Juan Hidalgo Codorniu

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Juan Hidalgo Codorniu (14 October 1927 – 26 February 2018[1]) was a Spanish composer, poet, an action and visual artist.[2]

Biography[edit]

Hidalgo was born in Las Palmas, Canary Islands. After studying piano and composition in Barcelona and Paris with Nadia Boulanger and Bruno Maderna, he participated in the XII Internationale Ferienkurse Für Neue Musik festival in Darmstadt in 1957 with his work "Ukanga", a serial-structural composition for five chamber ensembles. With this piece, Hidalgo became the first Spanish composer to take part in that festival. In 1958 Juan Hidalgo met the Darmstadt American composers John Cage and David Tudor who were crucial to his musical and career development.

In 1964 he founded the ZAJ group along with Walter Marchetti, Ramón Barce, and was later joined by Esther Ferrer and the writer José Luis Castillejo. ZAJ was an exponent of Spanish neodadaism with influences of zen and Marcel Duchamp's vision of the arts. There were said to be similarities in the philosophy and aesthetics of ZAJ and that of the Japanese Gutai and American Fluxus artistic movements.

In 1966 he participated alongside Gustav Metzger, Otto Muehl, Wolf Vostell, Hermann Nitsch and others in the Destruction in Art Symposium (DIAS) in London.[3]

One of his possibly most interesting collaborations with John Cage took place in 1978 when Cage and fellow composer Walter Marchetti prepared a musical ride on a train, full of microphones, monitors and sounds directed by Cage himself. The people on board would hear the train's very noises enriched by an additional mix of local music and sounds, giving an audio-portrait of each stop.

Juan Hidalgo was considered one of the most creative artists of the Spanish avant-garde since the 1960s and had been active in other artistic fields such as poetry, photography, installation art, postcard art, print media, and performances, as well as participating in numerous international exhibitions and festival.

He died in Ayacata, Spain, aged 90.

References[edit]

  1. ^ Obituary article (in Spanish). Retrieved on February 27, 2018.
  2. ^ Eamonn J. Rodgers Encyclopedia of Contemporary Spanish Culture 1999 - Page 356 "One of the most prominent members of the group was Juan Hidalgo, who was encouraged to explore experimental forms by the American composer John Cage. In 1964, Hidalgo founded Zaj, a movement committed to artistic experiment, ..."
  3. ^ Poster for Destruction in Art Symposium (DIAS) (identified as "Juan Hidalgo") Destruction in Art Symposium (DIAS), London, 1966. Retrieved on February 27, 2018.

External links[edit]

Sources[edit]

  • Milano Poesia Catalog 1989, VII Festival internazionale di poesia.
  • Editorial de Musica Española Contemporanea. Juan Hidalgo: Catalogo de obras, 1976.
  • Barber, Llorenç, Juan Hidalgo, Ritmo. Vol. 566, 1986, pp. 112–13, ISSN 0035-5658.
  • Charles, Daniel, Performance (art et esthétique), Encyclopedia Universalis, France.
  • Hidalgo, Juan (w. John Cage, Morton Feldman, Leopoldo La Rosa, Walter Marchetti), Rumoriallarotonda, CD booklet (32 pages), ALGA MARGHEN, ITALY, ALGA 031CD, 1998.
  • Leyva Sanjuan, Antonio, Zaj: A conversation with Juan Hidalgo, Crónica. Vol. 3, no. 42, 1991, pp. 32–33, ISSN 1131-6705
  • Medina Álvarez, Ángel, Primeras oleadas de vanguardistas en el área de Madrid (The first waves of the avant-garde in the Madrid area), in López-Calo, José (ed.), Spain in Western Music, Madrid, Spain: Ministerio de Cultura, 1987. 403, 504 pp.
  • Sarmiento, José Antonio, Críticas a un concierto Zaj (Reviews of a concert by Zaj), Cuenca, Spain: Ediciones + 491, 1991.

External links[edit]