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John Doe (The X-Files)

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"John Doe (The X-Files)"

"John Doe" is the seventh episode of the ninth season of the American science fiction television series The X-Files. The episode first aired in the United States on January 13, 2002 on the Fox network. It was written by executive producer Vince Gilligan, and directed by co-executive producer Michelle MacLaren. The episode is a "monster-of-the-week" episode, a stand-alone plot which is unconnected to the mythology, or overarching fictional history, of The X-Files. "John Doe" earned a Nielsen rating of 5.0 and was viewed by 5.28 million households. The episode received largely positive reviews from television critics.

The show centers on FBI special agents who work on cases linked to the paranormal, called X-Files; this season focuses on the investigations of John Doggett (Robert Patrick), Monica Reyes (Annabeth Gish), and Dana Scully (Gillian Anderson). In this episode, Doggett wakes up in Mexico with no memory of who he is or how he got there. Meanwhile, Reyes and Scully struggle to locate him. The two later discover that Doggett's memory has been taken by a "memory vampire" that runs a drug cartel.

"John Doe" was written after Gilligan had been thinking of a story involving a "memory vampire" for months. Furthermore, the episode was MacLaren's directorial debut. Noted director Kim Manners helped guide her through the process. Director of photography Bill Roe used specific lighting for the episode; indoor scenes are dark and hard to make out whereas outside scenes are bright and over-saturated with light. The Mexican hotel apartment was created from Fox Mulder's (David Duchovny) old apartment set.

Plot

John Doggett (Robert Patrick) awakens inside an abandoned warehouse only to discover a man in the process of stealing one of his shoes. Doggett chases the man outside, where the man summons two Mexican police officers. One of the policemen hits the man with their nightstick and the other demands either a visa or a passport from Doggett. When Doggett realizes he has no papers, the officer asks him what his name is. Doggett then realizes that he does not know his own name. Doggett is than transported to the local jail where he meets a fellow prisoner named Domingo. Domingo is eventually freed and asks Doggett if he wants to join him under the condition that Doggett will help him perform his criminal tasks. Doggett agrees and follows him. Once Doggett is freed, he refuses to perform Domingo’s task. Nestor, Domingo's friend, pulls out a gun, but Doggett quickly overpowers him and takes away the weapon. Doggett then returns to the abandoned warehouse in hopes of finding clues to his identity.

In the meantime, at the FBI, Walter Skinner (Mitch Pileggi) and Dana Scully (Gillian Anderson) examine video footage from a security camera positioned at the Mexican border. After discovering what is going on, Alvin Kersh disbands the taskforce hunting for Doggett, as he believes the video is proof that Doggett entered Mexico on his own free will and was not abducted. Back in Mexico, Doggett phones a United States Marine public affairs office hoping his Marine tattoo will shed some light on his true identity. Before he is able to ask any questions, he notices several Mexican policemen nearby and quickly escapes. Scully, meanwhile, receives word of Doggett’s call to the Marines. She then has the call traced and phones up Monica Reyes (Annabeth Gish), telling her that Doggett is in Mexico. Reyes travels to the local town where Doggett was last seen. It is revealed that Caballero, the head of the local drug cartel, is a "memory vampire". He can absorb the memories of those posing a threat to his operation. Reyes eventually finds Doggett and, together with Skinner and the Mexican police, she is able to help him retrieve his memory back by forcing Doggett remember his son's murder. Doggett tearfully admits that he is happy to have all of his memories, even the bad ones, "as long as I remember the good.”[2]

Production

Writing and directing

"John Doe" was written by executive producer Vince Gilligan.

"John Doe" was written by executive producer Vince Gilligan and directed by Michelle MacLaren. The episode marked Gilligan's first solo episode for the ninth season. Gilligan had "fiddled" with the story of a "memory vampire" for months, before writing it. The notion to set the story in Mexico and center it around Robert Patrick's character was Frank Spotnitz's idea. From there the story "went together fairly easily."[3]

"John Doe" was co-executive MacLaren's directorial debut. Although she had never helmed an episode before, MacLaren utilized information that she had gathered by working with Kim Manners, one of the series' prolific directors. She later noted, "Kim taught me how he breaks down a script and prepares his shot list. The most powerful thing he said to me was that he imagines the show all cut together and sees the movie in his head and really visualizes it."[4] Gilligan later said that MacLaren "really rose to the occasion and really did her homework."[4] The bus crash scene was created with the use of elaborate "smoke and mirrors", according to Gilligan.[5] Over nine cameras were used to film the entire scene. Several of the cameras were under cranked in order to give the illusion that the bus was going faster than it really was. A steel ramp was buried in the ground to flip the bus. However, the scene was reportedly torpid to film. Gilligan later joked that "You could have stood there and had a sandwich while the thing was backing up: it was so slow."[5]

