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Ken Park

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This article is about a film. For the legal case involving a man named Ken Parks, see R v Parks.
Ken Park
German festival release poster
Directed by
Screenplay byHarmony Korine
Based onstories and journals by Larry Clark
Produced by
  • Kees Kasander
  • Jean-Louis Piel
Starring
Cinematography
  • Larry Clark
  • Ed Lachman
Edited byAndrew Hafitz
Production
companies
  • Kasander Film Company
  • Cinéa
Distributed by
Release dates
  • August 31, 2002 (2002-08-31) (Telluride)
  • September 10, 2002 (2002-09-10) (Toronto)
  • April 3, 2003 (2003-04-03) (Netherlands)
  • October 8, 2003 (2003-10-08) (France)
Running time
93 minutes
CountriesUnited States
Netherlands
France
LanguageEnglish
Budget$1.3 million

Ken Park is a 2002 erotic drama which revolves around the abusive and dysfunctional lives of several teenagers, set in the city of Visalia, California.[1] It was written by Harmony Korine, who based it on Larry Clark's journals and stories. The film was directed and shot by Clark and Edward Lachman. The film is an international co-production of the United States, the Netherlands, and France.

Plot

The title character Ken Park (nicknamed "Krap Nek": his name spelled and pronounced backward), is a teenager skateboarding across Visalia, California. He arrives at a skate park, where he casually sets up a camcorder, smiles, and shoots himself in the temple with a handgun. His death is used to bookend the film, which follows the lives of four other teenagers who knew him.

Shawn is the most stable of the four main characters. Throughout the story, he has an ongoing sexual relationship with his girlfriend's mother Rhonda, whom he tells that he fantasizes about being with while having sex with her daughter, Hannah. He casually socializes with their family, the rest of whom are completely unaware of the affair.

Claude fends off physical and emotional abuse from his alcoholic father, who detests him for not being masculine enough, all while he tries to care for his pregnant mother, who makes little to no attempt at defending him. However, after coming home drunk one night, he attempts to perform oral sex on Claude, prompting the boy to run away from home.

Peaches is a girl who lives alone with her obsessive and highly-religious father, who fixates on her as the innocent embodiment of her deceased mother. When he catches her having sex with her boyfriend Curtis – whom she has playfully tied to her bed – he beats the boy and savagely disciplines her, then forces her to participate in a quasi-incestuous wedding ritual with him.

Tate is an unstable and sadistic adolescent living with his grandparents, whom he resents and abuses verbally. He engages in autoerotic asphyxiation while masturbating to a video of a woman playing tennis. He eventually kills his grandparents, in retaliation for petty grievances, and finds that it arouses him sexually. He records himself on his tape recorder so that the police will know how and why he did it, puts his grandfather's dentures in his mouth, lies naked in his bed, and falls asleep; eventually being found and promptly arrested.

The film cuts frequently between these subplots, with no overlap of characters or events until the end, when Shawn, Claude, and Peaches meet and have a threesome. In a game of "who am I?" afterward, they refer to an unnamed person they know who is now dead. The film cuts to a title screen, followed by a flashback to before the opening scene. Ken has impregnated his girlfriend and taken a menial job. At the skate park, they discuss whether to abort the pregnancy, and she asks Ken rhetorically if he is glad his mother did not abort him; he does not answer.

Cast

Production

Clark attempted to write the first script for Ken Park, basing it on personal experiences and people with whom he had grown up. Dissatisfied with his own draft, he hired Harmony Korine to pen the screenplay. Clark ultimately used most of Korine's script, but rewrote the ending.[citation needed] The film was given a $1.3 million budget. The arrangement was to film using digital video, but Clark and Lachman used 35mm film instead.[2][3]

