Kay Swift
Kay Swift | |
|---|---|
| Birth name | Katharine Faulkner Swift |
| Born | April 19, 1897 New York City, U.S. |
| Died | January 28, 1993 (aged 95) Southington, Connecticut, U.S. |
| Occupation | Composer |
| Years active | 1930–91 |
Katharine Faulkner "Kay" Swift (April 19, 1897 – January 28, 1993) was an American composer of popular and classical music, the first woman to completely score a hit musical. Written in 1930, Fine and Dandy includes some of her best known songs; the title song has become a jazz standard. "Can't We Be Friends?" (1929) was her biggest hit song.
Swift also arranged some of the music of George Gershwin posthumously, such as the prelude "Sleepless Night" (1946).
Biography
Swift was educated as a classical musician and composer at the Institute of Musical Art (now known as the Juilliard School). Her teacher of composition was Charles Loeffler, while harmony and composition were taught to her by Percy Goetschius. Her father, a music critic, died when she was young. She had played professionally with the Edith Rubel Trio. While performing at a social event, she met the sister of her future husband, who arranged their meeting. James Paul "Jimmy" Warburg was a member of a distinguished Jewish family that had made a fortune in banking. Swift was Christian, and Warburg's uncle by marriage Jacob Schiff objected to the marriage, although his parents had accepted it. Swift had three children by Warburg between 1919 and 1924.[1] She was also grandmother to the novelist Katharine Weber. Warburg—using the pen name of Paul James—wrote lyrics for Swift's melodies, an extension of his poetry writing which was a family tradition.
Before meeting George Gershwin in 1925, her musical background was classical, though she was a great fan of the songs of Irving Berlin. Gershwin—who had coined her nickname "Kay"—[2] encouraged her interest in popular music and her writing in that vein. He frequently consulted Swift about his musicals and other works, and she became a trusted musical advisor. After Gershwin's death in 1937, his brother Ira Gershwin collaborated with Swift to complete and arrange some of his unpublished works.[3] He said that she knew almost all of George's music, "had taken down sketches as he composed [...] and had total musical recall."[4]
After she met George Gershwin, he and Swift were more and more frequently seen together. Her husband Jimmy, frequently out of town on business, was tolerant, later saying that he liked Gershwin although he had some resentment toward the "self-centered genius" who had interfered with his life. Swift and Warburg's marriage ended in divorce in 1934. Gershwin and Swift's affair lasted over ten years in all, until his death. Despite their long relationship, Kay and George never married, perhaps because, as her granddaughter Katharine Weber has suggested, Gershwin's mother Rose was unhappy that she was not Jewish.[5] In any case, his reluctance was not unfamiliar to his family and friends—Ira Gershwin thought George was too uncomfortable with children, others thought he was too self-centered to ever marry or simply preferred not to. As the couple entered a nightclub one evening, Oscar Levant reportedly announced, "Ah, look! Here comes George Gershwin with the future Miss Kay Swift."[6]
Before their 1930 hit show Fine and Dandy, Kay Swift and Paul James contributed numbers to The First Little Show ("Can't We Be Friends?") and The Garrick Gaieties. In 1934 Swift composed a ballet for George Balanchine entitled Alma Mater, which marked Balanchine's first original work with an American setting. She had been staff composer at Radio City Music Hall where she wrote musical numbers for The Rockettes, and been Director of Light Music for the 1939 World's Fair. In 1952, Kay Swift provided the score for Cornelia Otis Skinner's one-woman Broadway show Paris '90.
Swift met a cowboy at a rodeo in 1939, and eloped with him two weeks later. Her 1943 book about life on his Oregon ranch, "Who Could Ask For Anything More?" was made into the 1950 movie Never a Dull Moment, which featured Fred MacMurray as the cowboy and Irene Dunne as Kay.
Her later years were devoted to transcribing, performing, and annotating Gershwin's music, which she did until being diagnosed with Alzheimer's disease in 1991. She died at the Alzheimer's Resource Center in Southington, Connecticut on January 28, 1993 at the age of 95.
References
- Hyland, William G. (2003). George Gershwin: A New Biography. Praeger Publishers. ISBN 0-275-98111-8.
- Ohl, Vicki (2004). Fine & Dandy: The Life and Work of Kay Swift. Yale University Press. ISBN 0-300-10261-5.
- Weber, Katharine (2011). The Memory of All That: George Gershwin, Kay Swift, and My Family's Legacy of Infidelities. Crown. ISBN 0-307-39588-X.
