Eric Rücker Eddison
|Eric Rücker Eddison|
24 November 1882|
Adel, Leeds, North Leeds, West Yorkshire, England
|Died||18 August 1945(aged 62)|
|Occupation||Civil servant, writer|
Born in Adel, Leeds, Eddison's early education came from a series of private tutors, whom he shared with the young Arthur Ransome. Ransome recalls Eddison's daring and machiavellian methods of getting rid of unpopular teachers in his autobiography. Afterwards Eddison was educated at Eton and Trinity College, Oxford and joined the Board of Trade in 1906, retiring in 1938 to work full-time on his fiction. He was also a member of the Viking Society for Northern Research. During a distinguished career he was appointed a Companion of the Order of St. Michael and St. George in 1924 and a Companion of the Order of the Bath in 1929 for public service with the Board of Trade. He and his wife had one child, a daughter. Their son-in-law, a Royal Air Force pilot, died in the Second World War.
Eddison is best known for the early romance The Worm Ouroboros (1922) and for three volumes set in the imaginary world Zimiamvia, known as the Zimiamvian Trilogy: Mistress of Mistresses (1935), A Fish Dinner in Memison (1941), and The Mezentian Gate (1958).
These early works of high fantasy drew strong praise from J. R. R. Tolkien, C. S. Lewis, (alongside whom he was considered an occasional member of the Inklings) and later, Ursula K. Le Guin. Tolkien generally approved Eddison's literary style, but found the underlying philosophy rebarbative; while Eddison in turn thought Tolkien's views "soft". Other admirers of Eddison's work included James Stephens, who wrote the introduction to the 1922 edition; James Branch Cabell, who provided a foreword for the 1926 American edition; Robert Silverberg, who described The Worm Ouroboros as "the greatest high fantasy of them all"; and Clive Barker.
Eddison's books are written in a meticulously recreated Jacobean prose style, seeded throughout with fragments, often acknowledged but often directly copied from his favorite authors and genres: Homer and Sappho, Shakespeare and Webster, Norse Sagas and French medieval lyric poems. Critic Andy Sawyer has noted that such fragments seem to arise naturally from the "barbarically sophisticated" worlds Eddison has created. The books exhibit a thoroughly aristocratic sensibility; heroes and villains alike maintain an Olympian indifference to convention. Fellow fantasy author Michael Moorcock wrote that Eddison's characters, particularly his villains, are more vivid than Tolkien's. Others have observed that while it is historically accurate to depict the great of the world trampling on the lower classes, Eddison's characters often treat their subjects with arrogance and insolence, and this is depicted as part of their greatness. Indeed, at the end of The Worm Ouroboros, the heroes, finding peace dull, pray for – and get – the revival of their enemies, so that they may go and fight them again. Fantasy historian Brian Attebery notes that "Eddison's fantasies uphold a code that is unabashedly Nietzschean; had he written after World War II, his enthusiasm for supermen and heroic conflict might perhaps have been tempered".
The Zimiamvia books were conceived not as a trilogy but as part of a larger work left incomplete by Eddison's death. The Mezentian Gate itself is unfinished, though Eddison provided summaries of the missing chapters shortly before his death. Some additional material from this book was published for the first time in the volume Zimiamvia: A Trilogy (1992).
Eddison wrote three other books: Poems, Letters, and Memories of Philip Sidney Nairn (1916), Styrbiorn the Strong (1926) and Egil's Saga (1930). The first was his tribute to a Trinity College friend, a poet, who died in his youth during World War I. The other two relate to the saga literature; the first is a retelling of Styrbjarnar þáttr Svíakappa (alluded to in Eyrbyggja Saga and Heimskringla), while the second is a direct translation from Egil's saga, supplemented with extensive notes, some which explain Eddison's aesthetic and philosophical outlook.
- The Worm Ouroboros (1922). London: Jonathan Cape
- Mistress of Mistresses (1935). London: Faber and Faber.
- A Fish Dinner in Memison (1941). New York: E. P. Dutton & Co.
- The Mezentian Gate (1958). London: Curwen Press.
- Poems, Letters, and Memories of Philip Sidney Nairn (1916). London: Printed for Private Circulation.
- Egil's Saga (1930). London: Cambridge University Press.
- Styrbiorn the Strong (1926). London: Jonathan Cape.
- Chisholm, Hugh, ed. (1922). "Profiteering". Encyclopædia Britannica (12th ed.). London & New York. (in part)
- Arthur Ransome, The Autobiography of Arthur Ransome, ed. R. Hart-Davis (London: Jonathan Cape, 1976), 37–40.
- "Books and Authors", The New York Times Book Review, 13 June 1926, p.23
- The Works of E.R. Eddison
- A Fish Dinner in Memison, dedication
- J.R.R. Tolkien, Letters, ed. Humphrey Carpenter (Houghton Mifflin, 1981), Letter No. 199.
- C. S. Lewis, On Stories and Other Essays on Literature, "Tribute to E. R. Eddison.
- Ursula Le Guin, The Language of the Night, "From Elfland to Poughkeepsie".
- Quoted in The Worm Ouroboros, Millenium Fantasy Masterworks Series, 2000 (pg. 1).
- Douglas E. Winter, Clive Barker: The Dark Fantastic, HarperCollins, 2002, p 67, 305.
- Andy Sawyer, "Eddison, E(ric) R(ücker)", St. James Guide To Fantasy Writers, ed. David Pringle, St. James Press, 1996, ISBN 1-55862-205-5, p. 176–8.
- Michael Moorcock, Wizardry & Wild Romance: A Study of Epic Fantasy, ISBN 1-932265-07-4, p 47.
- L. Sprague de Camp, Literary Swordsmen and Sorcerers: The Makers of Heroic Fantasy, ISBN 0-87054-076-9, p 132–3.
- L. Sprague de Camp, Literary Swordsmen and Sorcerers: The Makers of Heroic Fantasy, ISBN 0-87054-076-9, p 116.
- Brian Attebury, "E.R. Eddison", Supernatural Fiction Writers: Fantasy and Horror, ed. E. F. Bleiler, Scribner, 1985. ISBN 0-684-17808-7, p. 529-534
- Don D'Ammassa. "Villains of Necessity: The Works of E.R. Eddison" in Darrell Schweitzer (ed). Discovering Classic Fantasy Fiction, Gillette NJ: Wildside Press, 1986, pp. 88–93.
|Wikiquote has quotations related to: Eric Rücker Eddison|
- The Official E.R. Eddison Website - created by his literary estate
- E. R. Eddison at the Internet Speculative Fiction Database
- The Worm of Ouroboros – Complete text at Sacred Texts
- Fan page
- Works by Eric Rücker Eddison at LibriVox (public domain audiobooks)