Jean-Paul Gaster
This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)
|
Jean-Paul Gaster | |
---|---|
Background information | |
Born | June 19, 1971 |
Origin | Frederick, Maryland, United States[1] |
Genres | Rock, funk metal, alternative metal, blues rock |
Instrument | Drums |
Years active | 1990–present |
Labels | Atlantic, DRT Entertainment |
Jean-Paul Gaster is the American drummer for rock band Clutch.
Style and influences
Jean-Paul Gaster learned to play drums by playing along to 1960s and 1970s heavy rock bands like Jimi Hendrix, Cream, ZZ Top and Black Sabbath. Washington D.C's Go-go music and in particular drummers such as Ju Ju House, Brandon Finley and Ricky Wellman were early influences as well. He is one of many students who studied with legendary Washington D.C drummer and educator Walter Salb. Some favorite drummers of Gaster are jazz drummers Elvin Jones and Jack DeJohnette, Bad Brains drummer Earl Hudson and New Orleans drummer Johnny Vidacovich.
Clutch
Jean-Paul, Neil Fallon, Dan Maines and Tim Sult formed Clutch in 1991. After releasing the Pitchfork 7" the band embarked on its first U.S tour in the summer of 1992. Since then the band has released 11 studio albums and toured extensively through North America, Europe, UK and Australia. The band continues to be an important fixture on today's hard rock scene. Clutch plays an average of 120 shows a year and its most recent release Psychic Warfare went number one on billboards rock chart. The band is currently on tour and working on new material.
Gear
Jean-Paul's choice of set up has not changed much since the early days of Clutch. The set up usually consists of 14x26 bass drum, 9x13 tom tom, 16x16 floor tom and 5.5 x 14 chrome over brass snare drums. Favorite drum manufacturers of Gaster's include G.M.S, Slingerland, Gretsch and Ludwig. Gaster enjoys playing both vintage and new drums. Gaster states " I have a collection of vintage snares that I like to use in the studio. Old drums have a resonance that can add lots of character to the sound of a recording. My collection of drums are not museum pieces. If a throw off is in need of repair I'll fix it or replace it. These drums are meant to be played not sit on a shelf for display"
Gaster has been a Meinl endorser since 2002. Gaster plays a variety of models from Meinl's Byzance line. Some favorites are 23" and 24" medium and heavy rides. 20" and 22" Sand rides, 22" Spectrum ride, 14" and 15" vintage pure hi hats. Gaster does not play any "china" type cymbals. He states, "I find china cymbals to be awful and obnoxious sounding. I haven't used one since 1996. I saw Billy Cobham play one at Blues Alley once and he made it sound great. The one Brann Dailer plays sounds pretty good too. I just can't get a sound out of one."
Jean-Paul is an Evans drum head endorser. He plays coated G2s on snare and tom toms. Resonant tom tom heads are clear G1s and resonant snare heads are hazy 300s. Bass drum batter heads are usually frosted EQ3.
Jean-Paul's drums are not dampened or muffled. Sometimes a small pillow or towel is inside the bass drum on which a shure sm91 microphone rests to capture the batter side of the drum. Tuning is generally open and resonant. "Lately I've been tuning the resonant side of my tom toms about a half step higher than the batter side. That tuning approach seems to make the toms punch thru the band a little more. Right now I'm playing a Gretsch USA custom kit. Those drums seem respond very nicely to this approach".
Jean-Paul plays Vater's West Side model drumsticks.
Projects
In the late 1990s, Clutch formed the instrumental project The Bakerton Group. The Bakerton Group formed an independent record label, River Road Records, to release their own music. River Road Records would lay the ground work for what would become the Weathermaker music label. The Bakerton Group's El Rojo would be one of Weathermaker's first releases.
Jean-Paul Gaster has played and recorded with the rock band Five Horse Johnson. He appears on the albums The Mystery Spot and The taking of Blackheart.
In 2007, Jean-Paul Gaster collaborated with Opeth keyboardist Per Wiberg and Kamchatka guitarist Thomas Andersson on a project called King Hobo.[2]
During 2008, Jean-Paul Gaster played drums on Maryland doom legend guitarist Scott Weinrich's solo album, Punctuated Equilibrium.[3]
Jean-Paul played on Mike Wescott's powerful blues rock album Justice Road. He play's with Mike Wescott on a regular basis.
In 2014 Jean-Paul recorded drums on Maryland guitarist Mark Stanley's Dark Brain album. The album also features guitarist Oz Noy as well as Spyro Gyra bassist Scott Ambush. Dark Brain is a mix of prog, jazz funk and ambient styles. He continues to collaborate with Stanley in the studio as well as live appearances.
Jean-Paul played on Jay Turner's Art Music for Bass. " Jay's record was a challenge for me. It's the closest to a straight up jazz recording I've been involved with. The musicians he put together for those dates were amazing. I'm very proud of that one. I look forward to hitting the studio with Jay again soon"
Jean-Paul collaborated with Kevin Hillard to record drums and percussion for the soundtrack to the movie Fishing Without Nets. The film won an award at the 2014 Sundance film festival.
Jean-Paul recorded drums and percussion for Agent Ogden's movie When the Man Went South.
Jean-Paul is currently collaborating with Mark Morton of Lamb of God, Yanni Papadopoulos of Stinking Lizaveta and Chris Brooks of Lionize. The group is working on material for Mark Morton's solo album.
References
- ^ "Musician to musician - The Frederick News-Post : Arts And Entertainment Topics". The Frederick News-Post. 2013-04-18. Retrieved 2014-07-16.
- ^ "OPETH Keyboardist, CLUTCH Drummer Collaborate On New Project". Retrieved 2007-07-27.
OPETH keyboardist Per Wiberg recently collaborated on a new project with CLUTCH drummer Jean-Paul Gaster and KAMCHATKA guitarist Thomas "Juneor" Andersson, among others
- ^ Scott Weinrich's MySpace page Archived December 2, 2008, at the Wayback Machine