Fifteen Million Merits

"Fifteen Million Merits"
Episode no.	Episode 2
Directed by	Euros Lyn
Written by	Charlie Brooker Kanak Huq
Original air date	11 December 2011 (2011-12-11)
Running time	62 minutes
Guest appearances
Daniel Kaluuya – Bing Jessica Brown Findlay –Abi Rupert Everett – Judge Hope Julia Davis – Judge Charity Ashley Thomas – Judge Wraith Paul Popplewell - Dustin Hannah John-Kamen - Selma Telse Kerrie Hayes - Glee Matt Stokoe - Guard

"Fifteen Million Merits" is the second episode of the first season of Black Mirror starring Daniel Kaluuya and Jessica Brown Findlay. It was written by series creator Charlie Brooker and his wife, the former Blue Peter presenter Konnie Huq (credited by her birth name Kanak Huq), and first aired on Channel 4 on 11 December 2011.

Plot

The episode is a satire on entertainment shows and our insatiable thirst for distraction set in a sarcastic version of a future reality. In this world, everyone must cycle on exercise bikes in order to power their surroundings and generate currency called Merits. Everyday activities are constantly interrupted by advertisements that cannot be skipped or ignored without financial penalty. Obese people are considered to be second-class citizens, and either work as cleaners around the machines (where they receive verbal abuse) or are humiliated on game shows.

Bingham "Bing" Madsen (Daniel Kaluuya) has inherited 12 million merits from his dead brother and has the luxury of skipping advertisements. In the toilet he overhears Abi (Jessica Brown Findlay) singing; he encourages her to enter into the X-Factor style game show Hot Shots, which offers a chance for people to get out of the slave-like world around them. Bing persuades her and, feeling there is nothing "real" worth buying, purchases the ticket for her. The judges (Rupert Everett, Julia Davis, Ashley Thomas) and the crowd enjoy her cover of "Anyone Who Knows What Love Is", but they state there is no room for an 'Above Average Singer' and instead give her the chance to become an adult actress on a pornographic TV station. After goading from the judges and the crowd, and drugged on a substance called "Cuppliance" (compliance in a cup), Abi reluctantly agrees.

Bing returns to his cell without Abi and any merits. When an advert showing Abi performing a sexual act appears on the screen, he can't skip it (as he doesn't have enough merits) and desperately tries to escape his cell, ramming the door until the glass breaks. He hides a shard of glass under his bed. Over the next months he stops buying food, saving up 15 million merits to buy another competition ticket. He stands in the Hot Shots waiting room every day without expression until he is called to compete.

On stage he interrupts his performance, draws the shard of glass and threatens to kill himself live on the show. He tearfully rants about how unfair the system is and how heartless people have become, and expresses his anger for how the judges took away, corrupted, and sold the only thing he found that was real. The judges, instead of taking his words into consideration, are impressed by his 'performance' and offer him his own show, where he can rant about the system all he likes.

Bing accepts and is later shown finishing one of his streams in his penthouse. He pours himself a fresh orange juice and stands staring through a wall-length window at a vast green forest stretching to the horizon, in a cell much larger than his original. It is left unclear whether the forest is real, or just another image on a screen.

Critical reception

The A.V. Club gave the episode an A, writing, "But 'Fifteen Million Merits' is a grander work in every way to 'The National Anthem', a dazzling piece of science fiction that builds its world out slowly but perfectly over the course of an hour—and packs an emotional wallop along with the '15 minutes into the future' warning you already expect. 'The National Anthem' was grey and grim, tough to watch, but 'Fifteen Million Merits' is actually frightening to contemplate, and that's how good dystopian sci-fi should feel."

TV.com said "Brimming with gorgeous visuals, a moving score, and a fully realized future that might not be too far off, there's never a moment where '15 Million Merits' is anything less than gripping, scary, and thought-provoking. It may make you want to hang yourself, it may make you want to throw your computer out of the window, it may make you want to quit your job, it may make you ponder the meaning of life, but its goal is simply to make you aware of such things so that we may avoid such an awful future. '15 Million Merits' wants you to look in the mirror and do something about it. "

DenOfGeek commented "The warmth of Bing and Abi's brief romance, contrasted against the coldness of TV screens, jeering avatars and manipulative reality show judges, is among the most moving I've seen in for a while, and the main reason why Fifteen Million Merits is such a captivating piece of genre television."

The Independent said "The tone was very different compared to last week and there was more of an emotional connection to the characters. Kaluuya and Brown Findlay were excellent as the central protagonists Bing and Abi. Therefore, the way in which they met their respective fates was sad because there was no sense of hope. Additionally, the aesthetic quality of the world of black mirrors was fantastic and looked plausible." The Telegraph gave it 4 out of 5 stars, writing "Sure, these were all familiar tropes, but they were explored with style, savvy and lashings of acerbic humour."

The Guardian said "This is more artful [than 'The National Anthem']. It's striking to look at and beautiful – the virtual reality, the interactiveness, all the screens. Well, beautiful in a stifling, suffocating way that has you gasping for an open window, a plant, an emotion, something real. None of it feels too far-fetched, though. It's not much of a leap from what we have already with videogames, our reliance on screens, everyone an avatar, social media, talent shows ..."

External links

• "Fifteen Million Merits" at IMDb