List of chords
Appearance
The following is a list of musical chords and simultaneities:
Code | |
---|---|
Major | Major chord. |
Minor | Minor chord. |
Augmented | Augmented chord. |
Diminished | Diminished chord. |
Indeterminate | Indeterminate chord. |
Bitonal | Bitonal chord. |
Atonal | Atonal chord. |
Predominant | Predominant chord. |
Mixed | Mixed-thirds. |
Suspended | Suspended. |
M3+d5 | Major third and flat fifth. |
Name | Image | Sound | # of p.c. | p.c. #'s | Quality |
---|---|---|---|---|---|
Augmented chord | 3 | 0 4 8 | Augmented | ||
Augmented eleventh chord[1] | 6 | 0 4 7 t 2 6 | Major | ||
Augmented major seventh chord | 4 | 0 4 8 e | Augmented | ||
Augmented seventh chord | 4 | 0 4 8 t | Augmented | ||
Augmented sixth chord | 3 | 0 6 8 | Predominant | ||
Diminished chord | 3 | 0 3 6 | Diminished | ||
Diminished major seventh chord | 4 | 0 3 6 e | Diminished | ||
Diminished seventh chord | 4 | 0 3 6 9 | Diminished | ||
Dominant (music) | 3 | 0 4 7 | Major | ||
Dominant eleventh chord | 6 | 0 4 7 t 2 5 | Major | ||
Dominant minor ninth | 5 | 0 4 7 t 1 | Major | ||
Dominant ninth | 5 | 0 4 7 t 2 | Major | ||
Dominant parallel | 3 | 0 3 7 | Minor | ||
Dominant seventh chord | 4 | 0 4 7 t | Major | ||
Dominant seventh flat five chord | 4 | 0 4 6 t | Diminished | ||
Dominant seventh raised ninth/Dominant seventh split third chord | 5 | 0 4 7 t 3 | Major | ||
Dominant thirteenth chord | 7 | 0 4 7 t 2 5 9 | Major | ||
Dream chord | 4 | 0 5 6 7 | Just | ||
Elektra chord | 5 | 0 7 9 1 4 | Bitonal | ||
Farben chord | 5 | 0 8 e 4 9 | Atonal | ||
Half-diminished seventh chord | 4 | 0 3 6 t | Diminished | ||
Harmonic seventh chord | 4 | 0 4 7 t | Major | ||
Hendrix chord/Augmented ninth[9] | 5 | 0 4 7 t 3 | Mixed | ||
Leading-tone chord | 3 | 0 3 6 | Diminished | ||
Lydian chord | 4 | 0 4 7 e 6 | Major | ||
Magic chord | 6 | — | Just | ||
Major chord | 3 | 0 4 7 | Major | ||
Major eleventh chord | 6 | 0 4 7 e 2 5 | Major | ||
Major seventh chord | 4 | 0 4 7 e | Major | ||
Major seventh sharp eleventh chord | 5 | 0 4 7 e 6 | Augmented | ||
Major sixth chord | 4 | 0 4 7 9 | Major | ||
Major sixth ninth chord ("6 add 9",[11] Nine six,[12] 6/9) | 5 | 0 4 7 9 2 | Major | ||
Major ninth chord | 5 | 0 4 7 e 2 | Major | ||
Major thirteenth chord | 7 | 0 4 7 e 2 6 9 | Major | ||
Mediant | 3 | 0 3 7 | Minor | ||
Minor chord | 3 | 0 3 7 | Minor | ||
Minor eleventh chord | 6 | 0 3 7 t 2 5 | Minor | ||
Minor major seventh chord | 4 | 0 3 7 e | Minor | ||
Minor ninth chord | 5 | 0 3 7 t 2 | Minor | ||
Minor seventh chord | 4 | 0 3 7 t | Minor | ||
Minor sixth chord | 4 | 0 3 7 9 | Minor | ||
Minor sixth ninth chord (6/9) | 5 | 0 3 7 9 2 | Minor | ||
Minor thirteenth chord | 7 | 0 3 7 t 2 5 9 | Minor | ||
Mu chord | 4 | 0 2 4 7 | Major | ||
Mystic chord | 6 | 0 6 t 4 9 2 | Atonal | ||
Neapolitan chord | 3 | 1 5 8 | Major | ||
