Inside Daisy Clover
|Inside Daisy Clover|
Original film poster
|Directed by||Robert Mulligan|
|Produced by||Alan J. Pakula|
|Written by||Gavin Lambert|
|Music by||André Previn|
|Edited by||Aaron Stell|
|Distributed by||Warner Bros.|
|Box office||$1.5 million (est. US/ Canada rentals)|
Inside Daisy Clover is a 1965 American drama film directed by Robert Mulligan and based on Gavin Lambert's 1963 novel of the same name. It stars Natalie Wood, Christopher Plummer, Robert Redford, Roddy McDowall and Ruth Gordon (who was nominated for an Academy Award).
In the mid-1930s, Daisy Clover (Natalie Wood) is a teenage tomboy, who lives in a ramshackle trailer with her eccentric mother (Ruth Gordon) on a California beach and dreams of Hollywood stardom. She submits a song recording to the well-known film producer Raymond Swan (Christopher Plummer), who puts her under contract. Ray and his wife Melora (Katharine Bard) foster Daisy's rise to fame by any means necessary, forcing Daisy to deal with the pressures of stardom and the Swans' manipulation of her life and career. Daisy reluctantly accepts the placement of her mother in a mental institution, to protect Daisy's reputation as "America's valentine", and is told to tell any interviewers that her mother is dead.
Daisy finds some relief in a fellow Swan-discovered star, Wade Lewis (Robert Redford). The two begin a relationship, though their heavy drinking and partying is not good for either of their reputations. Ray (whom Wade has nicknamed "The Prince of Darkness") fears that the romance will interrupt Daisy's busy schedule. To quell his worries, Wade asks Daisy to marry him, and the ceremony is held on the Swans' estate. However, the first night of their honeymoon in Arizona, Wade drives off while Daisy is sleeping, abandoning her. Daisy returns to the Swan home and runs into an extremely intoxicated Melora who reveals to Daisy that Melora had an affair with Wade who is actually a closet homosexual. The next morning, Ray tells Daisy that he knew about Wade's sexual orientation, but that she had to find out for herself, as did his wife. Ray then scoops her into his arms and kisses her, which begins their affair.
Daisy takes her mother out of the mental institution and moves her into a beach house. After her mother's death, Daisy has a nervous breakdown at the studio. She goes back to the beach house and spends her day after day silently in bed under the care of a private nurse. Melora visits, assuring Daisy she is not jealous of her affair with Ray. Wade comes to see Daisy, but the most he gets out of her is a smile. Ray, impatient that Daisy is taking so long to recover, loses his temper and tells her she must finish the pending motion picture. He also tells her that he has her under contract for five years, but does not care what happens to her after she completes the film. Ray fires the nurse and leaves the beach house.
Right after Ray's departure, Daisy attempts suicide by putting her head in the oven, only to be interrupted by ringing phones and the arrival of visitors. The next day Daisy cuts her hair, changes her clothes, and turns the gas oven back on. She then lights a flame on the stove, grabs a cup of coffee, and strolls out of the house to the beach. The house explodes behind her. When a passerby asks what happened, she shrugs and replies, "Someone declared war!"
- Natalie Wood: Daisy Clover
- Christopher Plummer: Raymond Swan
- Robert Redford: Wade Lewis
- Ruth Gordon: Lucile Clover - The Dealer
- Roddy McDowall: Walter Baines
- Katharine Bard: Melora Swan
- Peter Helm: Milton Hopwood
- Betty Harford : Gloria Clover Goslett
- John Hale: Harry Goslett
- Harold Gould : Cop on Pier
- Ottola Nesmith : Dolores
- Edna Holland: Cynara
At the time of the film's release, homosexuality was a highly taboo subject matter within American society and, prior to the 1960s, had been one of the topics that the Hollywood Hays Code had expressly prohibited. Robert Redford reportedly insisted that his character, gay in the original novel, have some interest in women. Likewise the studio, fearful of the potential controversy, insisted that the film only acknowledge the character's bisexuality through a few bits of dialogue. Despite these limitations, the film is generally recognized for one of the early depictions of a gay or bisexual character in American cinema who is not ashamed of his sexuality and does not commit suicide.
Wood's singing voice was dubbed by session singer Jackie Ward with the exception of the introduction to the song "You're Gonna Hear from Me" (by Dory Previn and André Previn, who composed the score). The song was later recorded by Dionne Warwick for the album The Windows of the World (1967) and by Barbra Streisand on The Movie Album (2003).
Vocal recordings completed by Natalie Wood of the film's other songs went unused and unheard on commercial recordings until the April 2009 release of the complete dramatic score and song score by Film Score Monthly.
Awards and nominations
|1966||Academy Awards||Nominated||Best Costume Design, Color||Edith Head and Bill Thomas|
|Best Art Direction-Set Decoration, Color||Robert Clatworthy and George Hopkins|
|Best Supporting Actress||Ruth Gordon|
|Golden Globe Award||Best Motion Picture Actress - Musical/Comedy||Natalie Wood|
|Won||Golden Globe Award for New Star of the Year – Actor||Robert Redford|
|Best Supporting Actress||Ruth Gordon|
- "Big Rental Pictures of 1966", Variety, 4 January 1967 p 8
- Lambert, Gavin (2004). Natalie Wood: A Life. Alfred A. Knopf. p. 394. ISBN 0-375-41074-0.
- Lambert, Gavin (2004). Natalie Wood: A Life. Alfred A. Knopf. p. 589. ISBN 0-375-41074-0.
- Kregloe, Karman (April 16, 2007). "Ten Actors Who Played Gay". AfterEllen.com. Evolve Media. Retrieved 18 September 2016.
- Lambert, Gavin (2004). Natalie Wood: A Life. Alfred A. Knopf. p. 383. ISBN 0-375-41074-0.
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