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Kamba people

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Mukamba, pre 1923

The Akamba (Mukamba in singular, Akamba in the plural) are a Bantu ethnic group who live in the semi-arid Eastern Province of Kenya stretching east from Nairobi to Tsavo and north up to Embu, Kenya. This land is called Ukambani. Depending on the source, they are either the third, fourth or the fifth largest ethnic group in Kenya. They speak the Kikamba language.

Origins and migration

The Akamba moved into their present lands from Western Tanzania (Unyamwezi) by way of Usambara Mountains and into eastern Kenya. As they settled in the hilly lands their population increased. Some anthropologists believe that the Akamba are a mixture of several East African people, and bear traits of the Bantu farmers (Kikuyu, Taita) as well as those of the Nilotic pastoralists (Maasai, Kalenjin, Borana, etc)and the cushite communities with whom they share borders, to the east of Tsavo. The Akaamba are often found in different professions: some are agriculturalists others hunters, and a surprisingly large number are pastoralists. Trade in the form of barter with the Kikuyu, Maasai, Meru and embu (to name but a few) people in the interior and the Mijikenda and Arab people on the coast was also practiced by the Akamba who straddled the eastern plains of Kenya.

Over time, they expanded their commercial activity and wielded economic control right across the central part of the land that was later to be known as Kenya (from the Kikamba, 'Kiinyaa', the Ostrich Country'), from the Indian Ocean to Lake Victoria in the west, and all the way up to Lake Turkana on the northern frontier. The Akamba traded in locally-produced goods such as cane beer, ivory, brass amulets, tools and weapons, millet, and cattle. The food obtained from trading helped offset shortages caused by droughts and subsequent famines. They also traded in medicinal products known as 'Miti' (literally: plants), made from various parts of the numerous medicinal plants found on the East African plains. The Akamba are still known for their fine work in basketry and pottery. Their artistic inclination is evidenced in the sculpture work that is on display in many craft shops and galleries in the major cities and towns of Kenya.

In the mid-eighteenth century, a large number of Akamba pastoral groups moved eastwards from the Tsavo and Kibwezi areas to the coast. This migration was the result of extensive drought and lack of pasture for their cattle. They settled in the Mariakani, Kisauni and Kinango areas of the coast of Kenya, creating the beginnings of urban settlement. They are still found in large numbers in these towns, and have been absorbed into the cultural, economic and political life of the modern-day Coast Province. Several notable politicians, businessmen and women, as well as professional men and women are direct descendants of these itinerant pastoralists.

Colonialism and the 19th century

In the latter part of the 19th century the Arabs hijacked the coastal trade from the Akamba, who then acted as middlemen between the Arab and Swahili traders and the tribes further upcountry. Their trade and travel made them ideal guides for the caravans gathering slaves for the Middle Eastern and Indian markets. Early Europe explorers also used them as guides in their expeditions to explore East Africa due to their wide knowledge of the land and neutral standing with many of the other tribes they traded with.

Akamba resistance to colonialism was mostly |non-violent] in nature. Some of the best known Akamba resistance leaders to colonialism were: Syokimau, Syotune wa Kathukye, Muindi Mbingu, and later Paul Ngei, JD Kali, and Malu of Kilungu (a place locally known as "Mitini kwa Malu"). Ngei and Kali were imprisoned by the colonial government for their anti-colonial protests. Syotune wa Kathukye led a peaceful protest to recover cattle confiscated by the British colonial government during one of their punitive expeditions on the local populations. Muindi Mbingu was arrested for leading another protest march to recover stolen land around the Mua Hills in Masaku district, which the british settlers eventually appropriated for themselves. JD Kali, along with Paul Ngei, joined the Mau Mau movement to recover Kenya for the Kenyan people. He was imprisoned in Kismayu during the fighting between the then government and the freedom fighters.

The Kikamba family

In Kikamba culture, the family is central to the life of the community. The man, who is head of the family, undertakes one of the economic activities popular among the community, such as trading, hunting, cattle-herding (his own cows) or farming. He was, and still is, known as 'Nau', 'Tata'or 'Asa'.

