormask= ignored (|author-mask= suggested) (help) William Wellman's The Story of G.I. Joe.
  • Denby, David (February 13–20, 2012). "Powers of Evil". The Critics. The Current Cinema. The New Yorker. 88 (1): 120–121. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Josh Trank's Chronicle and Agnieszka Holland's In Darkness.
  • Denby, David (April 16, 2012). "Learning on the job". The Critics. The Current Cinema. The New Yorker. 88 (9): 116–117. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Joseph Cedar's Footnote and Philippe Falardeau's Monsieur Lazhar.
  • Denby, David (November 19, 2012). "Public Defender". Annals of Education. The New Yorker. 88 (36): 66–75. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Diane Ravitch.
  • Denby, David (November 26, 2012). "Animal Instincts". The Critics. The Current Cinema. The New Yorker. 88 (37): 86–87. {{cite journal}}: Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Ang Lee's Life of Pi and David O. Russell's Silver Linings Playbook.
  • Denby, David (January 14, 2013). "Open country". The Critics. The Current Cinema. The New Yorker. 88 (43): 78–79. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Gus Van Sant's Promised Land and Walter Salles' On the Road.
  • Denby, David (January 28, 2013). "Stiff upper lips". The Critics. The Current Cinema. The New Yorker. 88 (45): 80–81. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Michael Apted's 56 Up and Juan Antonio Bayona's The Impossible.
  • Denby, David (February 11–18, 2013). ""Eight" at Eighty". Goings on About Town. Critic's Notebook. The New Yorker. 89 (1): 26. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) George Cukor's Dinner at Eight.
  • Denby, David (February 11–18, 2013). "The Last Picture Show". The Critics. The Current Cinema. The New Yorker. 89 (1): 114–115. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Steven Soderbergh.
  • Denby, David (March 4, 2013). "Dangerous liaisons". The Critics. The Current Cinema. The New Yorker. 89 (3): 80–81. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help)Abbas Kiarostami's Like Someone in Love and Richard LaGravenese's Beautiful Creatures.
  • Denby, David (March 11, 2013). "Lady Isabelle". Goings on About Town. Critic's Notebook. The New Yorker. 89 (4): 14. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Isabelle Adjani.
  • Denby, David (March 18, 2013). "Kids' stuff". The Critics. The Current Cinema. The New Yorker. 89 (5): 86–87. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Sam Raimi's Oz the Great and Powerful and Bryan Singer's Jack the Giant Slayer.
  • Denby, David (April 1, 2013). "Shock corridors". Goings on About Town. Critic's Notebook. The New Yorker. 89 (7): 16. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Stanley Kubrick's The Shining.
  • Denby, David (April 1, 2013). "Rough rides". The Critics. The Current Cinema. The New Yorker. 89 (7): 84–85. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Derek Cianfrance's The Place Beyond the Pines and Antoine Fuqua's Olympus Has Fallen.
  • Denby, David (April 15, 2013). "Commitments". The Critics. The Current Cinema. The New Yorker. 89 (9): 84–85. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Terrence Malick's To the Wonder and Robert Redford's The Company you Keep.
  • Denby, David (April 22, 2013). "Artful Dodgers". The Critics. The Current Cinema. The New Yorker. 89 (10): 114–115. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Brian Helgeland's 42.
  • Denby, David (April 29, 2013). "Love and labor". Goings on About Town. Critic's Notebook. The New Yorker. 89 (11): 9. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help)
  • Denby, David (May 13, 2013). "All that jazz". The Critics. The Current Cinema. The New Yorker. 89 (13): 78–79. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Baz Luhrmann's The Great Gatsby.
  • Denby, David (March 24, 2014). "The story of Joe". The Critics. The Current Cinema. The New Yorker. 90 (5): 84–86. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Lars von Trier's Nymphomaniac.
  • Denby, David (June 2, 2014). "Disconnected man". The Critics. The Current Cinema. The New Yorker. 90 (15): 82–83. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Kelly Reichardt's Night Moves and Richard Ayoade's The Double.
  • Denby, David (July 28, 2014). "Under the Spell". The Critics. The Current Cinema. The New Yorker. 90 (21): 78–79. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Woody Allen's Magic in the Moonlight and Anton Corbijn's A Most Wanted Man.
  • Denby, David (December 22–29, 2014). "Living history". The Critics. The Current Cinema. The New Yorker. 90 (41): 150–151. {{cite journal}}: Cite has empty unknown parameter: |1= (help); Unknown parameter |authormask= ignored (|author-mask= suggested) (help) Ava Du Vernay's Selma and Clint Eastwood's American Sniper.
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