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Karl Marx in film

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Marx Reloaded features "The Matrix-themed cartoon adventures of Karl Marx, lost in an Alice-style commodity-induced nightmare with only one way out."[1]

Karl Marx and his ideas have been represented in film in genres ranging from documentary to fictional drama, Art house and comedy.

The Marxist theories of socialism, communism, class struggle, ideology and political economy influenced early Soviet-era filmmakers such as Dziga Vertov and Sergei Eisenstein. Eisenstein's theory of montage owed its "intellectual basis to Marxist dialectics".[2] However, in addition to his philosophical influence on 20th century cinema and film-makers, Marx's life and times and his principal works have all been represented in film as subjects in their own right.

Eisenstein's project, dating from 1927, to film Marx's book Das Kapital was never realised,[3] although in more recent years the German film director and author Alexander Kluge completed a lengthy homage to Eisenstein's unrealised film entitled News from Ideological Antiquity: Marx – Eisenstein – Das Kapital.[4]

In the 1960s French new wave directors, notably Jean-Luc Godard, used Marxist themes in their work, including in the films Week End, La Chinoise and Tout va bien.

In the 1970s the Serbian director Dušan Makavejev made films which were critical and/or satirical of Marx and Marxist ideology.[5]

In 2007 it was reported that the Haitian director Raoul Peck was writing and directing a Karl Marx biographical film about Marx's early life, although the film is yet to be released.[6]

The 2011 documentary film Marx Reloaded combines a Marxian analysis of economic crisis with satirical animation sequences involving Marx and Leon Trotsky.

Год как жизнь

Year as Life (Russian: Год как жизнь) is a USSR widescreen biopic completed in 1966 about the lives of Karl Marx and Friedrich Engels. The film was directed by Azerbayzhana Mambetova and Grigory Roshal. The film covers one year of the lives of Karl Marx (Igor Kvasha) and Friedrich Engels (Andrei Mironov). The script is also based on a novel by Galina Serebryakova.[7] The film tells about the complex and interesting period in the life of Marx and Engels following the Revolution of 1848. It begins with the narrative of the publication of The Communist Manifesto. After the French Revolution, Marx is expelled from Belgium, and after the start of the revolution in Germany, he moves to Cologne and tries to support the comrades' publication of the Neue Rheinische Zeitung. Then Marx, persecuted by the authorities for their views, must flee with his family to London.[8]

Week End

See also: Jean-Luc Godard

Jean-Luc Godard's Week End is a story of a bourgeois Parisian husband and wife who decide to escape to the countryside for the weekend only to be confronted there by the social contradictions of their consumer lifestyle. The film makes frequent references to Marx and revolution, reflecting the wider social issues of French society at the time of its production.[9]

Sweet Movie

See also: Sweet Movie

In Sweet Movie, directed by Dušan Makavejev, a boat with a giant Karl Marx figurehead sailing along a river is a consistent narrative motif. The film includes several characters, such as 'Mr. Kapital' (played by John Vernon), who refer to Marx and Marxist themes.

News from Ideological Antiquity

Helge Schneider as Karl Marx

Alexander Kluge's News from Ideological Antiquity: Marx – Eisenstein – Das Kapital, is an experimental film which explores “the Marxian attention to the production, distribution and consumption at work behind the phenomenological surface of everyday life and experience.”[10] The film is composed of what the Marxist critic Frederic Jameson calls "fragments", akin to "Freudian free association", rather than a conventional and linear narrative. Instead of representing Marx's book Capital, the film is therefore a study of the difficulty facing Eisenstein, or any other director, in trying to represent such a work and the ideas contained in it.[10]

Apart from the more conceptual passages in the film – whose overall running time is a lengthy 570 minutes – comedian Helge Schneider impersonates Marx in several scenes.

Marx Reloaded

See also: Marx Reloaded

Marx Reloaded, written and directed by the British theorist Jason Barker, is a partly animated documentary film which investigates the contemporary relevance of Marx's ideas in the context of the global economic and financial crisis of 2008—09. The film asks whether "(we) should ... accept the crisis as an unfortunate side-effect of the free market" or whether there is "another explanation as to why it happened and its likely effects on our society, our economy and our whole way of life."[11] The film interviews several leading Marx-inspired philosophers and critics including Michael Hardt, Antonio Negri, Nina Power, Jacques Rancière, Peter Sloterdijk, Alberto Toscano and Slavoj Žižek.

In addition to its Marxian analysis the film follows "The Matrix-themed cartoon adventures of Karl Marx, lost in an Alice-style commodity-induced nightmare with only one way out."[1]

Monty Python's Flying Circus

At least two episodes of the BBC TV comedy series Monty Python's Flying Circus include sketches depicting Marx in modern-day settings, and which lampoon the presumed gravity of his thinking. In one episode Marx competes in a TV quiz show for a lounge suite but fails to win when the show's host poses him a prosaic question about football.[12]

Marx Filmography

Films in which Karl Marx is represented and/or in which his ideas or principal works comprise the main narrative theme:

Fiction

  • 1967 Week End. Directed by Jean-Luc Godard.
  • 1968 Mohr und die Raben von London (Moor and the Ravens of London). Directed by Helmut Dziuba.
  • 1974 Sweet Movie. Written and directed by Dušan Makavejev.
  • 2010 The Germans – Karl Marx and the Class struggle (Die Deutschen – Karl Marx und der Klassenkampf)[13]
  • 2012 The Meeting of the Century (Encontro do século) produced by UNIVESP TV
  • 2014 Marx is back (Marx Ha Vuelto) (Argentina)
  • 2016 Young Karl Marx (Le jeune Karl Marx). Directed by Raoul Peck.

Documentary

Art film

Comedy

See also

References

  1. ^ a b "Sonic Truth: Marx returns to bail out finance capital". Originalsonictruth.blogspot.com. 20 January 2011. Retrieved 21 February 2012.
  2. ^ "Marxism and early cinema – Marxism – film, movie, documentary". Filmreference.com. Retrieved 21 February 2012.
  3. ^ "News from Ideological Antiquity: Marx – Eisenstein – Das Kapital". Cornerhouse. Retrieved 21 February 2012.
  4. ^ "Ellipsis No. 25 " The Seventh Art". Theseventhart.info. 26 December 2010. Retrieved 21 February 2012.
  5. ^ "Senses of Cinema interview with Dušan Makavejev". Retrieved 16 March 2011.
  6. ^ Duff, Oliver (27 February 2007). "The Independent, 27 February 2007". London. Retrieved 16 March 2011.
  7. ^ Григорий Рошаль (1974). "Кинолента жизни". Искусство. Retrieved 26 March 2016.
  8. ^ Раззаков Ф. И (2005). "Андрей Миронов, баловень судьбы". Эксмо. Retrieved 26 March 2016.
  9. ^ See David Sterritt, The Films of Jean-Luc Godard: Seeing the Invisible (Cambridge: Cambridge University Press, 1997), p. 83.
  10. ^ a b "New Left Review, July–August 2009". Retrieved 16 March 2011.
  11. ^ Jason Barker. "Marx Reloaded Film". Marxreloaded.com. Retrieved 21 February 2012.
  12. ^ Francis Wheen, Karl Marx (London: Fourth Estate, 1999), p. 116.
  13. ^ http://www.zdf.de/ZDFmediathek/beitrag/video/1187338/Karl-Marx-und-der-Klassenkampf

Sources

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