An effigy is a representation of a specific person in the form of sculpture or some other three-dimensional medium. The use of the term is normally restricted to certain contexts in a somewhat arbitrary way: recumbent effigies on tombs are so called, but standing statues of individuals, or busts, are usually not. Likenesses of religious figures in sculpture are not normally called effigies. Effigies are common elements of funerary art, especially as a recumbent effigy (in a lying position) in stone or metal placed on a tomb, or a less permanent "funeral effigy", placed on the coffin in a grand funeral, wearing real clothing. Figures, often caricature in style, that are damaged, destroyed or paraded in order to harm the person represented by magical means, or merely to mock or insult them or their memory, are also called effigies.
It is common to burn an effigy of a person ("burn in effigy") as an act of protest.
The word comes, perhaps via French, from the Latin, meaning "representation", and originally was used in English in the plural only – even a single image was "the effigies of ..." The word occurs in Shakespeare's As You Like It of 1600 (II, vii, 193), though it first appeared in 1539. "In effigie" was probably understood as a Latin phrase until the 18th century.
The best known British example of a caricature effigy is the figure of the 1605 Gunpowder Plotter Guy Fawkes, found in charge of gunpowder to blow up the King in the House of Lords. On November 5, Guy Fawkes Night or Bonfire Night, his effigy, typically of straw and old clothing is still traditionally burned on a bonfire accompanied by fireworks.
In many parts of the world there are traditions of large caricature effigies of political or other figures carried on floats in parades at festivals. Political effigies serve a broadly similar purpose on political demonstrations and annual community rituals such as that held in Lewes, on the south coast of England. In Lewes, models of important or unpopular figures in current affairs are burned on Guy Fawkes Night, formerly alongside an effigy of the Pope.
In Oriental Orthodox Christianity populace used to burn an effigy of Judas, just before Easter. Now it is considered an obsolete custom and there are currently no attempts at revival. Caricature effigies, in Greek skiachtro (pl. skiachtra, σκιάχτρο / σκιάχτρα) are still in use to prevent birds from eating mature fruit, mainly grapes
The display of temporary or permanent effigies in wood or wax sculpture and other media of the deceased was a common part of the funeral ceremonies of very important people over a long stretch of European history. They were shown lying on the coffin at the funeral, and then often displayed beside or over the tomb. The figures wore real clothes of the deceased so they could be made quickly with only the face and hands needing models. The museum of Westminster Abbey has a collection of English royal wax effigies going back to that of Edward III of England (died 1377), as well as those of figures such as the prime minister Pitt the Elder, the naval hero Horatio Nelson, and Frances Stewart, Duchess of Richmond, at her own request and expense, who also had her parrot stuffed and displayed. From the funeral of Charles II in 1680 they were not placed on the coffin but were still made for later display. The effigy of Charles II was displayed over his tomb until the early 19th century, when all were removed from the abbey itself. Nelson's effigy was a pure tourist attraction, commissioned the year after his death and his burial in St Paul's Cathedral in 1805. The government had decided that major public figures with State funerals should in future be buried at St Paul's. Concerned for their revenue from visitors, the Abbey decided it needed a rival attraction for admirers of Nelson.
In the field of numismatics, effigy has been used to describe the central image or portrait on the obverse of a coin. A practice evident in reference literature of the 19th century, the obverse of a coin was said to contain “the ruler’s effigy”. For example, numismatic literature has reported that Queen Victoria, due to the length of her reign as monarch (1837 – 1901) required three different effigies to be struck for coins of the British realm: the young head (1838), jubilee head (1887), and veiled head (1893).
In the past, criminals sentenced to death in absentia might be officially executed "in effigy" as a symbolic act. In southern India, effigies of the demon-king Ravana from the epic poem the Ramayana are traditionally burnt during the festival of Navrati.
The term gisant (French, "recumbent") is associated with the full-length effigies of a deceased person depicted in stone or wood on church monuments. These lie on their backs, with hands together in prayer. An Effigie of a deceased person that is kneeling in prayer is called a priant. Effigies may also be (half) demi-figures and the term is occasionally used to refer to busts.
The Marzanna ritual represents the end of the dark days of winter, the victory over death, and the welcoming of the spring rebirth. Marzanna is a Slavic goddess of death, associated with winter. The rite involves burning a female straw effigy or drowning it in a river, or both. It is a folk custom in Poland, Slovakia and the Czech Republic, taking place on the day of the vernal equinox.
Modern Marzanna (goddess) effigy, Poland
An 18th century engraving of a Celtic wicker man, ready for burning
Every year The Man is burned at the Burning Man festival, Nevada, United States of America
- OED; "Effigy"
- Westminster Abbey, Royal funerals
- Photo at Victoria & Albert Museum; Westminster Abbey
- Westminster Abbey, "Horatio, Viscount Nelson".
- Cuhaj, George S. 2012 Standard Catalog of World Coins - 1901-2000 (39 ed.). Krause Publications. pp. 333, 968, 991, 1523, and 1966. ISBN 978-1-4402-1572-8.
- Cuhaj, George S. (2013). 2014 Standard Catalog of World Coins, 2001-Date (8 ed.). Krause Publications. pp. 152, 177, 179, 191, 225, and 655. ISBN 978-1-4402-3568-9.
- The Encyclopaedia Britannica: A Dictionary of Arts, Sciences, and General Literature 17 (9 ed.). The Henry G. Allen Company. 1890. p. 630.
- Hilsdale, Cecily J. (2014). Byzantine Art and Diplomacy in an Age of Decline. Cambridge University Press. p. 169. ISBN 978-1-107-03330-6.
- Van Wie, Paul D. (1999). Image, History, and Politics: The Coinage of Modern Europe. University Press of America. p. 56. ISBN 0-7618-1222-9.
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