Filming and effects

Director of photography Bill Roe later stated that he borrowed motifs from Steven Soderbergh's 2000 film Traffic for some of the shots.[4] In addition, before filming, he decided to do various test shots to get the lighting right. The crew ended up shooting "exteriors three, four stops over what you should shoot it at", resulting in very washed out outdoor scenes.[3] Roe and his crew had a hard time developing the various lighting contrasts for the episode. When talking about the episode, Roe said: "it was really dark so we had this huge contrast of lighting. It was dark and warm and brown. When you go inside, you can barely see things, but when you're outside, it's just blaring."[3] To create the Mexican town featured in the episode, scenes were filmed at a small town located outside of Los Angeles. A matte of the town's background and blue sky were then cut and a faux Mexican background was added. In addition, Mat Beck was given a flyer, and he duplicated it, making several strings of posters that did not exist when the shots were filmed.[6]

When creating the Mexican hotel apartment, the crew re-decorated what was once Fox Mulder's (David Duchovny) apartment on the show. Production Designer Corey Kaplan said of the development of the episode that, "It was very creative and very rewarding for us as an art department, to create the complete total look of being in another culture."[3] Several Spanish songs are featured in the episode. When the characters are at the cantina, the song "La Calentura" by Roberto Ruiz is playing. During scenes in the garage "Juana La Cubana" by Fito Olivares is featured.[7]

Reception

"John Doe" first aired in the United States on January 13, 2002.[8] The episode earned a Nielsen household rating of 5.0, meaning that it was seen by 5.0% of the nation's estimated households and was viewed by 5.28 million households.[9][nb 1] "John Doe" was the 66th most watched episode of television that aired during the week ending January 13.[9] The episode later aired in the United Kingdom on December 16, 2002 on BBC Two.[8]

The episode received largely positive reviews from television critics. Jessica Morgan from Television Without Pity gave the episode an A– rating.[10] Juliette Harrisson of Den of Geek named "John Doe" the best stand-alone episode of season nine and called it "a refreshing change of pace".[11] John Keegan from Critical Myth gave the episode a largely positive review, awarding it a 9 out of 10. He wrote, "Overall, this episode was a spirited, inventive return to the strong storytelling that has been missing for much of the season of late. This is the kind of episode that should have followed 'Daemonicus', a strong outing by the new characters, as well as a little exploration of their pasts. One can only hope that this is more than just a blip on the radar."[12] Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, gave the episode a glowing review and rated it five stars out of five. The two praised Gilligan's script and Patrick's performance, noting that the former "writes the script with a dirtiness that gives it real power" and the latter's acting was "extraordinary".[13] Furthermore, Shearman and Pearson wrote that "'John Doe' shows that there's still a fresh take to be had on The X-Files after all".[13]

Notes

  1. ^ At the time of airing, the estimated number of households was 105.5 million.[9] Thus, 5.0 percent of 105.5 million is 5.28 million households.

References

Footnotes
  1. ^ "John Doe". TheXFiles.com. Fox Broadcasting Company. 13 January 2002. Archived from the original on 9 April 2002. Retrieved 14 July 2012. {{cite web}}: Italic or bold markup not allowed in: |work= (help)
  2. ^ "John Doe". BBC Cult. BBC. Retrieved 14 July 2012.
  3. ^ a b c d Chris Carter et al. (2002). The Truth Behind Season 9 (DVD). The X-Files: The Complete Ninth Season: 20th Century Fox Home Entertainment. {{cite AV media}}: Explicit use of et al. in: |authors= (help)CS1 maint: location (link)
  4. ^ a b c Hurwitz and Knowles, p. 202
  5. ^ a b Frank Spotnitz et al. (2002). The Truth Behind Season 9: "John Doe" (DVD). The X-Files: The Complete Ninth Season: 20th Century Fox Home Entertainment. {{cite AV media}}: Explicit use of et al. in: |authors= (help)CS1 maint: location (link)
  6. ^ Paul Rabwin (2002). Special Effects by Mat Beck with Commentary by Paul Rabwin: "Mexican Town With Matte Background" (DVD). The X-Files: The Complete Ninth Season: 20th Century Fox Home Entertainment.{{cite AV media}}: CS1 maint: location (link)
  7. ^ "John Doe - Research Information". TheXFiles.com. Fox Broadcasting Company. 13 January 2002. Archived from the original on 13 August 2002. Retrieved 14 July 2012. {{cite web}}: Italic or bold markup not allowed in: |work= (help)
  8. ^ a b The X-Files: The Complete Ninth Season (Media notes). Fox. {{cite AV media notes}}: |format= requires |url= (help); Unknown parameter |director= ignored (help); Unknown parameter |titlelink= ignored (|title-link= suggested) (help); Unknown parameter |titleyear= ignored (help)
  9. ^ a b c The Associated Press (15 January 2002). "Prime-Time Nielsen Ratings". Associated Press Archive. Retrieved 24 March 2012. (subscription required)
  10. ^ Morgan, Jessica. "John Dow". Television Without Pity. NBC Universal. Retrieved 14 July 2012.
  11. ^ Harrison, Juliette (6 September 2011). "A look back over The X-Files' finest stand-alone episodes". Den of Geek. Retrieved 25 July 2012.
  12. ^ Keegan, John. "John Doe". Critical Myth. Retrieved 14 July 2012.
  13. ^ a b Shearman and Pearson, p. 265–266
Bibliography
  • Hurwitz, Matt; Knowles, Chris (2008). The Complete X-Files. Insight Editions. ISBN 1933784806.
  • Shearman, Robert; Pearson, Lars (2009). Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen. Mad Norwegian Press. ISBN 097594469X.
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