Ninth augmented fifth chord[11][13] | 5 | 0 4 8 t 2 | Augmented | ||
Ninth flat fifth chord[11] | 5 | 0 4 6 t 2 | M3+d5 | ||
Northern lights chord | 11 | 1 2 8 0 3 6 7 t e 4 7 | Atonal | ||
"Ode-to-Napoleon" hexachord | 6 | 0 1 4 5 8 9 | Atonal | ||
Petrushka chord | 6 | 0 1 4 6 7 t | Mixed | ||
Power chord | 2 | 0 7 | Indeterminate | ||
Psalms chord | 3 | 0 3 7 | Minor | ||
Secondary dominant | 3 | 0 4 7 | Major | ||
Secondary leading-tone chord | 3 | 0 3 6 | Diminished | ||
Secondary supertonic chord | 3 | 0 3 7 | Minor | ||
Seven six chord[16] | 5 | 0 4 7 9 t | Major | ||
Seventh flat nine chord[18] | 5 | 0 4 7 t 1 | Major | ||
Seventh suspension four chord[19] | 4 | 0 5 7 t | Suspended | ||
So What chord | 5 | 0 5 t 3 7 | Bitonal | ||
Suspended chord | 3 | 0 5 7 | Indeterminate | ||
Subdominant | 3 | 0 4 7 | Major | ||
Subdominant parallel | 3 | 0 3 7 | Minor | ||
Submediant | 3 | 0 3 7 | Minor | ||
Subtonic | 3 | 0 4 7 | Major | ||
Supertonic | 3 | 0 3 7 | Minor | ||
Thirteenth flat ninth chord[11] | 6 | 0 4 7 t 1 x 9 | Major | ||
Thirteenth flat ninth flat fifth chord[11] | 6 | 0 4 6 t 1 x 9 | M3+d5 | ||
Tonic counter parallel | 3 | 0 3 7 | Minor | ||
Tonic (music) | 3 | 0 4 7 | Major | ||
Tonic parallel | 3 | 0 3 7 | Minor | ||
Tristan chord | 4 | 0 3 6 t | Predominant | ||
Viennese trichord | 3 | 0 1 6 or 0 6 7 | Atonal |
See also
2
Sources
- ^ Pearse, John (1977). The Guitarist's Picture Chord Encyclopedia, p.31. ISBN 0-8256-2199-2.
- ^ a b Munro, Doug (2002). Jazz Guitar: Bebop and Beyond, p.39. ISBN 978-0-7579-8281-1.
- ^ Pearse (1977), p.19.
- ^ Pearse (1977), p.17.
- ^ Benward & Saker (2009). Music in Theory and Practice: Volume II, p.179. Eighth Edition. ISBN 978-0-07-310188-0.
- ^ Pearse (1977), p.25.
- ^ Pearse (1977), p.32.
- ^ Pearse (1977), p.23.
- ^ Isacoff, Stuart (1987). The 20-Minute Chords & Harmony Workout, p.111. ISBN 978-0-943748-41-2.
- ^ Juergensen, Chris (2006). The Infinite Guitar, p.50. ISBN 1-4116-9007-9.
- ^ a b c d e f Bay, William (10 April 1971). Encyclopedia of guitar chords. Mel Bay Publications. p. 2. ISBN 978-0-87166-664-2. Retrieved 27 May 2011.
- ^ Pearse (1977), p.35.
- ^ Pearse (1977), p.27.
- ^ Pearse (1977), p.28.
- ^ Konowitz, Bert (1999). Chords Complete: Book & CD, p.174. ISBN 978-0-7390-0060-1.
- ^ Pearse (1977), p.34.
- ^ Kroepel, Bob (1993). Deluxe Encyclopedia of Piano Chords, p.19. ISBN 978-0-87166-579-9.
- ^ Pearse (1977), p.21.
- ^ Pearse (1977), p.24
- ^ Ron Manus, L. C. Harnsberger (2007). Alfred's Max Tab Guitar Complete, p.97. ISBN 978-0-7390-4584-8.
- ^ Mazer, Susan (2007). Guitar for the Absolute Beginner, Complete, p.77. ISBN 978-0-7390-4670-8.
- ^ Ciravolo, Tish (2007). Girl's Guitar Method Complete, p.85. ISBN 978-0-7390-4556-5.
- ^ Manus & Harnsberger (2007). Alfred's Max Guitar Complete, p.99. ISBN 978-0-7390-4208-3.
- ^ Pearse (1977), p.33.