Leon Underwood

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Leon Underwood
Leon Underwood 1890-1975.jpg
Leon Underwood in his Hammersmith studio, ca 1930
Born25 December 1890
Died9 October 1975
EducationRegent Street Polytechnic
Royal College of Art
Slade School of Fine Art
Known forSculpture, Wood engraving
Spouse(s)Mary Coleman

Leon Underwood (born 25 December 1890 in Shepherds Bush,[1] London, died 9 October 1975) "The precursor of modern sculpture in Britain"[1] was a noted British sculptor, painter, draughtsman and engraver as well as a writer and illustrator, scholar, teacher, philosopher and stained glass and furniture craftsman.[1] He attended the Slade School of Art and founded the magazine The Island in 1931. His work was influenced by African[2] and Cycladic designs.

Wartime camouflage[edit]

In the First World War, Underwood worked with Solomon Joseph Solomon as a camoufleur, creating observation posts camouflaged as trees. He sketched and painted examples of his wartime work, as in his oil painting Erecting a Camouflage Tree (1919).[3] In 1920 he received the British Prix de Rome but chose not to go to Italy, instead opening his own drawing school, then travelling elsewhere through most of the decade.[4]


Bronze model

Underwood is best known for his sculptures cast in bronze, carvings in marble, stone and wood and his drawings. His lifetime's work however includes a wide range of media and activities, and an expressive and technical mastery in what was at the time a ground breaking approach. His paintings included portraits and Mexican landscapes resulting from his youthful travels there. He was a friend of Ralph Chubb with whom he sometimes collaborated and exhibited.

He wrote a number of books on ancient African sculpture, including a study of the Ife and Benin heads, Bronzes of West Africa[5] which show his pioneering appreciation of their artistic significance and his understanding of their relationship to the culture and technology from which they originated. His access to the cave paintings of Altamira in Spain ignited his "New Philosophy" with regard to this interrelationship of the expressiveness and technology of primitive art.[1]

Students and teaching[edit]

Among his students was Henry Moore, who later spoke of his indebtedness to Underwood's teaching.[1] Underwood however was always convinced that subject matter formed a fundamental role behind the power of both his own and primitive art, and had no belief in subject-less or purely abstract form in his own work. Other notable students, only a little younger than Underwood, include Gertrude Hermes and Blair Hughes-Stanton.[6]

Underwood set up the Brook Green School, Hammersmith, London in the studio where he personally cast his bronzes, sculpted his carvings and propagated his ideas about primitive sculpture as "...forms created by inspired belief...". The art historian John Rothenstein[7] wrote of him in an introduction to a retrospective exhibition of his bronzes at The Minories, Colchester in 1969 "...the most versatile artist at work in Britain today..." but added a quotation of the artist: "The ravens fed me".


Underwood was married to Mary Coleman. They had two sons, Garth (a zoologist)[8] and John, and one daughter, Jean.


  • Tempera mural for Shell canteen London, 1954
  • Relief panel for Commercial Development Building Old Street, London, 1955
  • Reredos, side chapel and stained glass window, St Micheal's and All Angels, New Marston, Oxford, 1955
  • Bronze candlesticks and crucifix Ampleforth Abbey, 1958

Museums and public collections[edit]

Public collections holding works by Leon Underwood include


Selected publications[edit]


  1. ^ a b c d e Neve & Rothenstein, 1974, pages 1–5
  2. ^ Jeffery, Celina (May 2000). "The Leon Underwood Collection of African Art". Journal of Museum Ethnography. 12: 21–38. JSTOR 40793641.
  3. ^ Newark, 2007. p 60-61.
  4. ^ a b "Leon Underwood 1890–1975". Tate Etc. 9 October 1975. Retrieved 1 June 2017.
  5. ^ Underwood, Leon (1949). Bronzes of West Africa, Alec Tiranti.
  6. ^ "Leon Underwood". British Council: Visual Arts. 2011. Archived from the original on 3 February 2014. Retrieved 31 December 2012.
  7. ^ Rothenstein, 1969, page not cited
  8. ^ "Garth Underwood – Dedication | Bulletin of the Natural History Museum: Zoology Series | Cambridge Core". Journals.cambridge.org. 9 December 2002. doi:10.1017/S0968047002000183. Retrieved 1 June 2017.
  9. ^ "A&A Search : Leon Underwood". Artandarchitecture.org.uk. Retrieved 1 June 2017.
  10. ^ "Leon Underwood – Person – National Portrait Gallery". Npg.org.uk. 26 December 2016. Retrieved 1 June 2017.
  11. ^ "search results". ingramcollection.com. Retrieved 1 April 2019.
  12. ^ "Painting and Drawing in the Archive of Art & Design – Victoria and Albert Museum". Vam.ac.uk. Retrieved 1 June 2017.
  13. ^ "All Online Collections". Ashmolean.org. Archived from the original on 18 May 2007. Retrieved 1 June 2017.
  14. ^ "UNDERWOOD, Leon | Art Collections Online". Museumwales.ac.uk. Retrieved 1 June 2017.
  15. ^ "Archived copy". Archived from the original on 3 February 2014. Retrieved 31 December 2012.CS1 maint: archived copy as title (link)
  16. ^ [1][dead link]
  17. ^ "Brook Green Artists, 1890–1940 | LBHF Libraries". Lbhflibraries.wordpress.com. 1 July 2013. Retrieved 1 June 2017.
  18. ^ "Archived copy". Archived from the original on 26 July 2014. Retrieved 20 July 2014.CS1 maint: archived copy as title (link)
  19. ^ [2]
  20. ^ "Leon Underwood works". Search.woindowsonwarwickshire.org.uk. Retrieved 1 June 2017.


  • Martin, Simon, ed. (2015). Figure and Rhythm Leon Underwood. Pallant House Gallery.
  • Whitworth, Ben (2000). The Sculpture of Leon Underwood. Henry Moore Foundation in association with Lund Humphries. ISBN 0-85331-774-7.
  • Neve, Christopher; Rothenstein, John (1974). "Introduction". Leon Underwood. London: Thames & Hudson. pp. 1–5. ISBN 0500090998.
  • Newark, Tim (2007). Camouflage. Thames and Hudson / Imperial War Museum.
  • Rothenstein, John (1969). Leon Underwood a retrospective exhibition. Colchester: The Minories.