The woman, whatever her husband's occupation, works on her land, which she is given upon joining her husbands household. She supplies the bulk of the food consumed by her family. She grows maize, millet, sweet potatoes, pumpkin, beans, pigeon peas, greens, arrow root, cassava, and in the cooler regions such as Kangundo, yam. It is the mother's role to bring up the children. Even children that have grown up into adults are expected to never contradict the mother's wishes. The mother is known as 'Mwaitu' ('our One') Very little distinction is made between children of one's sister or brother. They address their uncle / aunt as 'tata' (father) or 'mwaitu'(mother). They address their male cousins as 'brothers', and the females as 'sisters'. Children often move from one household to another with ease, and are made to feel at home by their parents' siblings who, while in charge of their nephews/nieces, are their de facto parents.

Grandparents (Susu, umau) help with the less strenuous chores around the home, such as rope-making, tanning leather, cleaning calabashes and making arrows. Older women continue to work the land, as this is seen as a source of independence and economic security. They also carry out trade in the local markets, though not exclusively. In the modern Kikamba family, the women, especially in the urban regions, practise professions such as teaching, secretarial work, management, tailoring etc in accordance with Kenya's socio-economic evolution.

Culture and beliefs

Naming is an important aspect of the Akamba people. Children are often affectionately called Musumbi (meaning "king"), and Muthoki/Nthoki (meaning "long awaited one"). Akamba children are named for/after time or events surrounding their birth. For example, Nduku is a name given to a baby girl born at night and Mutuku to a baby boy born at night. Children born when it is raining may be named Mumbua (feminine) or Wambua (masculine). Children are also named after a living or departed ancestor, depending on the parents' relationship with the person.

Like the Maasai and the Agikuyu, the Akamba believe in a monotheistic, invisible and transcendental God,Ngai or Mulungu, who lives up in the sky ('yayayani').] Another venerable name for God is Asa, or the Father. He is also known as Mwatuangi. He is perceived as the omnipotent creator of life on earth and as a merciful, if distant, entity. The traditional Akamba perceive the spirits of their departed ones, the 'Aimu'/'Maimu', as the intercessors between themselves and Ngai Mulungu. They are remembered in family rituals and offerings / libations at individual altars.

Kikamba music

The Akamba people's love of music and dance is evidenced in their spectacular performances at many events in their daily lives or on occasions of regional and national importance. In their dances they display agility and athletic skills, as they perform acrobatics and body movements. The Akamba dance techniques and style resemble those of the Batutsi of Rwanda-Burundi and the Aembu of Kenya.

The following are some of the varieties of traditional dance styles of the Akamba community:

  • Mwali (pl: Myali) which is a dance accompanying a song, the latter which is usually made to critcise anti-social behaviour.
  • Kilumi and Ngoma, religious dances, performed at healing and rain-making ceremonies;
  • Mwilu is a circumcision dance;
  • Mbalya, or Ngutha is a dance for young people who meet to entertain themselves after the day's chores are done.
  • Kamandiko', or the modern disco.

Dances are usually accompanied by songs composed for the occasion (marriage, birth, nationally important occasion), and reflect the traditional structure of the Kikamba song, sung on a pentatonic scale. The singing is lively and tuneful. Songs are composed satirizing deviant behaviour,anti-social activity, etc. The Akamba have famous work songs, such as 'Ngulu Mwalala', sung while work, such as digging, is going on. Herdsmen and boys have different songs, as do young people and old. During the Mbalya dances the dance leader will compose love songs and satirical numbers, to tease and entertain his / her dancers.

Clothing and costumery

The Akamba of the modern times, like most people in Kenya, dress rather conventionally in western / European clothing. The men thus wear trousers, usually made from cotton dill, and shirts. Young boys will, as a rule, wear shorts and short-sleeved shirts, usually in cotton, or tee-shirts. Traditionally, Akamba men wore leather short kilts made from animal skins or tree bark. They wore copious jewelery, mainly of copper and brass. It consisted of neck-chains, bracelets, and anklets.

The women in modern Akamba society also dress in the European fashion, taking their pick from dresses, skirts, trousers, jeans and shorts, made from the wide range of fabrics available in Kenya.In the past, the women were attired in knee-length leather or bark skirts, embellished with bead work. They wore necklaces made of beads, these obtained from the Swahili and Arab traders. They shaved their heads clean, and wore a head band intensively decorated with beads. The various kilumi or dance groups wore similar colors and patterns on their bead work to distinguish themselves from other groups.

Traditionally, both men and women wore leather sandals especially when they ventured out of their neighborhoods to go to the market or on visits. While at home or working in their fields, however, they remained barefoot.

List of Prominent Akamba

Ressources