Distribution

Although it was sold for distribution to some 30 countries,[4] the film was not shown in the United Kingdom after director Larry Clark assaulted Hamish McAlpine, the head of the UK distributor for the film, Metro Tartan. Clark alleged that McAlpine had said the 9/11 were "the best thing to thing to ever happened to America" and that Israeli victims of Palestinian suicide bombers "deserved to die." McAlpine denied the accusations. Clark was arrested and spent several hours in custody, and McAlpine was left with a broken nose.[5][6] The film has not been released in the United States since its initial showing at the Telluride Film Festival in 2002. Clark says that this is because of the producer's failure to get copyright releases for the music used.[7] The film was banned in Australia due to its graphic sexual content and portrayals of underage sexual activity after it was refused a classification by the Australian Classification Board in 2003. A protest screening held in Sydney, hosted by film critic Margaret Pomeranz, was shut down by the police.[8]

Critical reception

Review aggregator website Rotten Tomatoes reports a 46% approval rating based on 13 reviews.[9] Ed Gonzales of Slant Magazine noted some redeeming elements in an "otherwise familiar Kids procedural" in which "the parents are all monsters of some kind and there’s an excuse for every teenager’s bad behavior".[10] Rob Gonsalves of eFilmCritic, wrote that the film "is about people lost in a haze of contempt and despair, trying to wrest some love or relief out of the situation."[11] Michael Rechtshaffen of The Hollywood Reporter described it as "a ragingly controversial feature that makes it very tricky to distinguish between insightful and incite-ful."[12] Todd McCarthy of Variety described it as "Beautifully crafted but emotionally dispiriting and alienating in its insistence on spotlighting only the negative aspects of life".[13] Lee Marshall of Screen Daily wrote that "Clark, being Clark, pushes things a little too far; so a not entirely constructive tension is set up between the need to show and the desire to shock."[14]

Soundtrack

  1. Bouncing Souls – "Lamar Vannoy"
  2. Rancid – "Antennas"
  3. Gary Stewart – "Out of Hand"
  4. Tha Alkaholks – "Likwit"
  5. KMD – "What a Nigga Know"
  6. Blackalicious – "Deception"
  7. Merle Haggard – "Mom and Dad's Waltz"
  8. Black Star – "Brown Skin Lady"
  9. Jerry Lee Lewis – "Good Time Charlie's Got the Blues"
  10. The Roots – "Do You Want More?!!!??!"
  11. Gary Stewart – "Shady Streets"
  12. Quasimoto – "Put a Curse on You"
  13. Hank Ballard – "Henry's Got Flat Feet"
  14. The Shaggs – "Who Are Parents?"

See also

References

  1. ^ What Culture#6; Archived 2020-07-27 at the Wayback Machine Ken Park (2001)
  2. ^ Macnab, Geoffrey; Swart, Sharon (2013). FilmCraft: Producing (Ebook). Taylor & Francis. ISBN 9781136071171. Retrieved 25 January 2016.
  3. ^ "Ken Park (2002) Technical Specifications". IMDB. Retrieved 25 January 2016.
  4. ^ Police quiz critic after raid By Kirsty Needham, The Age, July 4, 2003. Accessed May 30, 2007
  5. ^ "Article in the BBC Collective". Archived from the original on 2015-04-22. Retrieved 2019-12-22.
  6. ^ "Too much verité..." The Observer. November 17, 2002. Retrieved October 20, 2015.
  7. ^ "The Nerve Interview: Larry Clark". Nerve. 2006-09-20. Archived from the original on 2013-12-27.
  8. ^ "We've arrested this film, say police". The Sydney Morning Herald. 2003-07-04. Archived from the original on 2022-02-18. Retrieved 2022-02-18.
  9. ^ "Ken Park (2002)". Rotten Tomatoes. Retrieved 3 October 2019.
  10. ^ Gonzalez, Ed (30 July 2003). "Review: Ken Park". Slant Magazine. Retrieved 2021-03-20.
  11. ^ Gonsalves, Rob. "Movie Review - Ken Park". www.efilmcritic.com. Retrieved 2021-03-20.
  12. ^ Ken Park (2002), retrieved 2021-03-20
  13. ^ McCarthy, Todd (2002-09-06). "Ken Park". Variety. Retrieved 2021-03-20.
  14. ^ Marshall, Lee (2002-09-06). "Ken Park". Screen Daily. Retrieved 2021-03-20.
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